LEADER 00000cam 2200000 4500
001 ocm00860128
003 OCoLC
005 20090424010002.0
008 731109s1974 nyu b 001 0 eng
010 73019982
019 13593070|a56558305
020 0393093018|qv. 1
020 9780393093018|qv. 1
020 0393093042|qv. 1|qpaperback
020 9780393093049|qv. 1|qpaperback
035 (OCoLC)00860128
035 (OCoLC)860128|z(OCoLC)13593070|z(OCoLC)56558305
040 DLC|beng|cDLC|dGZX|dMUQ|dBTCTA|dOCLCG|dIBS
043 e-uk---
049 PSSA
050 00 PR1109|b.A2 1974
082 00 820/.8
100 1 Abrams, M. H.|q(Meyer Howard),|d1912-2015|eeditor.
245 14 The Norton anthology of English literature /|cM. H. Abrams,
general editor [and others].
250 Third edition.
264 1 New York :|bNorton|c[1974]
300 2 volumes ;|c22 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Bibliography: volume 1, pages 2443-2465; volume 2, pages
2447-2467.
505 2 v. 1. The Middle Ages -- The sixteenth century -- The
seventeenth century -- The restoration and the eighteenth
century.
505 00 |gv. 2.|gThe romantic period.|tCorn riggs an' barley rigs
;|tTo a mouse ;|tGreen grown the rashes ;|tHoly Willie's
prayer ;|tWillie brewed a peck o' maut ;|tTam o' shanter ;
|tAfton Water ;|tAe fond kiss ;|tYe flowery banks ;|tScots,
what hae ;|tFor a' that and a' that ;|tA red, red rose ;
|tAuld lang syne /|rRobert Burns.
505 00 |gv. 2.|gThe romantic period.|tPoetical sketches.|tSong
(How sweet I roam'd from field to field) ;|tTo the evening
star ;|tSong (Memory, hither come) ;|tMad song ;|tTo the
muses /|rWilliam Blake --|tSongs of innocence.
|tIntroduction ;|tThe lamb ;|tThe divine image ;|tThe
chimney sweeper ;|tNurse's song ;|tHoly Thursday ;|tThe
little black boy /|rWilliam Blake --|tSongs of experience.
|tIntroduction.|tEarth's answer ;|tThe clod & the pebble ;
|tHoly Thursday ;|tThe chimney sweeper ;|tNurse's song ;
|tThe sick rose ;|tThe tyger ;|tAh, sunflower ;|tThe
garden of love ;|tLondon ;|tThe human abstract ;|tInfant
sorrow ;|tA poison tree ;|tTo Tirzah ;|tA divine image /
|rWilliam Blake --|tThe book of Thel ;|tThe marriage of
Heaven and Hell ;|tA song of liberty ;|tFor the sexes :
the gates of paradise (prologue and epilogue) /|rWilliam
Blake --|tFrom Blake's notebook.|tNever pain to tell thy
love ;|tI asked a thief ;|tMock on, mock on Voltaire,
Rousseau ;|tMorning /|rWilliam Blake --|tThe mental
traveller ;|tAnd did those feet ;|tJerusalem : the
emanation of the giant Albion.|tInvocation ;|tThe waking
of Albion /|rWilliam Blake --|tA vision of the last
judgment (Two letters on sight and vision).|tTo Dr. John
Trusler (Aug. 23, 1799) ;|tTo Thomas Butts (Nov. 22, 1802
: With happiness stretchd across the hills) /|rWilliam
Blake.
505 00 |gv. 2.|gThe romantic period.|tLyrical ballads.|tWe are
seven ;|tLines written in early spring ;|tExpostulation
and reply ;|tThe tables turned ;|tTo my sister ;|tLines
composed a few miles above Tintern Abbey ;|tPreface to
Lyrical ballads /|rWilliam Wordsworth --|tStrange fits of
passion have I known ;|tShe dwelt among the untrodden ways
;|tThree years she grew ;|tA slumber did my spirit seal ;
|tI travelled among unknown men ;|tLucy Gray ;|tThe ruined
cottage ;|tMichael ;|tWritten in March ;|tResolution and
independence ;|tThe green linnet ;|tYew trees ;|tI
wandered lonely as a cloud ;|tMy heart leaps up ;|tOde :
intimations of immortality ;|tOde to duty ;|tThe solitary
reaper ;|tElegiac stanzas /|rWilliam Wordsworth --
|gSonnets.|tComposed upon Westminster Bridge, September 3,
1802 ;|tIt is a beauteous evening ;|tComposed in the
valley near Dover, on the day of landing London, 1802 ;
|tThe world is too much with us ;|tSurprised by joy ;
|tComposed by the side of Grasmere lake ;|tAfterthought ;
|tMutability ;|tSteamboats, viaducts, and railways ;
|tExtempore effusion upon the death of James Hogg ;
|tProspectus to The recluse ;|tThe prelude.|tThe two-part
prelude ;|tThe prelude, or, Growth of a poet's mind (Books
I-XIV) /|rWilliam Wordsworth.
