LEADER 00000cam 2200673Ka 4500 001 ocn605177607 003 OCoLC 005 20190821073119.3 006 m o d 007 cr bn||||||abp 007 cr bn||||||ada 008 100406s1995 nyub ob 001 0 eng d 010 94045514 019 967626331|a988793426|a1050958047 020 |z082042644X 020 |z9780820426440 035 (OCoLC)605177607|z(OCoLC)967626331|z(OCoLC)988793426 |z(OCoLC)1050958047 040 OCLCE|beng|epn|cOCLCE|dOCLCQ|dOCLCO|dOCLCQ|dOCLCF|dVLB |dOCLCQ|dVT2|dZ5A|dOCLCQ|dOCLCA 042 dlr 043 e-sp--- 049 STJJ 050 4 NX663.S7|bS25 1995 082 04 700|220 084 20.05|2bcl 100 1 Saint-Saëns, Alain. 245 10 Art and faith in Tridentine Spain, 1545-1690 /|cAlain Saint-Saëns. 264 1 New York :|bP. Lang,|c1995. 300 1 online resource (xii, 223 pages) :|bmap. 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 490 1 Ibérica ;|vvol. 14 504 Includes bibliographical references (pages 177-215) and index. 505 00 |tMap of Spain and Its European Possessions --|gpt. 1. |tNon-Apocryphal Holy Images.|tBiblical Representations. |tChrist.|tTrinity and Baptism.|tThe Immaculate Conception.|tEucharist, Communion and Mass.|tCult of Saints.|tPenitence --|gpt. 2.|tBlood and Tears.|tStone and Marble Sculptures.|tSepulchres.|tWooden Sculptures.|tEcce Homo and Christ at the Column.|tRecumbent Christ. |tProcessional Sculpture: The Pasos.|tThe Very Pure. |tSaints of the Counter-Reformation.|tGrillwork.|tAltar Custods and Monstrances.|tStalls.|tRetables.|tStudies and Not Retained Projects of Retables.|tTabernacles.|tTriumphs --|gpt. 3.|tA Well Ordered and Sanctified Space.|tPhilip II, Herrera and El Escorial.|tHerrera's Heritage.|tJesuit Influences.|tToward a Progressive Definition of the Liturgical Space: Sagrario, Ochavo and Camarin.|tThe Other Parts of the Whole.|tStained Glass.|tReligious Music. |tSacred Theater: The Auto Sacramental. 506 |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 520 By providing precise and accurate examples placed and scrutinized in their historical context, Art and Faith in Tridentine Spain (1545-1690) explains how painting, sculpture, and sacred space were able to convey and accomplish the dogmatic decisions and the spiritual message of the Council of Trent. Beyond the Decree on the Holy Images, it is to the letter and to the spirit of all dogmatic Canons that post-Council art refers. 520 8 From the 1500s to the 1680s Counter-Reformist art became a valuable and effective arm of the Church of Rome. 533 Electronic reproduction.|b[S.l.] :|cHathiTrust Digital Library,|d2010.|5MiAaHDL 538 Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212 |5MiAaHDL 583 1 digitized|c2010|hHathiTrust Digital Library|lcommitted to preserve|2pda|5MiAaHDL 588 0 Print version record. 590 EBSCOhost|bArt and Architecture Complete 650 0 Counter-Reformation in art. 650 0 Arts, Renaissance|zSpain. 650 0 Arts, Baroque|zSpain. 650 0 Arts, Spanish. 650 7 Arts, Baroque.|2fast|0(OCoLC)fst00817918 650 7 Arts, Renaissance.|2fast|0(OCoLC)fst00818196 650 7 Arts, Spanish.|2fast|0(OCoLC)fst00818231 650 7 Counter-Reformation in art.|2fast|0(OCoLC)fst00881312 650 17 Kunst.|2gtt 650 17 Contrareformatie.|2gtt 651 7 Spain.|2fast|0(OCoLC)fst01204303 776 08 |iPrint version:|aSaint-Saëns, Alain.|tArt and faith in Tridentine Spain, 1545-1690.|dNew York : P. Lang, 1995 |w(DLC) 94045514|w(OCoLC)31710069 830 0 Ibérica (New York, N.Y.) ;|vv. 14. 914 ocn605177607 994 92|bSTJ
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