LEADER 00000cam  22000004a 4500 
001    ocm58828800 
003    OCoLC 
005    20080807000000.0 
008    050502t20062006nyua     b    001 0 eng   
010      2005048797 
015    GBA525367|2bnb 
016 7  013147286|2Uk 
020    0393979911 
020    9780393979916 
035    (OCoLC)58828800 
040    DLC|beng|cDLC|dYDX|dUKM|dBAKER|dIXA|dMBB|dPUL|dJPK|dYDXCP
       |dBTCTA|dYUS|dLVB|dYBM|dNOR 
042    pcc 
049    GPRA 
050 00 ML160|b.G872 2006 
082 00 780/.9|222 
100 1  Grout, Donald Jay. 
245 12 A history of western music /|cJ. Peter Burkholder, Donald 
       Jay Grout, Claude V. Palisca. 
250    Seventh edition. 
264  1 New York :|bW.W. Norton,|c[2006] 
264  4 |c©2006 
300    xxviii, 965, 128 pages :|billustrations (chiefly color), 
       color maps ;|c27 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 00 |tEditorial advisory board --|tMaps --|tGuide to 
       recordings --|tPreface to the Seventh Edition --|gpt. 1. 
       The|tancient and medieval worlds --|g1.|tMusic in 
       antiquity --|gThe|tearliest music --|tMusic in ancient 
       Mesopotamia --|tTimeline --|tMusic in ancient Greek life 
       and thought --|tMusic in ancient Rome --|gThe|tGreek 
       heritage --|g2. The|tChristian church in the first 
       millennium --|gThe|tdiffusion of Christianity --|gThe
       |tJudaic heritage --|tMusic in the early Church --
       |tDivisions in the Church and dialects of chant --
       |ttimeline --|gThe|tdevelopment of notation --|tMusic in 
       context : in the monastic Scriptorium --|tMusic theory and
       practice --|tEchoes of history --|g3.|tRoman liturgy and 
       chant --|gThe|tRoman liturgy --|tMusic in context : the 
       experience of the mass --|tCharacteristics of chant --
       |tTimeline --|tGenres and forms of chant --|tAdditions to 
       the authorized chants --|tHildegard of Bingen --
       |tContinuing presence of chant -- 
505 00 |g4.|tSong and dance music in the Middle Ages --|tEuropean
       society, 800-1300 --|tLatin and vernacular song --
       |tTimeline --|tTrobadour and trouvère song --|tSong in 
       other lands --|tMedieval instruments --|tDance music --
       |gThe|tlover's complaint --|g5.|tPolyphony through the 
       thirteenth century --|tEarly organum --|tAquitanian 
       polyphony --|tNotre Dame polyphony --|tTimeline --
       |tPolyphonic conductus --|tMotet --|tEnglish polyphony --
       |gA|tpolyphonic tradition --|g6.|tFrench and Italian music
       in the fourteenth century --|tEuropean society in the 
       fourteenth century --|tTimeline --|gThe|tArs Nova in 
       France --|tInnovations : writing rhythm --|tGuillaume de 
       Machaut --|gThe|tArs Subtilior --|tItalian Trecento music 
       --|tFourteenth-century music in performance -- 
505 00 |gpt. 2. The|tRenaissance --|g7. The|tage of the 
       Renaissance --|gThe|tRenaissance in culture and art --
       |tTimeline --|gThe|tmusical Renaissance --|tMusic as a 
       Renaissance art --|tInnovations : music printing --|g8.
       |tEngland and Burgundy in the fifteenth century --
       |tEnglish music --|tTimeline --|tMusic in the Burgundian 
       lands --|tMusic in context : the feast of the oath of the 
       pheasant --|tGuillaume Du Fay --|gThe|tpolyphonic mass --
       |gThe|tmusical language of the Renaissance --|g9.|tFranco-
       Flemish composers, 1450-1520 --|tPolitical change and 
       consolidation --|tOckeghem and Busnoys --|gThe|tnext 
       generation --|tTimeline --|tJosquin des Prez --|tOld and 
       new --|g10.|tSacred music in the era of the reformation --
       |gThe|tReformation --|tMusic in the Lutheran Church --
       |tTimeline --|tMusic in Calvinist churches --|tChurch 
       music in England --|tCatholic Church music --|tGiovanni 
       Pierluigi de Palestrina --|tSpain and the New World --
       |tGermany and Eastern Europe --|tJewish music --|gThe
       |tlegacy of sixteenth-century sacred music --|g11.