505 00 |gv. 2.|gThe romantic period.|tThe Alfoxden journal ;|tThe
Grasmere journals /|rDorothy Wordsworth.
505 00 |gv. 2.|gThe romantic period.|tSonnet to the river otter ;
|tThe Eolian harp ;|tThis lime-tree bower my prison ;|tThe
rime of the ancient mariner ;|tKubla Khan ;|tChristabel ;
|tFrost at midnight ;|tDejection : an ode ;|tThe pains of
sleep ;|tWhat is life? ;|tPhantom ;|tTo William Wordsworth
;|tRecollections of love ;|tLimbo ;|tOn Donne's poetry ;
|tWork without hope ;|tConstancy to an ideal object ;
|tPhantom or fact ;|tEpitaph ;|tBiographia literaria
(chapters I, IV, XIII, XIV, XVII) ;|tLectures on
Shakespeare.|tFancy and imagination in Shakespeare's
poetry ;|tMechanic vs. organic form /|rSamuel Taylor
Coleridge.
505 00 |gv. 2.|gThe romantic period.|tWritten after swimming from
Sestos to Abydos ;|tWhen we two parted ;|tShe walks in
beauty ;|tStanzas for music.|tThere be none of beauty's
daughters ;|tThey say that hope is happiness /|rGeorge
Gordon, Lord Byron --|tDarkness ;|tChilde Harold's
pilgrimage (canto I, III, IV);|tSo we'll go no more a-
roving ;|tDon Juan (canto I-IV, XVI) ;|tThe vision of
judgment ;|tStanzas to the Po ;|tWhen a man hath no
freedom to fight for at home ;|tStanzas written on the
road between Florence and Pisa /|rGeorge Gordon, Lord
Byron.
505 00 |gv. 2.|gThe romantic period.|tMutability ;|tTo Wordsworth
;|tAlastor, or, The spirit of solitude ;|tMont Blanc :
lines written in the vale of Chamouni ;|tHymn to
intellectual beauty ;|tOzymandias ;|tSonnet (Lift not the
painted veil which those who live) ;|tStanzas written in
dejection, December 1818, near Naples ;|tA song : Men of
England ;|tEngland in 1819 ;|tTo Sidmouth and Castlereagh
;|tThe Indian girl's song ;|tOde to the west wind ;
|tPrometheus unbound ;|tThe cloud ;|tTo a sky-lark ;|tSong
of Apollo ;|tSong of Pan ;|tThe two spirits, an allegory ;
|tWhen passion's trance is overpast ;|tTo night ;|tTo-----
|tMemory ;|tO world, o life, o time ;|tChoruses from
Hellas.|tWorlds on worlds ;|tThe world's great age /
|rPercy Bysshe Shelley --|tAdonais : an elegy on the death
of John Keats ;|tA dirge ;|tWhen the lamp is shattered ;
|tTo Jane, the invitation ;|tTo Jane (The keen stars were
twinkling) ;|tLines written in the Bay of Lerici ;|tThe
triumph of life ;|tA defence of poetry /|rPercy Bysshe
Shelley.
505 00 |gv. 2.|gThe romantic period.|tOn first looking into
Chapman's house ;|tSleep and poetry ;|tOn seeing the Elgin
Marbles for the first time ;|tOn the sea ;|tEndymion
(Preface and books I and IV) ;|tIn drear-nighted December
;|tOn sitting down to read King Lear once again ;|tWhen I
have fears ;|tTo Homer ;|tThe eve of St. Agnes ;|tBright
star ;|tWhy did I laugh tonight ;|tLa Belle Dame sans
merci ;|tOn the sonnet ;|tTo sleep ;|tOn fame ;|tOde to
psyche ;|tOde on a Grecian urn ;|tOde to a nightingale ;
|tOde on Indolence ;|tOde on melancholy ;|tLamia ;|tThe
fall of hyperion ;|tTo autumn ;|tThis living hand /|rJohn
Keats --|gLetters.|tTo Benjamin Bailey ;|tTo George and
Thomas Keats ;|tTo John Hamilton Reynolds ;|tTo John
Taylor ;|tTo Richard Woodhouse ;|tTo George and Georgiana
Keats ;|tTo Percy Bysshe Shelley /|rJohn Keats.
