LEADER 00000cam  2200457 i 4500 
001    ocn945948957 
003    OCoLC 
005    20170410112714.0 
008    160929t20172017mnua     b    000 0 eng   
010      2016027859 
020    9781566894579|qpaperback 
020    1566894573|qpaperback 
035    (OCoLC)945948957 
037    |bConsortium Book Sales & Dist, C/O Perseus Distribution 
       210 American Dr, Jackson, TN, USA, 38301|nSAN 631-760X 
040    DLC|beng|erda|cDLC|dBTCTA|dYDXCP|dBDX|dOCLCO|dOCLCA|dOCLCF
       |dOCLCO|dFM0|dYDX|dOCLCQ|dYDX|dOCLCO 
042    pcc 
049    GWVA 
050 00 PS689|b.H69 2017 
082 00 814/.608|223 
084    LCO010000|aLAN005000|aLIT007000|aEDU042000|2bisacsh 
245 00 How we speak to one another :|ban Essay Daily reader /
       |cedited by Ander Monson & Craig Reinbold. 
264  1 Minneapolis :|bCoffee House Press,|c2017. 
264  4 |c©2017 
300    308 pages :|billustrations ;|c23 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 287-297). 
505 00 |tHere's how you use the lion mints: an introduction to 
       How We Speak to One Another /|rAnder Monson --|tInvisible 
       engineering: the fine art of revising "The fine art of 
       sighing" /|rMarcia Aldrich --|tOn Christ Marker's Sans 
       Soleil /|rKristen Radtke --|tMajestic ruins: on the work 
       of James Agee /|rRobin Helmley --|tOn essays, assays, and 
       Yiyun Li's "Dear friend, from my life I write to you in 
       your life" /|rV.V. Ganeshananthan --|tThe assault on prose
       : John Crowe Ransom, new criticism, and the status of the 
       essay /|rRobert Atwan --|tOn Joan Didion, Repo Man, and a 
       '76 Malibu /|rMatt Dube --|tOn Collage, Chris Kraus, and 
       misremembered Didion /|rAisha Sabatini Sloan --|tLooking 
       for Samuel Delany /|rT Clutch Fleischmann --|tObservations
       about writing memoir in my twenties, thirties, and forties
       /|rRigoberto González --|tOn the mysterious Leslie Ryan 
       and the structure of a trauma narrative /|rKatherine E. 
       Standefer --|tOn Arianne Zwartje's "This suturing of 
       wounds or words" and Kisha Lewellyn Schlegel's "Cannulated
       screw" /|rJulie Lauterbach-Colby --|tLiving within the 
       ellipses: on Ilan Stavan's On Borrowed Words: a Memoir of 
       Language /|rCésar Díaz --|tOn Joan Didion, on the morning 
       after my twenties /|rEmily Deprang --|tOn writing young /
       |rLucas Mann --|tOn losing yourself /|rDanica Novgorogoff 
       --|tIs the essay at the end of time? /|rKen Chen --|tEmail
       /|rfrom Bonnie J. Rough --|tOn the essential art of 
       failing /|rPeter Grandbois --|tLeaping /|rAlbert Goldbarth
       --|tJulian Barnes brings light to a thanatophobe's 
       conundrum /|rAlison Hawthorne Deming --|tOn Tom Junod's 
       "The falling man" /|rSteven Church --|tWe sought but 
       couldn't find: coming up empty in David Shields's "Death 
       is the mother of beauty" /|rBethany Maile --|tMovie quotes
       as misery: on Claudia Rankine's Don't Let Me Be Lonely /
       |rDavid Legault --|tA paperback cabinet of wonder: 
       unlocking the long lyric essay /|rJoni Tevis --|tThe 
       essays of Ansel Adams: an allegory /|rJohn D'Agata --|t10 
       thoughts on Elision /|rMeehan Crist --|tOn Donald Hall's 
       "Out the window" /|rThomas Mira y Lopez --|tOn the virtues
       of drowning: Lidia Yuknavitch's the Chronology of Water /
       |rDanielle Cadena Deulen --|tOn Hoagland, animal obsession,
       and the courage of simile /|rJohn T. Price --|tOn David 
       Quammen and writing trout /|rMaya L. Kapoor --|tOn long 
       winters, short essays, and a sky that stretches forever /
       |rChelsea Biondolillo --|tOn Wendell Berry and why I'm not
       going to buy a smartphone /|rMegan Kimble --|tIt is a 
       shaggy world, studded with gardens /|rBrian Doyle --
       |tNonfiction like a brick /|rNicole Walker --|tOn the 
       fugue, Alison Bechdel's Are You My Mother?, DFW, and the 
       resistance to the one thing /|rPaul Lisicky --|tOn The 
       Squared Circle: Life, Death, and Professional Wrestling by
       David Shoemaker /|rBrian Oliu --|tOn Rick Reilly's "Need a
       fourth?" from Sports Illustrated, March 31, 1997 /|rPam 
       Houston --|tOn Jim Bouton's Ball Four /|rDave Mondy --|tOn
       a little-known gem by Max Beerbohm /|rPhillip Lopate --
       |tOn Eliot Weinberger's "Wrens" /|rAmy Benson --|tOn 
       Charles Lamb's "New Year's Eve" /|rPatrick Madden --|tOn 
       the Book of Days /|rElena Passarello --|tOn the false 
       glint of fool's gold and cliché /|rErin Zweiner --|tThe 
       present of our past: on Alexander Stille /|rPatricia 
       Vigerman --|tA fat man story: on H.L. Mencken's "A 
       neglected anniversary" /|rAnder Monson --|tOn endings: all
       in all, it was a really weird summer /|rRyan van Meter. 
520    "The essay is rhizomatic: it builds off and shoots out 
       conversations between us every time we read, reread, or 
       write. When we speak back to others we amplify ourselves 
       and get a foothold in an ongoing conversation. How We 
       Speak to One Another collects those conversations, giving 
       context to a genre, deepening the flexibility and vitality
       of its many forms"--|cProvided by publisher. 
648  7 2000-2099|2fast 
650  0 American essays|y21st century. 
650  7 LITERARY COLLECTIONS / Essays.|2bisacsh 
650  7 LANGUAGE ARTS & DISCIPLINES / Composition & Creative 
       Writing.|2bisacsh 
650  7 LITERARY CRITICISM / Books & Reading.|2bisacsh 
650  7 EDUCATION / Essays.|2bisacsh 
650  7 American essays.|2fast|0(OCoLC)fst00807040 
700 1  Monson, Ander,|d1975-|eeditor. 
700 1  Reinbold, Craig,|d1982-|eeditor. 
730 0  Essay daily (Blog) 
994    C0|bGWV