LEADER 00000cam  2200625Ii 4500 
001    ocn954017889 
003    OCoLC 
005    20180211133244.0 
008    160725s2016    enka     bc   000 0 eng d 
019    950476277 
020    9781849764407|q(hardback) 
020    1849764409|q(hardback) 
035    (OCoLC)954017889|z(OCoLC)950476277 
037    |bHarry N Abrams Inc, C/O Hachette Book Group USA 53 State
       st 9th Fl, Boston, MA, USA, 02109|nSAN 200-2205 
040    ERASA|beng|erda|cERASA|dBTCTA|dYDXCP|dBDX|dCDX|dOCLCF|dUBY
       |dCHVBK|dOCLCO|dNLGGC|dCAM|dOCL|dCNNGC|dNJM|dOCLCA|dUKTTE
       |dOCLCA|dWHP 
043    e-uk-en 
049    WHPP 
050  4 TR653|b.N365 2016 
050  4 TR653|b.N372 2016 
050  4 TR653|b.G72 2016 
080    7 NASH GRA 
082 04 779/.092|223 
100 1  Grant, Simon,|d1967-|eauthor. 
245 10 Informal beauty :|bthe photographs of Paul Nash /|cSimon 
       Grant. 
264  1 London :|bTate Publishing,|c2016. 
300    144 pages :|billustrations ;|c21 cm 
336    still image|bsti|2rdacontent 
336    text|2rdacontent 
337    unmediated|2rdamedia 
338    volume|2rdacarrier 
504    Includes bibliographical references. 
520 8  Paul Nash is widely regarded as one of the most 
       significant British artists of the 20th century. Best 
       known for his evocative paintings of war-ravaged 
       landscapes and his quasi-Surrealist visions of the English
       countryside, Nash was also a consummate photographer, who 
       believed that the camera could reveal aspects of the world
       that the painter could not. From 1930, when he was forty-
       one, through to his death in 1946, he regularly 
       experimented with photography, working with an American-
       made No. 1A pocket Kodak series 2 camera that had been 
       given to him by his wife. Now, for the first time in a 
       generation, the world of Nash's photographs is revealed in
       this intimate new book. While they have long been known as
       a compositional tool for Nash's paintings, this book 
       reveals his black-and-white photographs as powerful and 
       atmospheric works in their own right. From Nash's images 
       of tree trunks and ploughed fields to lighthouses and 
       haystacks, crumbling stone walls and statuary, rocks and 
       pebbles - as well as his circle of friends and fellow-
       artists including Eileen Agar and Edward Burra - it shows 
       the complete range of his fascinating photographic 
       work.0The recent digitisation of Nash's extensive 
       collection of photographs from the Tate Archive shows an 
       artist whose subject matter, style and content was 
       immensely varied and inventive. Including both little-
       known and previously unpublished photographs, and a highly
       informative contextual essay by author Simon Grant, 
       Informal Beauty explores the experimental nature of Nash's
       output and the intensity and power of his photographic 
       vision. 
600 10 Nash, Paul,|d1889-1946,|ephotographer,|eartist. 
600 14 Nash, Paul,|d1889-1946. 
600 17 Nash, Paul|d1889-1946|2gnd|0(DE-588)118785699 
600 17 Nash, Paul,|d1889-1946|2fast|0(OCoLC)fst00016173 
610 20 Tate Gallery|xPhotograph collections. 
610 27 Tate Gallery.|2fast|0(OCoLC)fst00543425 
648  7 1900-1999|2fast 
650  0 Photography, Artistic. 
650  0 Photographers|zEngland|y20th century. 
650  0 Photograph collections|zEngland|zLondon. 
650  7 Photograph collections.|2fast|0(OCoLC)fst01061600 
650  7 Photographers.|2fast|0(OCoLC)fst01061605 
650  7 Photography, Artistic.|2fast|0(OCoLC)fst01061964 
651  7 England.|2fast|0(OCoLC)fst01219920 
651  7 England|zLondon.|2fast|0(OCoLC)fst01204271 
994    C0|bWHP