505 00 |gv. 2.|gThe romantic period. Romantic lyric poets.|tTo
the River Itchin, near Winton ;|tLanguid, and sad, and
slow /|rWilliam Lisle Bowles --|tThe dreary change ;|tJock
of Hazeldean ;|tProud Maisie /|rSir Walter Scott --|tMy
days among the dead are passed /|rRobert Southey --
|tMother, I cannot mind my wheel ; Rose Aylmer ;|tThe
three roses ;|tOn seeing a hair of Lucretia Borgia ;|tPast
ruined lion ;|tDirce ;|tTwenty years hence ;|tOn his
seventy-fifth birthday ;|tWell I remember how you smiled /
|rWalter Savage Landor --|tBelieve me, if all those
endearing young charms ;|tThe harp that once through
Tara's halls ;|tThe time I've lost in wooing /|rThomas
Moore --|tThe fish, the man, and the spirit ;|tRondeau /
|rLeigh Hunt --|tThe war song of Dinas Vawr /|rThomas Love
Peacock --|tMouse's nest ;|tI am ;|tClock a clay ;|tSong
(I peeled bits of straw and I got switches too) ;|tSong
(Secret love) ;|tAn invite to eternity ;|tA vision /|rJohn
Clare --|tThe phoenix ;|tIt is not beauty I demand ;|tThe
mermaidens' vesper hymn /|rGeorge Darley --|tSong (How
many times do I love thee dear?) ;|tSong (Old Adam, the
carrion crow) ;|tThe phantom wooer ;|tSong of the Stygian
Naiades /|rThomas Lovell Beddoes.
505 00 |gv. 2.|gThe romantic period. Romantic essayists.
|tChrist's hospital five-and-thirty years ago ;|tThe two
races of men ;|tNew year's eve ;|tOn the artificial comedy
of the last century ;|tOld china /|rCharles Lamb --|tMy
first acquaintance with poets ;|tMr. Wordsworth ;|tOn
Shakespeare and Milton ;|tThe fight /|rWilliam Hazlitt --
|tConfessions of an English opium-eater.|tPreliminary
confessions ;|tIntroduction to the pains of opium ;|tThe
pains of opium /|rThomas De Quincey --|tOn the knocking at
the gate in MacBeth ;|tThe English mail coach (II and III)
/|rThomas De Quincey.
505 00 |gv. 2.|gThe romantic period. Topics in romantic
literature, the Satanic and Byronic hero.|tRomantic
comments on Milton's Satan /|rWilliam Blake ; Percy Bysshe
Shelley ; Samuel Taylor Coleridge --|tThe evolution of the
Byronic hero /|rAnne Radcliffe ; Lord Byron --|tTopics in
romantic literature : romantic poems in process.|tThe
tyger /|rWilliam Blake ;|tShe dwelt among the untrodden
ways /|rWilliam Wordsworth ;|tDejection : an ode /|rSamuel
Taylor Coleridge ;|tDon Juan /|rLord Byron ;|tO world, O
life, O time /|rPercy Bysshe Shelley ;|tThe eve of St.
Agnes /|rJohn Keats.
505 00 |gv. 2.|gThe Victorian age.|tCarlyle's portraits of his
contemporaries.|tKing William IV at 69 ;|tQueen Victoria
at 18 ;|tCharles Lamb at 56 ;|tSamuel Taylor Coleridge at
53 ;|tWilliam Wordsworth in his seventies ;|tAlfred
Tennyson at 34 ;|tWilliam Makepeace Thackeray at 42 /
|rThomas Carlyle --|tCharacteristics ;|tSartor restartus.
|tThe everlasting no ;|tCentre of indifference ;|tThe
everlasting yea ;|tNatural supernaturalism /|rThomas
Carlyle --|tPast and present.|tDemocracy ;|tCaptains of
industry /|rThomas Carlyle.