       |tMadrigal and secular song in the sixteenth century --
       |gThe|tfirst market for music --|tSpain --|tItaly --
       |tTimeline --|gThe|tItalian madrigal --|tFrance --
       |tGermany --|tEngland --|gThe|tmadrigal and it s impact --
       |g12. The|trise of instrumental music --|tInstruments --
       |tTimeline --|tTypes of instrumental music --|tMusic in 
       context : social dance --|tMusic in Venice --
       |tInstrumental music gains independence -- 
505 00 |gpt. 3. The|tseventeenth century --|g13.|tNew styles in 
       the seventeenth century --|tEurope in the seventeenth 
       century --|tTimeline --|tFrom Renaissance to Baroque --
       |tGeneral characteristics of Baroque music --|tEnduring 
       innovations --|g14. The|tinvention of opera --
       |tForerunners of opera --|tTimeline --|gThe first operas -
       -|tClaudio Monteverdi --|gThe|tspread of Italian opera --
       |tInnovations  : singer-power and singer-worship-the diva 
       --|tOpera and drama and  as theater --|g15.|tMusic for 
       chamber and church in the early seventeenth century --
       |tItalian vocal chamber music --|tCatholic sacred music --
       |tTimeline --|tLutheran Church music --|tHeinrich Schütz -
       -|tJewish music --|tInstrumental music --|tTradition and 
       innovation --|g16.|tFrance, England, Spain, and the new 
       world in the seventeenth century --|gThe|tFrench Baroque -
       -|tMusic in context : the music of the Great Stable --
       |tTimeline --|gThe|tEnglish Baroque --|tSpain and the New 
       World --|tFrench style and national traditions --|g17.
       |tItaly and Germany in the late seventeenth century --
       |tItaly --|tTimeline --|tMusic in context : the violin 
       workshop of Antonio Stradivarius --|tGermany and Austria -
       -|tSeeds for the future -- 
505 00 |gpt. 4. The|teighteenth century --|g18. The|tearly 
       eighteenth century in Italy and France --|tEurope in a 
       century of change --|tMusic in Italy --|tTimeline --
       |tMusic in context : the voice of Farinelli --|tAntonio 
       Vivaldi --|tMusic in France --|tJean-Philippe Rameau --|gA
       |tvolatile public --|g19.|tGerman composers of the late 
       Baroque --|tContexts for music --|tJohann Sebastina Bach -
       -|tTimeline --|tGeorge Frideric Handel --|gAn|tenduring 
       legacy --|g20.|tOpera and vocal music in the early Classic
       Period --|tEurope in the mid- to late-eighteenth century -
       -|tInnovations : the public concert --|tMusical taste and 
       style --|tTimeline --|tItalian comic opera --|tOpera seria
       --|tOpera in other languages --|tOpera reform --|tSong and
       church music --|tOpera and the new language --|g21.
