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001    ocn829905895 
003    OCoLC 
005    20181120084520.4 
006    m     o  d         
007    cr cnu---unuuu 
008    130312t20122012ne a    ob    001 0 eng d 
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       |a1055346712|a1063914500 
020    9789048515059|q(electronic book) 
020    904851505X|q(electronic book) 
020    |z9789089643629|q(paper) 
020    |z9089643621|q(paper) 
035    (OCoLC)829905895|z(OCoLC)923709301|z(OCoLC)961673814
       |z(OCoLC)962596564|z(OCoLC)994927213|z(OCoLC)1018384325
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       |z(OCoLC)1048142772|z(OCoLC)1055346712|z(OCoLC)1063914500 
037    22573/ctt45t48s|bJSTOR 
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049    CKEA 
050  4 PN1995.9.A8|bA932 2012 
082 04 302.2343|223 
245 00 Audiences :|bdefining and researching screen entertainment
       reception /|cedited by Ian Christie. 
246 30 Defining and researching screen entertainment reception 
264  1 Amsterdam :|bAmsterdam University Press,|c[2012] 
264  4 |c©2012 
300    1 online resource (332 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  The key debates ;|v3 
504    Includes bibliographical references (pages 279-298) and 
       indexes. 
505 00 |tIntroduction: in search of audiences /|rIan Christie --
       |gpart 1.|tReassessing historic audiences. "At the picture
       palace": the British cinema audience, 1895-1920 /
       |rNicholas Hiley ;|tThe gentleman in the stalls: Georges 
       Melies and spectatorship in early cinema /|rFrank Kessler 
       ;|tBeyond the nickelodeon: cinema going, everyday life and
       identity politics /|rJudith Thissen ;|tCinema in the 
       colonial city: early film audiences in Calcutta /|rRanita 
       Chatterjee ;|tLocating early non-theatrical audiences /
       |rGregory A Waller ;|tUnderstanding audience behavior 
       through statistical evidence: London and Amsterdam in the 
       mid-1930s /|rJohn Sedgwick and Clara Pafort-Overduin --
       |gpart 2.|tNew frontiers in audience research.|tThe 
       aesthetics and viewing regimes of cinema and television, 
       and their dialectics /|rAnnie van den Oever ;|tTapping 
       into our tribal heritage: The lord of the rings and brain 
       evolution /|rTorben Grodal ;|tCinephilia in the digital 
       age /|rLaurent Jullier and Jean-Marc Leveratto ;
       |tSpectator, film and the mobile phone /|rRoger Odin ;
       |tExploring inner worlds: where cognitive psychology may 
       take us /|ra dialogue between Tim J. Smith and Ian 
       Christie --|gpart 3.|tOnce and future audiences.|tCrossing
       out the audience /|rMartin Barker ;|tThe cinema spectator:
       a special memory /|rRaymond Bellour ;|tOperatic cinematics
       : a new view from the stalls /|rKay Armatiage ;|tWhat do 
       we really know about film audiences? /|rIan Christie. 
520    "This timely volume engages with one of the most important
       shifts in recent film studies: the turn away from text-
       based analysis towards the viewer. Historically, this 
       marks a return to early interest in the effect of film on 
       the audience by psychoanalysts and psychologists, which 
       was overtaken by concern with the 'effects' of film, 
       linked to calls for censorship and moral panics rather 
       than to understanding the mental and behavioral world of 
       the spectator. Early cinema history has revealed the 
       diversity of film-viewing habits, while traditional 'box 
       office' studies, which treated the audience initially as a
       homogeneous market, have been replaced by the study of 
       individual consumers and their motivations. Latterly, 
       there has been a marked turn towards more sophisticated 
       economic and sociological analysis of attendance data. And
       as the film experience fragments across multiple formats, 
       the perceptual and cognitive experience of the individual 
       viewer (who is also an auditor) has become increasingly 
       accessible. With contributions from Gregory Waller, John 
       Sedgwick and Martin Barker, this work spans the spectrum 
       of contemporary audience studies, revealing work being 
       done on local, non-theatrical and live digital 
       transmission audiences, and on the relative attraction of 
       large-scale, domestic and mobile platforms."--Publisher's 
       website. 
588 0  Print version record. 
650  0 Motion picture audiences. 
650  7 PSYCHOLOGY|xSocial Psychology.|2bisacsh 
650  7 PERFORMING ARTS|xFilm & Video|xGeneral.|2bisacsh 
650  7 Motion picture audiences.|2fast|0(OCoLC)fst01027116 
655  4 Electronic books. 
700 1  Christie, Ian,|d1945-|eeditor. 
776 08 |iPrint version:|tAudiences.|dAmsterdam : Amsterdam 
       University Press, ©2012|z9789089643629|w(OCoLC)788268454 
830  0 Key debates ;|v3. 
914    ocn829905895 
994    92|bCKE 
998    |bBooks at JSTOR Open Access