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001    ocn704556925 
003    OCoLC 
005    20230713102554.0 
008    110201s2011    ctua     bc   000 0 eng   
010      2011004833 
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016 7  015808686|2Uk 
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020    9780300170696|q(hbk. ;|qalk. paper) 
020    0300170696|q(hbk. ;|qalk. paper) 
035    (OCoLC)704556925|z(OCoLC)742005994|z(OCoLC)751713206
       |z(OCoLC)761864084|z(OCoLC)770629794|z(OCoLC)810645311
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       |z(OCoLC)1104895845 
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049    CKEA 
050 00 TS1425.K59|bK59 2011 
082 00 677/.022|222 
245 00 Knoll Textiles /|cEarl Martin, editor. 
246 3  Knoll Textiles, nineteen hundred forty five - two thousand
       ten 
246 3  Knoll Textiles, 1945-2010 
246 18 Knoll Textiles, nineteenhundredfortyfive - twothousandten 
260    New Haven [Conn.] :|bPublished for Bard Graduate Center by
       Yale University Press,|c©2011. 
300    432 pages :|billustrations (chiefly color) ;|c27 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    Issued in connection with an exhibition held May 18, 2011-
       July 31, 2011, Bard Graduate Center, New York. 
504    Includes bibliographical references. 
505 00 |tForeword /|rSusan Weber --|tIntroduction /|rEarl Martin 
       --|tEditor's notes --|tChronology /|rAnn Marguerite 
       Tartsinis --|tThe design, promotion, and production of 
       modern textiles in the USA, 1940-60 /|rSusan Ward --
       |tKnoll before Knoll textiles, 1940-46 /|rPaul Makovsky --
       |tMaking Knoll texiles: Integrated fabrics for modern 
       interiors, 1945-65 /|rSusan Ward --|tThe heart and soul of
       the company: The Knoll planning unit, 1944-65 /|rBobbye 
       Tigerman --|tKnoll without the Knolls: Change and 
       transformation, 1963-78 /|rAngela Völker --|tTraditions 
       and reinvention, 1978-2010 /|rAngela Völker --|tDesigner 
       biographies /|rEarl Martin and Ann Marguerite Tartsinis --
       |tChecklist of the Exhibition --|tBibliography --
       |tPhotographic credits. 
520    "In 1940, Hans Knoll founded a company in New York that 
       soon earned a reputation for its progressive line of 
       furniture. Florence Schust joined the firm and helped 
       establish its interior design division, the Knoll Planning
       Unit. In 1947, the year after their marriage, Hans and 
       Florence Knoll added a third division, Knoll Textiles, 
       which brought textile production in line with a modern 
       sensibility that used color and texture as primary design 
       elements. In the early years, the company hired leading 
       proponents of modern design as well as young, untried 
       designers to create textile patterns. The division thrived
       in the late 1940s through 1960s and, in the following 
       decade, adopted a more international outlook as design 
       direction shifted to Europe. In the late 1970s and 1980s, 
       Knoll tapped fashion designers and architects to bolster 
       its brand. The pioneering use of new materials and a 
       commitment to innovative design have remained Knoll's 
       hallmarks to the present day."--Amazon.com. 
610 20 KnollTextiles (Firm)|vExhibitions. 
650  0 Textile design|zUnited States|xHistory|y20th century
       |vExhibitions. 
650  0 Textile design|zUnited States|xHistory|y21st century
       |vExhibitions. 
655  7 Exhibition catalogs.|2fast|0(OCoLC)fst01424028 
655  7 History.|2fast|0(OCoLC)fst01411628 
655  7 Ausstellung.|2lcgft 
700 1  Martin, Earl|q(Earl James),|d1974- 
710 2  Bard Graduate Center: Decorative Arts, Design History, 
       Material Culture. 
914    FARM184130 
994    C0|bCKE