| Description |
1 online resource (xii, 313 pages) |
| Bibliography |
Includes bibliographical references (pages 290-303) and index. |
| Contents |
Classic detective fiction -- Hard-boiled detective fiction -- Transgression and pathology -- Crime fiction as socio-political critique -- Black appropriations -- Regendering the genre. |
| Note |
Print version record. |
| Summary |
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or the application of critical theories. Forty-seven widely available stories and novels are chosen for detailed discussion. In seeking to illuminate the relationship between different phases of generic development Lee Horsley employs an overlapping historical framework, with sections doubling back chronologically in order to explore the extent to which successive transformations have their roots within the earlier phases of crime writing, as well as responding in complex ways to the preoccupations and anxieties of their own eras.; The first part of the study considers the nature and evolution of the main sub-genres of crime fiction: the classic and hard-boiled strands of detective fiction, the non-investigative crime novel (centred on transgressors or victims), and the 'mixed' form of the police procedural. The second half of the study examines the ways in which writers have used crime fiction as a vehicle for socio-political critique. These chapters consider the evolution of committed, oppositional strategies, tracing the development of politicized detective and crime fiction, from Depression-era protests against economic injustice to more recent decades which have seen writers launching protests against ecological crimes, rampant consumerism, Reaganomics, racism, and sexism. |
| Subject |
Detective and mystery stories, English -- History and criticism.
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Popular literature -- English-speaking countries -- History and criticism.
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Detective and mystery stories, American -- History and criticism.
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American fiction -- 20th century -- History and criticism.
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English fiction -- 20th century -- History and criticism.
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Crime in literature.
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LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh.
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American fiction. (OCoLC)fst00807048
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Crime in literature. (OCoLC)fst00883038
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Detective and mystery stories, American. (OCoLC)fst00891483
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Detective and mystery stories, English. (OCoLC)fst00891515
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English fiction. (OCoLC)fst00910817
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Popular literature. (OCoLC)fst01071405
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English-speaking countries. (OCoLC)fst01261775
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Misdaadromans.
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Misdaadverhalen.
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Engels.
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Amerikaans.
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| Chronological Term |
1900 - 1999
|
| Genre/Form |
Criticism, interpretation, etc. (OCoLC)fst01411635
|
| Other Form: |
Print version: Horsley, Lee, 1944- Twentieth-century crime fiction. Oxford, England ; New York : Oxford University Press, 2005 0199283451 0199253269 (DLC) 2005019348 (OCoLC)60839397 |
| ISBN |
142378877X (electronic bk.) |
|
9781423788775 (electronic bk.) |
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