       |tInstrumental music : sonata, symphony, and concerto at 
       midcentury --|tInstruments and ensembles --|tGenres and 
       forms --|tTimeline --|tKeyboard music --|tOrchestral music
       --|gThe|tsinging instrument --|g22.|tClassic music in the 
       late eighteenth century --|tJoseph Haydn --|tTimeline --
       |tWolfgang Amadeus Mozart --|tClassic music -- 
505 00 |gpt. 5. The|tnineteenth century --|g23.|tRevolution and 
       change --|tRevolution, war, and music, 1789-1815 --
       |tTimeline --|tLudwig van Beethoven --|tBeethoven's 
       centrality --|g24.  The|tRomantic generation : song and 
       piano music --|gThe|tnew order, 1815-1848 --|tInnovations 
       : musical instruments in the Industrial Revolution --
       |tRomanticism --|tTimeline --|tSong --|tMusic for piano --
       |gThe|tromantic legacy --|g25.|tRomanticism in classic 
       forms : orchestral, chamber, and choral music --
       |tOrchestral music --|tTimeline --|tChamber music --
       |tChoral music --|tRomanticism and the classical tradition
       --|g26.|tRomantic opera and musical theater in midcentury 
       --|gThe|troles of opera --|tItaly --|tFrance --|tGermany -
       -|gThe|tUnited States --|tTimeline --|tOpera as high 
       culture  --|g27.|tOpera and musical theater in the later 
       nineteenth century --|tTechnology, politics, and 
       nationalism --|tMusic in context : nationalism and 
       exoticism --|tOpera --|tGiuseppe Verdi --|tlater Italian 
       composers --|tRichard Wagner --|tFrance --|tRussia --
       |tOther nations --|tTimeline --|tMusic for the stage and 
       its audiences --|g28.|tLate Romanticism in Germany and 
       Austria --|tDichotomies and disputes --|tTimeline --
       |tJohannes Brahms --|gThe|tWagnerians --|tReaching the 
       audience --|g29.|tDiverging traditions in the later 
       nineteenth century --|tFrance --|tEastern and Northern 
       Europe --|tTimeline --|gThe|tUnited States --|tReception 
       and recognition -- 
505 00 |gpt. 6. The|ttwentieth century and after --|g30. The
       |tearly twentieth century --|tModern times, 1898-1918 --
       |tInnovations : recorded sound and its impact --
       |tVernacular musical traditions --|tTimeline --|tModern 
       music in the classical tradition --|tGermany and Austria -
       -|tClaude Debussy --|gThe|tfirst modern generation --|gThe
       |tavant-garde --|tLate romantic or modern? --|g31.
       |tModernism and the classical tradition --|tArnold 
       Schoenberg --|tTimeline --|tMusic in context : 
       expressionism --|tAlban Berg --|tAnton Webern --|tIgor 
       Stravinsky --|tBéla Bartók --|tCharles Ives --|tComposer 
       and audience --|g32.|tBetween the world wars : jazz and 
       popular music --|tBetween the Wars --|tTimeline --
       |tAmerican musical theater and popular song --|gThe|tjazz 
       age --|tDuke Ellington --|tFilm music --|tMass media and 
       popular music --|g34.|tBetween the World Wars : the 
       classical tradition --|tMusic, politics, and the people --
       |tTimeline --|tFrance --|tGermany --|gThe|tSoviet Union --
       |gThe|tAmericas --|gThe|tUnited States --|tWhat politics? 
       -- 
505 00 |g34.|tPostwar crosscurrents --|gThe Cold War and the 
       splintering tradition --|tPopular music --|tBroadway and 
       film music --|tTimeline --|tFrom bebop to free jazz --
       |tHeirs to the classical tradition --|tTraditional media -
       -|tSerialism --|tNonserial complexity and virtuosity --
       |tNew sounds and textures --|gThe|tavant-garde --
       |tQuotation and collage --|tBand and wind ensemble music -
       -|g35. The|tend of the millennium --|gA|tglobal culture --
       |tTimeline --|gThe|tchanging world of music --|tMusic in 
       context : digital technologies --|tNiches in popular music
       --|tMinimalism and postminimalism --|gThe|tnew 
       accessibility --|tInteractions with non-Western music 
       technologies --|gThe|tnew millennium --|tGlossary --|tFor 
       further reading --|tCredits --|tIndex. 
650  0 Music|xHistory and criticism. 
700 1  Burkholder, J. Peter|q(James Peter) 
700 1  Palisca, Claude V. 
938    YBP Library Services|bYANK|n2221566 
938    Baker and Taylor|bBTCP|n2005048797 
938    Baker & Taylor|bBKTY|c85.20|d85.20|i0393979911|n0004319182
       |sactive 
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