505 00 |gv. 2.|gThe Victorian age.|tWhat is poetry? ;|tColeridge
;|tOn liberty (chapter III) ;|tThe subjection of women ;
|tAutobiography (chapter V) /|rJohn Stuart Mill.
505 00 |gv. 2.|tThe Victorian age.|tThe kraken ;|tMariana ;
|tSonnet (She took the dappled partridge flecked with
blood) ;|tThe lady of Shalott ;|tThe lotos-eaters ;|tYou
ask me, why, though ill at ease ;|tLines (Here often, when
a child I lay reclined) ;|tUlysses ;|tTithonus ;|tBreak,
break, break ;|tThe epic (Morte d' Arthur) ;|tSonnet (How
thought you that this thing could captivate?) ;|tMove
eastward, happy Earth ;|tThe eagle ;|tLocksley Hall ;|tThe
princess.|tSweet and low ;|tThe splendor falls ;|tTears,
idle tears ;|tAsk me no more ;|tNow sleeps the crimson
petal ;|tCome down, o maid ; The woman's cause is man's /
|rAlfred, Lord Tennyson --|tIn memoriam A.H.H. ;|tThe
charge of the light brigade ;|tMaud (VIII, XVI, XVIII) ;
|tIn the valley of Cauteretz ;|tIdylls of the king.
|tDedication ;|tPelleas and Ettarre ;|tThe passing of
Arthur /|rAlfred, Lord Tennyson --|tA dedication ;|tI
stood on a tower ;|tNorthern farmer : new style ;|tFlower
in the crannied wall ;|tThe revenge ;|tTo Virgil ;|t"Frate
ave atque vale" ;|tThe dawn ;|tThe silent voices ;
|tCrossing the bar /|rAlfred, Lord Tennyson.
505 00 |gv. 2.|gThe Victorian age.|tPorphyria's lover ;
|tSoliloquy of the Spanish cloister ;|tMy last duchess ;
|tThe laboratory ;|tThe lost leader ;|tHow they brought
the good news from Ghent to Aix ;|tHome-thoughts, from
abroad ;|tHome-thoughts, from the sea ;|tThe bishop orders
his tomb at Saint Praxed's Church ;|tMeeting at night ;
|tParting at morning ;|tA toccata of Galuppi's ;
|tMemorabilia ;|tLove among the ruins ;|tWomen and roses ;
|t"Childe Roland to the dark tower came" ;|tRespectability
;|tFra lippo lippi ;|tThe last ride together ;|tAndrea del
Sarto ;|tTwo in the Campagna ;|tA Grammarian's funeral ;
|tConfessions ;|tYouth and art ;|tCaliban upon Setebos ;
|tProspice ;|tAbt Vogler ;|tDîs aliter visum, or, Le Byron
de Nos Jours ;|tRabbi Ben Ezra ;|tApparent failure ;|tO
lyric love ;|tThe householder ;|tHouse ;|tTo Edward
Fitzgerald ;|tEpilogue to Asolando /|rRobert Browning
505 00 |gv. 2.|gThe Victorian age.|tMartin Chuzzlewit
[selections] ;|tDavid Copperfield [selections] ;|tBleak
house [selections] ;|tHard times [selections] ;|tOur
mutual friend [selections] /|rCharles Dickens.
505 00 |gv. 2.|gThe Victorian age.|tThe mill on the floss
[selections] ;|tMargaret Fuller and Mary Wollstonecraft /
|rGeorge Eliot.
505 00 |gv. 2.|tThe Victorian age.|tShakespeare ;|tIn harmony
with nature ;|tTo a friend ;|tThe forsaken merman ;
|tIsolation. To Marguerite ;|tTo Marguerite, continued ;
|tThe buried life ;|tMemorial verses ;|tLonging ;|tLines
written in Kensington Gardens ;|tPhilomela ;|tRequiescat ;
|tThe scholar gypsy ;|tDover Beach ;|tStanzas from the
Grande Chartreuse ;|tThyrsis ;|tPalladium ;|tThe better
part ;|tGrowing old ;|tThe last word ;|tPreface to Poems ;
|tThe function of criticism at the present time ; Maurice
de Guérin (A definition of poetry) ;|tCulture and anarchy
(chapters I, II, V) ;|tWordsworth ;|tThe study of poetry ;
|tLiterature and science /|rMatthew Arnold.
