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LEADER 00000cam  2200841Ii 4500 
001    ocn823771293 
003    OCoLC 
005    20190709063326.2 
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008    121130t20122012enkac   ob    001 0 eng d 
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020    9781909254121|q(electronic book) 
020    1909254126|q(electronic book) 
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020    |z1909254118 
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020    |z9781909254138 
020    |z1909254134 
020    |z9781909254145 
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049    CKEA 
050  4 DA47.65|b.C767 2012 
082 04 947.084 
245 02 A people passing rude :|bBritish responses to Russian 
       culture /|cedited by Anthony Cross. 
264  1 Cambridge, United Kingdom :|bOpenBook Publishers,|c[2012] 
264  4 |c©2012 
300    1 online resource (330 pages) :|billustrations, portraits 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
504    Includes bibliographical references and index. 
505 00 |tBy Way of Introduction: British Reception, Perception 
       and Recognition of Russian Culture /|rAnthony Cross --
       |tByron, Don Juan and Russia /|rPeter Cochran --|tWilliam 
       Henry Leeds and Early British Responses to Russian 
       Literature /|rAnthony Cross --|tRussian Icons through 
       British Eyes, 1830-1930 /|rRichard Marks --|tThe Crystal 
       Palace Exhibition and Britain's Encounter with Russia /
       |rScott Ruby --|tAn 'Extraordinary Engagement': A Russian 
       Opera Company in Victorian Britain /|rTamsin Alexander --
       |tRussian Folk Tales for English Readers: Two 
       Personalities and Two Strategies in British Translation of
       the Late Nineteenth and Early Twentieth Centuries /
       |rTatiana Bogrdanova --|t'Wilful Melancholy' or 'A 
       Vigorous and Manly Optimism'?: Rosa Newmarch and the 
       Struggle against Decadence in the British Reception of 
       Russian Music, 1897-1917 /|rPhilip Ross Bullock --
       |t'Infantine Smudges of Paint ... Infantine Rudeness of 
       Soul': British Reception of Russian Art at the Exhibitions
       of the Allied Artists' Association, 1908-1911 /|rLouise 
       Hardiman --|tCrime and Publishing: How Dostoevskii Changed
       the British Murder /|rMuireann Maguire --|tStephen Graham 
       and Russian Spirituality: The Pilgrim in Search of 
       Salvation /|rMichael Hughes --|tJane Harrison as an 
       Interpreter of Russian Culture in the 1910s-1920s /
       |rAlexandra Smith --|tAleksei Remizov's English-language 
       Translators: New Material Marilyn /|rSchwinn Smith --
       |tChekhov and the Buried Life of Katherine Mansfield /
       |rRachel Polonsky --|t'A Gaul who has chosen impeccable 
       Russian as his medium': Ivan Bunin and the English Myth of
       Russia in the Early Twentieth Century /|rSvetlana Klimova 
       --|tRussia and Russian Culture in The Criterion, 1922-1939
       /|rOlga Ushakova --|t'Racy of the Soil': Filipp Maliavin's
       London Exhibition of 1935 /|rNicola Kozicharow --|tMrs 
       Churchill Goes to Russia: The Wartime Gift-Exchange 
       between Britain and the Soviet Union /|rClaire Knight --
       |tUnity in Difference: The Representation of Life in the 
       Soviet Union through Isotype /|rEmma Minns --|t'Sputniks 
       and Sideboards': Exhibiting the Soviet 'Way of Life' in 
       Cold War Britain, 1961-1979 /|rVerity Clarkson --|tThe 
       British Reception of Russian Film, 1960-1990: The Role of 
       Sight and Sound /|rJulian Graffy. 
520    "The essays in this stimulating collection attest to the 
       scope and variety of Russia's influence on British 
       culture. They move from the early nineteenth century -- 
       when Byron sent his hero Don Juan to meet Catherine the 
       Great, and an English critic sought to come to terms with 
       the challenge of Pushkin -- to a series of Russian-themed 
       exhibitions at venues including the Crystal Palace and 
       Earls Court. The collection looks at British encounters 
       with Russian music, the absorption with Dostoevskii and 
       Chekhov, and finishes by shedding light on Britain's 
       engagement with Soviet film."--Back cover. 
588 0  Online resource, title from title page (OpenBook 
       Publishers version, viewed January 17, 2013). 
650  0 Art and literature|zGreat Britain|xRussian influences. 
650  7 HISTORY|zEurope|xEastern.|2bisacsh 
650  7 HISTORY|zEurope|xFormer Soviet Republics.|2bisacsh 
650  7 HISTORY|zEurope|xRussia & the Former Soviet Union.
       |2bisacsh 
650  7 ART|xRussian & Former Soviet Union.|2bisacsh 
650  7 Eastern Europe.|2bicssc 
650  7 Europe.|2bicssc 
650  7 Former Soviet Union, USSR (Europe)|2bicssc 
650  7 General and world history.|2bicssc 
650  7 History.|2bicssc 
650  7 Humanities.|2bicssc 
650  7 Russia.|2bicssc 
650  7 Civilization|xRussian influences.|2fast
       |0(OCoLC)fst00862935 
650  7 Civilization.|2fast|0(OCoLC)fst00862898 
651  0 Great Britain|xCivilization|xRussian influences. 
651  0 Russia|xCivilization. 
651  0 Russia|xHistory|vSources. 
651  7 Russia.|2fast|0(OCoLC)fst01207312 
651  7 Great Britain.|2fast|0(OCoLC)fst01204623 
655  0 Electronic books. 
655  7 Sources.|2fast|0(OCoLC)fst01423900 
655  7 History.|2fast|0(OCoLC)fst01411628 
700 1  Cross, Anthony|q(Anthony Glenn),|d1936-|eeditor. 
776 08 |iPrint version:|tPeople passing rude : British responses 
       to Russian culture.|dCambridge, England : Open Book 
       Publishers, ©2012|z9781909254107 
914    ocn823771293 
994    92|bCKE 
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