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001 ocm29358082
003 OCoLC
005 20200620044208.0
008 931029s1994 nhua b 001 0 eng
010 93041386
019 52993663|a968201364
020 0819552712|q(alk. paper)
020 9780819552716|q(alk. paper)
020 0819562750|q(pbk. ;|qalk. paper)
020 9780819562753|q(pbk. ;|qalk. paper)
035 (OCoLC)29358082|z(OCoLC)52993663|z(OCoLC)968201364
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043 n-us---
049 STJJ
050 00 ML3531|b.R67 1994
060 4 782.42164 R797b
082 00 782.421649|221
083 0 780.973
084 24.65|2bcl
100 1 Rose, Tricia.
245 10 Black noise :|brap music and black culture in contemporary
America /|cTricia Rose.
246 30 Rap music and black culture in contemporary America
260 Hanover, NH :|bUniversity Press of New England,|c©1994.
300 xvi, 237 pages :|billustrations ;|c24 cm.
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 Music/culture.
500 "Wesleyan University Press."
504 Includes bibliographical references (pages 219-227) and
index.
505 0 Voices from the margins : rap music and contemporary black
cultural production -- "All aboard the night train" : flow,
layering, and rupture in postindustrial New York -- Soul
sonic forces : technology, orality, and black cultural
practice in rap music -- Prophets of rage : rap music and
the politics of black cultural expression -- Bad sistas :
black women rappers and sexual politics in rap music.
520 From its beginnings in hip hop culture, the dense rhythms
and aggressive lyrics of rap music have made it a
provocative fixture on the American cultural landscape. In
Black Noise: Rap Music and Black Culture in Contemporary
America, Tricia Rose, described by the New York Times as a
"hip hop theorist," takes a comprehensive look at the
lyrics, music, cultures, themes, and styles of this highly
rhythmic, rhymed storytelling and grapples with the most
salient issues and debates that surround it. Assistant
Professor of Africana Studies and History at New York
University, Tricia Rose sorts through rap's multiple
voices by exploring its underlying urban cultural politics,
particularly the influential New York City rap scene, and
discusses rap as a unique musical form in which
traditional African-based oral traditions fuse with
cutting-edge music technologies. Next she takes up rap's
racial politics, its sharp criticisms of the police and
the government, and the responses of those institutions.
Finally, she explores the complex sexual politics of rap,
including questions of misogyny, sexual domination, and
female rappers' critiques of men. But these debates do not
overshadow rappers' own words and thoughts. Rose also
closely examines the lyrics and videos for songs by
artists such as Public Enemy, KRS-One, Salt N' Pepa, MC
Lyte, and L.L. Cool J. and draws on candid interviews with
Queen Latifah, music producer Eric "Vietnam" Sadler,
dancer Crazy Legs, and others to paint the full range of
rap's political and aesthetic spectrum. In the end, Rose
observes, rap music remains a vibrant force with its own
aesthetic, "a noisy and powerful element of contemporary
American popular culture which continues to draw a great
deal of attention to itself" [Publisher description].
586 American Book Award, 1995
650 0 Rap (Music)|xHistory and criticism.
650 0 African Americans|xMusic|xHistory and criticism.
650 0 Popular culture|zUnited States.
650 4 RAP MUSIC - HISTORY AND CRITICISM.
650 4 POPULAR CULTURE - UNITED STATES.
650 4 AFRICAN AMERICANS - MUSIC - HISTORY AND CRITICISM.
650 7 African Americans|xMusic.|2fast|0(OCoLC)fst00799648
650 7 Popular culture.|2fast|0(OCoLC)fst01071344
650 7 Rap (Music)|2fast|0(OCoLC)fst01089951
650 7 Rap music|xHistory and criticism.|2sears
650 7 African Americans|xHistory and criticism|vSongs.|2sears
650 17 Hiphop.|2gtt
650 17 Rap.|2gtt
651 7 United States.|2fast|0(OCoLC)fst01204155
655 7 Music.|2fast|0(OCoLC)fst01423855
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
655 7 Music.|2lcgft
830 0 Music/culture.
994 C0|bSTJ
East Windsor, Library Association of Warehouse Point - Adult Department
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782.42164 ROS |
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University of Saint Joseph: Pope Pius XII Library - Standard Shelving Location
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782.42 R797B |
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