505 00 |gv. 2.|gThe Victorian age. Lyric and narrative poetry.
|tSonnets from the Portuguese (22, 43) /|rElizabeth
Barrett Browning --|tRemembrance ;|tThe prisoner ;|tNo
coward soul is mine /|rEmily Brontë --|tThe blessed
damozel ;|tMy sister's sleep ;|tThe woodspurge ;|tThe
house of life [selections from The sonnet] ;|tShe bound
her green sleeve ;|tThe orchard-pit /|rDante Gabriel
Rossetti --|tSong (When I am dead, my dearest) ;|tAfter
death ;|tA birthday ;|tAn apple gathering ;|tUphill ;
|tGoblin market ;|tA life's parallels ;|tCardinal Newman ;
|tSleeping at last /|rChristina Rossetti --|tModern love
(1, 2, 3, 15, 16, 17, 50) ;|tDirge in the woods ;|tLucifer
in starlight /|rGeorge Meredith --|tChrist keep the hollow
land ;|tThe haystack in the floods ;|tThe earthly paradise
(An apology) ;|tA death song ;|tFor the bed at Kelmscott /
|rWilliam Morris --|tThe rubáiyát of Omar Khayyám /
|rEdward Fitzgerald --|tEpi-strauss-ium ;|tThe latest
decalogue ;|tSay not the struggle nought availeth ;
|tDipsychus.|tI dreamt a dream.|t"There is no God", the
wicked saith /|rArthur Hugh Clough --|tAtalanta in
Calydon.|tWhen the hounds of spring ;|tBefore the
beginning of years /|rAlgernon Charles Swinburne --|tIn
the orchard ;|tThe triumph of time (I will go back to the
great sweet mother) ;|tHymn to Proserpine ;|tThe garden of
Proserpine ;|tAve Atque Vale /|rAlgernon Charles Swinburne
--|tThe hound of heaven ;|tThe kingdom of God /|rFrancis
Thompson.
505 00 |gv. 2.|gThe Victorian age. Nonsense verse.|tHow pleasant
to know Mr. Lear ;|tLimerick (There was a young man in
Iowa) ;|tThe jumblies ;|tCold are the crabs /|rEdward Lear
--|tJabberwocky (Humpty Dumpty's explication of
Jabberwocky) ;|tThe white knight's song ;|tThe walrus and
the carpenter ;|tThe hunting of the snark ;|tThe baker's
tale /|rLewis Carroll.
505 00 |gv. 2.|gThe Victorian age. Critical and controversial
prose.|tThe idea of a university (discourse V and VII) ;
|tApologia pro vita sua (chapters III, V, and from
Liberalism) /|rJohn Henry Cardinal Newman --|tModern
painters.|tThe slave ship ;|tOf the pathetic fallacy /
|rJohn Ruskin --|tThe stones of Venice (The savageness of
Gothic architecture) ;|tThe storm-cloud of the nineteenth
century (Lecture I) /|rJohn Ruskin --|tA liberal education
(A game of chess) ;|tAn address on university education
(The function of a professor) ;|tScience and culture ;
|tAgnosticism and Christianity /|rThomas Henry Huxley --
|tThe Renaissance.|tPreface ;|tLa Gioconda|tConclusion /
|rWalter Pater --|tAppreciations (Style) /|rWalter Pater.
505 00 |gv. 2.|gThe Victorian age. Topics in Victorian literature
: evolution.|tThe descent of man [selection] /|rCharles
Darwin --|tThe Belfast address [selection] /|rJohn Tyndall
--|tThe life and letter of Thomas Henry Huxley [selection]
/|rLeonard Huxley --|tFather and son [selection] /|rEdmund
Gosse
505 00 |gv. 2.|gThe Victorian age. Topics in Victorian literature
: industrialism, progress or decline?|tA review of
Southey's Colloquies [selection] /|rThomas Babington
Macaulay --|tThe great towns /|rFriedrich Engels --|tAlton
Locke [selection] /|rCharles Kingsley --|tSocial statics
[selection] /|rHerbert Spencer.
