LEADER 00000cam  2200829 i 4500 
001    on1015275517 
003    OCoLC 
005    20181115160335.0 
008    171201s2018    ilua     bc   001 0deng   
010      2017057656 
019    1005103017 
020    9780300232981|q(hardcover) 
020    0300232985|q(hardcover) 
020    9780865592964|q(paperback) 
020    0865592969|q(paperback) 
035    (OCoLC)1015275517|z(OCoLC)1005103017 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dYDX|dERASA|dOCLCA|dBP1
       |dYDX|dNZAUC|dOCLCO|dDLC|dCHVBK|dNYP|dOCLCO|dCNNGC|dIXA
       |dUBY|dCZA 
042    pcc 
043    n-us--- 
049    MCPL 
050 00 N6537.W44|bA4 2018 
082 00 704.03/96073|223 
084    ART016030|aART015110|aART038000|aART006000|2bisacsh 
245 00 Charles White :|ba retrospective /|cedited by Sarah Kelly 
       Oehler and Esther Adler ; with essays by Esther Adler [and
       five others] ; and a preface by Kerry James Marshall. 
250    First edition. 
264  1 Chicago :|bThe Art Institute of Chicago ;|aNew York :|bThe
       Museum of Modern Art,|c[2018] 
264  2 New Haven :|bYale University Press 
300    247 pages :|billustrations (some color), portraits (some 
       color) ;|c32 cm 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    Published in conjunction with an exhibition of the same 
       title organized by the Art Institute of Chicago and the 
       Museum of Modern Art. 
500    Exhibition dates: The Art Institute of Chicago, June 8, 
       2018-September 3, 2018. The Museum of Modern Art, October 
       7, 2018-January 13, 2019. Los Angeles County Museum of Art,
       February 17, 2019-June 9, 2019. 
504    Includes bibliographical references and index. 
505 0  Foreword / James Rondeau and Glenn D. Lowry -- 
       Acknowledgments / Sarah Kelly Oehler and Esther Adler -- A
       black artist named White / Kerry James Marshall -- 
       Yesterday, today, tomorrow : Charles White's murals and 
       history as art / Sarah Kelly Oehler -- "Graphic 
       interpreter of the black people" : Charles White as 
       draftsman and printmaker / Mark Pascale -- Plates : 
       Chicago and the war years -- Charles White, feminist at 
       midcentury / Kellie Jones -- In search of beauty : Charles
       White's exposures / Deborah Willis -- Plates : New York --
       Charles White's art and activism in southern California / 
       Ilene Susan Fort -- Charles White, artist and teacher / 
       Esther Adler -- Plates : Los Angeles -- Chronology / 
       compiled by John Murphy and Ashley James -- Selected 
       inventory of Charles White's library / compiled by Ashley 
       James -- Selected exhibition history / compiled by John 
       Murphy and Stacy Kammert -- Checklist of the exhibition --
       Selected bibliography -- Index -- Photography credits. 
520    "This is a revelatory reassessment of one of the most 
       influential American artists of the 20th century: Charles 
       White (1918-1979) is best known for bold, large-scale 
       paintings and drawings of African Americans, meticulously 
       executed works that depict human relationships and 
       socioeconomic struggles with a remarkable sensitivity. 
       This comprehensive study offers a much-needed 
       reexamination of the artist's career and legacy. With 
       handsome reproductions of White's finest paintings, 
       drawings, and prints, the volume introduces his work to 
       contemporary audiences, reclaims his place in the art-
       historical narrative, and stresses the continuing 
       relevance of his insistent dedication to producing 
       positive social change through art. Tracing White's career
       from his emergence in Chicago to his mature practice as an
       artist, activist, and educator in New York and Los Angeles,
       leading experts provide insights into White's creative 
       process, his work as a photographer, his political 
       activism and interest in history, the relationship between
       his art and his teaching, and the importance of feminism 
       in his work. A preface by Kerry James Marshall addresses 
       White's significance as a mentor to an entire generation 
       of practitioners and underlines the importance of this 
       largely overlooked artist"--|cProvided by publisher. 
600 00 American. 
600 00 Général. 
600 10 White, Charles,|d1918-1979|vExhibitions. 
600 17 White, Charles,|d1918-1979.|2fast|0(OCoLC)fst00096042 
600 17 White, Charles|d1918-1979.|2gnd|0(DE-588)121864308 
650  0 African American artists|vExhibitions. 
650  0 African Americans in art|vExhibitions. 
650  0 Art. 
650  0 Individual Artists. 
650  0 Monographs. 
650  0 History. 
650  0 Contemporary (1945-). 
650  0 African Americans. 
650  0 Collections, Catalogs, Exhibitions. 
650  7 ART / Individual Artists / Monographs.|2bisacsh 
650  7 ART / History / Contemporary (1945-).|2bisacsh 
650  7 ART / American / African American.|2bisacsh 
650  7 ART / Collections, Catalogs, Exhibitions / General.
       |2bisacsh 
650  7 African Americans in art.|2fast|0(OCoLC)fst00799722 
651  0 United States|xRace relations|xIn art. 
655  7 Exhibition catalogs.|2fast|0(OCoLC)fst01424028 
655  7 Exhibition catalogs.|2lcgft 
700 1  Oehler, Sarah Kelly,|eeditor. 
700 1  Adler, Esther|c(Curator),|eeditor,|eauthor. 
700 1  Fort, Ilene Susan,|eauthor. 
700 1  Oehler, Sarah Kelly,|eauthor. 
700 1  Pascale, Mark,|d1954-|eauthor. 
700 1  Willis, Deborah,|d1948-|eauthor. 
700 1  Marshall, Kerry James,|d1955-|ewriter of preface. 
710 2  Art Institute of Chicago,|eorganizer. 
710 2  Museum of Modern Art (New York, N.Y.),|eorganizer. 
710 2  Los Angeles County Museum,|ehost institution. 
994    C0|bMCP