LEADER 00000cam 2200601Ii 4500 001 ocm51395961 003 OCoLC 005 20160518075058.6 006 m o d 007 cr mn||||||||| 008 030113s2001 enkg ob 001 0deng d 019 52804994|a61662356|a133166014|a171122850|a252497283 |a475661011|a475917567|a488807062|a558436955|a559267854 |a613346059|a646706222|a659285176|a742772855|a756842203 |a801664724|a814389354|a819633567|a888711914 020 9780511606007|q(electronic bk.) 020 0511606001|q(electronic bk.) 020 0511019394|q(electronic bk.) 020 9780511019395|q(electronic bk.) 020 0511029160|q(electronic bk. ;)|q(Adobe Reader) 020 9780511029165|q(electronic bk. ;)|q(Adobe Reader) 020 9780511044458|q(electronic bk.) 020 0511044453|q(electronic bk.) 035 (OCoLC)51395961|z(OCoLC)52804994|z(OCoLC)61662356 |z(OCoLC)133166014|z(OCoLC)171122850|z(OCoLC)252497283 |z(OCoLC)475661011|z(OCoLC)475917567|z(OCoLC)488807062 |z(OCoLC)558436955|z(OCoLC)559267854|z(OCoLC)613346059 |z(OCoLC)646706222|z(OCoLC)659285176|z(OCoLC)742772855 |z(OCoLC)756842203|z(OCoLC)801664724|z(OCoLC)814389354 |z(OCoLC)819633567|z(OCoLC)888711914 040 N$T|beng|epn|erda|cN$T|dOCLCQ|dOSU|dVLB|dDOS|dOCLCQ|dFTU |dEBV|dTEFOD|dCOCUF|dCO3|dMT4IT|dDKDLA|dHF7|dMERUC|dCCO |dE7B|dIDEBK|dTUU|dOCLCQ|dTNF|dOCLCQ|dACLSE|dOCLCO|dOCLCQ |dZCU|dOCLCQ|dOCLCA|dOCLCQ|dOCLCF|dYDXCP|dOCLCQ|dEBLCP |dMHW|dCOO|dREDDC|dCFI|dEUW|dTEFOD|dOCLCQ|dOCLCA|dOCLCQ 049 GTKE 050 4 MT145.B14|bW55 2001eb 082 04 786.4/1825|221 100 1 Williams, Peter,|d1937 May 14-2016. 245 10 Bach, the Goldberg variations /|cPeter Williams. 246 30 Goldberg variations 264 1 Cambridge ;|aNew York, NY :|bCambridge University Press, |c[2001] 264 4 |c©2001 300 1 online resource (vi, 112 pages) :|bmusic. 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 490 1 Cambridge music handbooks 504 Includes bibliographical references (pages 107-109) and index. 505 0 Background and genesis -- Overall shape -- The movements - - Questions of reception. 520 Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?--Publisher description. 588 0 Print version record. 600 10 Bach, Johann Sebastian,|d1685-1750.|tGoldberg-Variationen. 600 10 Bach, Johann Sebastian,|d1685-1750|xCriticism and interpretation. 600 10 Bach, Johann Sebastian,|d1685-1750. 600 17 Bach, Johann Sebastian,|d1685-1750.|2fast |0(OCoLC)fst00031701 630 07 Goldberg-Variationen (Bach, Johann Sebastian)|2fast |0(OCoLC)fst01359262 650 7 MUSIC|xMusical Instruments|xPiano & Keyboard.|2bisacsh 653 0 Humaniora|aMusik. 655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 776 08 |iPrint version:|aWilliams, Peter F.|tBach, the Goldberg variations.|dCambridge ; New York, NY : Cambridge University Press, 2001|z0521807352|w(DLC) 2001025616 |w(OCoLC)46456360 830 0 Cambridge music handbooks. 914 ocm51395961 994 93|bGTK
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