505 00 |gv. 2.|gThe twentieth century.|tImpression du Matin ;
|tHélas ;|tE tenebris ;|tThe harlot's house ;|tThe critic
as artist ;|tPreface to The picture of Dorian Gray /
|rOscar Wilde --|tCynara ;|tFlos lunae ;|tTo one in Bedlam
;|tA last word ;|tSpleen ;|tDregs ;|tExchanges /|rErnest
Dowson --|tHap ;|tThe impercipient ;|tNeutral tones ;|tI
look into my glass ;|tA broken appointment ;|tDrummer
hodge ;|tLausanne ;|tThe darkling thrush ;|tA trampwoman's
tragedy ;|tLet me enjoy ;|tThe rash bride ;|tOne we knew ;
|tShe hears the storm ;|tChannel firing ;|tThe convergence
of the Twain ;|tAh, are you digging on my grave ;|tUnder
the waterfall ;|tThe walk ;|tDuring wind and rain ;|tIn
time of "The breaking of nations" ;|tHe never expected
much /|rThomas Hardy --|tGod's grandeur ;|tThe starlight
night ;|tSpring ;|tThe lantern out of doors ;|tThe
windhover ;|tPied beauty ;|tHurrahing in harvest ;|tBinsey
poplars ;|tDun's Scotus's Oxford ;|tFelix Randal ;|tSpring
and fall ;|tInversnaid ;|tCarrion comfort ;|tNo worst,
there is none ;|tThou art indeed just, Lord /|rGerard
Manley Hopkins.
505 00 |gv. 2.|gThe twentieth century.|tPreface to Major Barbara
;|tMajor Barbara /|rGeorge Bernard Shaw --|tHeart of
darkness /|rJoseph Conrad --|tThe madness of King Goll ;
|tThe stolen child ;|tDown by the Sally Gardens ;|tThe
rose of the world ;|tThe lake isle of Innisfree ;|tThe
sorrow of love ;|tWhen you are old ;|tWho goes with Fergus
;|tThe man who dreamed of Faeryland ;|tThe secret rose ;
|tThe folly of being comforted ;|tAdam's curse ;|tThe old
men admiring themselves in the water ;|tNo second Troy ;
|tThe fascination of what's difficult ;|tSeptember 1913 ;
|tTo a shade ;|tThe cold heaven ;|tThe wild swans at Coole
;|tEaster 1916 ;|tOn a political prisoner ;|tThe second
coming ;|tA prayer for my daughter ;|tSailing to Byzantium
;|tLeda and the swan ;|tAmong school children ;|tA
dialogue of self and soul ;|tFor Anne Gregory ;|tByzantium
;|tCrazy Jane talks with the bishop ;|tAfter long silence
;|tLapis lazuli ;|tLong-legged fly ;|tThe circus animals'
desertion ;|tUnder Ben Bulben /|rWilliam Butler Yeats --
|tMemoirs.|tAutobiography ;|tJournal /|rWilliam Butler
Yeats.
505 00 |gv. 2.|gThe twentieth century.|tAraby ;|tClay ;|tA
portrait of the artist as a young man.|tThe interview with
the director ;|tThe walk on the shore /|rJames Joyce --
|tUlysses.|tProteus ;|tLestrygonians /|rJames Joyce --
|tFinnegans wake (Anna Livia Plurabelle) /|rJames Joyce --
|tOdor of chrysanthemums ;|tThe rainbow (chapter II) ;
|tThe horse dealer's daughter ;|tThe fox ;|tWhy the novel
matters ;|tLove on the farm ;|tThe bride ;|tA young wife ;
|tPiano ;|tBavarian gentians ;|tSnake ;|tThe ship of death
/|rD.H. Lawrence --|tThe love song of J. Alfred Prufrock ;
|tLandscapes.|tRannoch, by Glencoe ;|tCape Ann /|rT.S.
Eliot --|tSweeney among the nightingales ;|tWhispers of
immortality ;|tThe waste land ;|tJourney of the magi ;
|tMarina ;|tFour quartets (Little gidding) ;|tTradition
and the individual talent ;|tThe metaphysical poets /
|rT.S. Eliot --|tThe watergaw ;|tThe Bonnie Broukit Bairn
;|tMoonstruck ;|tThe Eemis stane ;|tA drunk man looks at
the thistle.|tFarewell to Dostoevski ;|tYet ha'e I silence
left /|rHugh MacDiarmid --|tTo circumjack cencrastus
(Lourd on my hert) ;|tOn a raised beach ;|tSecond hymn to
Lenin ;|tIn memoriam James Joyce (We must look at the
harebell) /|rHugh MacDiarmid --|tEndgame (The end) ;
|tMolloy.|tOverture : A and C ;|tMolloy and his sucking
stones ;|tMoran in service ;|tTwo encounters ;|tMoran back
from service /|rSamuel Beckett --|tThe unnamable (Into the
silence) /|rSamuel Beckett.
