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007    cr mnu|||unuuu 
008    050506s2001    enka    ob    001 0deng d 
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043    e-uk-en 
049    GTKE 
050  4 ML1731.8.L7|bW66 2001eb 
082 04 792.5/09421|222 
100 1  Woodfield, Ian. 
245 10 Opera and drama in eighteenth-century London :|bthe King's
       Theatre, Garrick and the business of performance /|cIan 
       Woodfield. 
246 3  Opera and drama in 18th-century London 
264  1 Cambridge ;|aNew York :|bCambridge University Press,
       |c[2001] 
264  4 |c©2001 
300    1 online resource (xii, 339 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Cambridge studies in opera 
504    Includes bibliographical references (pages 295-330) and 
       index. 
505 0  Introduction -- The Hobart management -- The new managers 
       take control -- Sacchini and the revival of opera seria --
       Recruitment procedures and artistic policy -- The King's 
       Theatre in crisis -- The recruitment of Lovattini -- The 
       English community in Rome -- Lucrezia Agujari at the 
       Pantheon -- Caterina Gabrielli -- Rauzzini's last season -
       - The King's Theatre flourishes -- The Queen of Quavers 
       satire -- Financial management -- Opera salaries -- The 
       sale of 1778 -- Appendices. The accounts of Richard Yates 
       and James Brooke at Henry Hoare and Company The customer 
       account ledgers of Sheridan and Harris (1778-1779). 
       Selected entries from the account of Jonathan Garton at 
       Drummonds Bank (1778-1779). The account of Gasparo 
       Pacchierotti at Coutts and Company (1779-1784). A page of 
       opera payments and receipts in the Salt MSS (1780). 
       Petition to the Lord Chamberlain (c.1770). Petition to the
       Lord Chamberlain (c.1775). Draft petition to the Lord 
       Chamberlain from Sheridan and Harris (1777). Journal 
       Etranger, No. 1 (June 1777). Opera reviews from Journal 
       Etranger (1777-1778). 
520    In this study, Ian Woodfield explores the cultural and 
       commercial life of Italian opera in late eighteenth-
       century London. It was a period when theatre and opera 
       worlds mixed, venues were shared, and agents and managers 
       collaborated and competed. Through primary sources, many 
       analysed for the first time, Woodfield examines such 
       issues as finances, recruitment policy, the handling of 
       singers and composers, links with Paris and Italy, and the
       role of women in opera management. These key topics are 
       also placed within the context of a personal dispute 
       between two of the most important managers of the day, the
       woman writer Frances Brooke and the actor David Garrick, 
       which influenced the running of the major venues, the 
       King's Theatre, Drury Lane and Covent Garden. Woodfield 
       has also uncovered new information concerning the 
       influential role of the eighteenth-century music historian
       and critic Charles Burney, as artistic advisor to the 
       King's Theatre.--Publisher description. 
588 0  Print version record. 
610 20 King's Theatre (London, England)|xManagement. 
610 20 King's Theatre (London, England) 
610 20 King's Theatre (Londres, Angleterre) 
610 27 King's Theatre (London, England)|2fast|0(OCoLC)fst00695014
610 27 King's Theatre (Londres, Angleterre)|2rasuqam 
648  7 1700 - 1799|2fast 
650  0 Theater management|zEngland|zLondon|y18th century. 
650  0 Opera|zEngland|zLondon|y18th century. 
650  7 MUSIC|xGenres & Styles|xOpera.|2bisacsh 
650  7 Management.|2fast|0(OCoLC)fst01007141 
650  7 Opera.|2fast|0(OCoLC)fst01046145 
650  7 Theater management.|2fast|0(OCoLC)fst01149344 
650  7 18e siècle.|2rasuqam 
650  7 Opéra.|2rasuqam 
650  7 Gestion.|2rasuqam 
651  7 England|zLondon.|2fast|0(OCoLC)fst01204271 
651  7 Londres (Angleterre)|2rasuqam 
776 08 |iPrint version:|aWoodfield, Ian.|tOpera and drama in 
       eighteenth-century London.|dNew York : Cambridge 
       University Press, ©2001|z0521800129|w(DLC)   00062178
       |w(OCoLC)45230460 
830  0 Cambridge studies in opera. 
914    ocm60314298 
994    93|bGTK