LEADER 00000cam 2200697Ii 4500 001 ocn173355008 003 OCoLC 005 20160518075240.4 006 m o d 007 cr cnu---unuuu 008 070927s2007 stka ob 001 0 eng d 019 476101710|a608320822|a609951632|a665139416|a712995862 |a745909515 020 9780748630899|q(electronic bk.) 020 0748630899|q(electronic bk.) 035 (OCoLC)173355008|z(OCoLC)476101710|z(OCoLC)608320822 |z(OCoLC)609951632|z(OCoLC)665139416|z(OCoLC)712995862 |z(OCoLC)745909515 040 N$T|beng|epn|cN$T|dOCLCQ|dIDEBK|dE7B|dOCLCQ|dOCLCE|dSNK |dOCLCQ|dJSTOR|dYDXCP|dNLGGC|dDEBSZ|dEBLCP|dNRU|dQCL |dOCLCQ|dCUS|erda 042 dlr 049 GTKE 050 4 PN1992.6|b.H46 2007eb 082 04 302.2345|222 100 1 Henderson, Lesley,|eauthor. 245 10 Social issues in television fiction /|cLesley Henderson. 264 1 Edinburgh :|bEdinburgh University Press,|c2007. 300 1 online resource (vi, 200 pages) :|billustrations 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 504 Includes bibliographical references and index. 505 0 pt. 1. Mapping the field. Television fiction in context: education and entertainment -- part 2. Inside the industry. Making 'good' television: creative philosophies, professionalism and production values -- part 3. Struggles over television production. General introduction -- Family secrets: sexual violence -- A woman's disease: breast cancer -- Casting the outsiders: mental distress -- Social issues, production and genre -- part 4. Social issues and television audiences. Public understandings, sexual violence and safe spaces -- part 5. Television fiction and public knowledge. Conclusions -- Appendix: Focus group session participants. 506 |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 520 Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made 'behind the scenes'? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understandings than TV news? This exciting new book draws on unique empirical data to examine the relationship between popular television fiction and wider society. The book gives lively and engaging insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies of medicine, health, illness and social problems including breast cancer, mental distress, sexual abuse and violence it comprehensively traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. For the first time, this book addresses production and reception processes across a range of programmes and clearly demonstrates the ways in which television fiction plays a vital and powerful role in reflecting and shaping socio-cultural attitudes. 533 Electronic reproduction.|b[S.l.] :|cHathiTrust Digital Library,|d2010.|5MiAaHDL 538 Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212 |5MiAaHDL 583 1 digitized|c2010|hHathiTrust Digital Library|lcommitted to preserve|2pda|5MiAaHDL 588 0 Print version record. 650 0 Television plays|xThemes, motives. 650 0 Television viewers|xAttitudes. 650 0 Television|xSocial aspects. 650 0 Social problems in mass media. 650 7 SOCIAL SCIENCE|xMedia Studies.|2bisacsh 655 4 Electronic books. 776 08 |iPrint version:|aHenderson, Lesley.|tSocial issues in television fiction.|dEdinburgh : Edinburgh University Press, 2007|z9780748625314|z0748625313|w(OCoLC)84996986 914 ocn173355008 994 93|bGTK
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