505 00 |gv. 2.|gThe twentieth century. Distinctive voices in
poetry and fiction.|tLoveliest of trees ;|tWhen I was one-
and-twenty ;|tTo an athlete dying young ;|tBredon Hill ;
|tThe Lent lily ;|tOn Wenlock Edge ;|tWith rue my heart is
laden ;|tTerence, this is stupid stuff ;|tThe chestnut
casts his flambeaux ;|tCould man be drunk forever ;
|tEpitaph on an army of mercenaries /|rA.E. Housman --
|tDanny Deever ;|tRecessional ;|tEdgehill fight ;|tThe
runes on Weland's sword /|rRudyard Kipling --|tHeaven ;
|tThe soldier /|rRupert Brooke --|tTears ;|tThe owl ;|tThe
path ;|tAdlestrop ;|tThe gallows ;|tAmbition /|rEdward
Thomas --|tGreater love ;|tFutility ;|tSonnet on seeing a
piece of our artillery brought into action ;|tAnthem for
doomed youth ;|tApologia pro poemate meo ;|tStrange
meeting /|rWilfred Owen --|tThe road from Colonus /|rE.M.
Forster --|tThe mark on the wall /|rVirginia Woolf --
|tTroy ;|tThe return ;|tThe animals ;|tAdam's dream ;|tThe
horses /|rEdwin Muir --|tIn parenthesis (Preface and part
7) /|rDavid Jones --|tFlying crooked ;|tDown, wanton,
down! ;|tThe reader over my shoulder ;|tThe devil's advice
to story-tellers ;|tA civil servant ;|tGulls and men ;
|tThe white goddess ;|tThe straw ;|tDialogue on the
headland ;|tThe blu-fly ;|tA plea to boys and girls ;
|tFriday night ;|tThe naked and the nude ;|tA slice of
wedding cake /|rRobert Graves --|tThis lunar beauty ;
|tPetition ;|tOn this island ;|tSpain 1937 ;|tMusée des
beaux arts ;|tLullaby ;|tIn memory of W.B. Yeats ;|tTheir
lonely betters ;|tIn praise of limestone /|rW.H. Auden --
|tSunday morning ;|tThe sunlight on the garden ;|tBagpipe
music ;|tMahabalipuram ;|tGood dream /|rLouis MacNiece --
|tThe force that through the green fuse drives the flower
;|tThis bread I break ;|tAfter the funeral ;|tThere was a
saviour ;|tThe hunchback in the park ;|tPoem in October ;
|tDo not go gentle into that good night /|rDylan Thomas --
|tTo room nineteen /|rDoris Lessing.
505 00 |gv. 2.|gThe twentieth century. The critical revolt
against romanticism and impressionism.|tRomanticism and
classicism /|rT.E. Hulme --|tPractical criticism (part I)
/|rI.A. Richards --|tRevaluation (chapter 6) /|rF.R.
Leaves --|tSeven types of ambiguity (Wordsworth) /
|rWilliam Empson.
505 00 |gv. 2.|gThe twentieth century. Poetry after mid-century.
|tA voice from the garden ;|tAcross the bay /|rDonald
Davie --|tLines on a young lady's photograph album ;
|tFaith healing ;|tAmbulances /|rPhilip Larkin --|tAn
English summer ;|tIn memory of anyone unknown to me /
|rElizabeth Jennings --|tReflections ;|tA meditation on
John Constable ;|tHawks ;|tAutumn piece /|rCharles
Tomlinson --|tConsidering the snail ;|tHuman condition ;
|tMoly /|rThom Gunn --|tWind ;|tA dream of horses ;|tRelic
;|tExamination at the womb-door ;|tA disaster /|rTed
Hughes --|tSeahorses ;|tFive generations /|rPeter Porter -
-|tNature with man ;|tA bluebell ;|tCreatures /|rJon
Silkin --|tSeptember song ;|tFuneral music (3 and 7) /
|rGeoffrey Hill --|tChurning day ;|tPoor women in a city
church /|rSeamus Heaney.
650 0 English literature.
651 0 Great Britain|vLiterary collections.
938 Baker and Taylor|bBTCP|n73019982
994 02|bPSS
