LEADER 00000cam  2200565 i 4500 
001    ocn928239148 
003    OCoLC 
005    20200110064949.3 
006    m     o  d         
007    cr cnu---unuuu 
008    151106t20162016nyu     ob    000 0 eng   
010      2015043829 
020    9781628929775|q(electronic book) 
020    1628929774|q(electronic book) 
020    |z9781628929799|q(electronic book) 
020    |z1628929790|q(electronic book) 
020    |z9781628929768|q(paperback) 
020    |z9781501305252 
020    |z1501305255 
035    (OCoLC)928239148 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCA|dOCLCQ|dBLOOM|dUWO|dOCLCO
       |dN$T|dYDX|dYDX|dOCLCO|dOCLCQ 
042    pcc 
049    GTKE 
050  4 ML421.S6126|bB33 2016 
082 04 782.42166092/2|223 
100 1  Babovic, Jovana,|eauthor. 
245 10 Dig me out /|cJovana Babovic. 
264  1 New York, NY :|bBloomsbury Academic,|c2016. 
264  4 |c©2016 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  33 1/3 
504    Includes bibliographical references. 
505 0  Introduction : Sleater-Kinney's Dig me out in the cultural
       moment of the late 1990s -- Olympia calling : the making 
       and breaking out of spaces -- Eight days in Seattle : the 
       struggle to record Dig me out -- Strange words : writing 
       about gender, punk, and Sleater-Kinney -- Hey soundguy : 
       the Dig me out tour -- Words and guitars : celebrity, 
       fandom, and the cult of Sleater-Kinney. 
520    "Sleater-Kinney's 1997 album Dig Me Out is built on Corin 
       Tucker and Carrie Brownstein's competing guitars, Janet 
       Weiss's muscular rhythms, and layered vocals that teeter 
       between an urgent, banshee-like vibrato and a lower 
       accompaniment. Dig Me Out was the band's third studio 
       album, but the first one written and recoded with Weiss. 
       It inaugurated Sleater-Kinney into a lineup that would 
       span its two-decade career. This 33 1/3 follows the 
       narrative of Dig Me Out from its inception in Olympia to 
       its recording in Seattle and its reception across the 
       United States. It's anchored in a short period of time - 
       roughly from mid-1996 to mid-1998 - but it encompasses a 
       series of battles over meaning that continued to preoccupy
       Sleater-Kinney in the coming decades. The band wrestled 
       with the media about how they would be presented to the 
       public, it contended with technicians about how their 
       sound would be heard in clubs, and they struggled with 
       pervasive social hierarchies about how their work would be
       understood in popular culture. The only instance where the
       band didn't have to put up much of a fight was when it 
       came to their fans. The acclaim Sleater-Kinney received 
       from their listeners in the late 1990s, and continue to 
       receive today, speaks to a need for icons who challenged 
       normative notions of culture and gender. This story of Dig
       Me Out chronicles how Sleater-Kinney won the fight to 
       define themselves on their own terms - as women and as 
       musicians - and, in the process, how they redefined the 
       parameters rock."--Bloomsbury Publishing. 
588 0  Online resource; title from digital title page (viewed on 
       March 27, 2018). 
588 0  Print version record. 
610 20 Sleater-Kinney (Musical group).|tDig me out. 
650  7 MUSIC|xInstruction & Study|xVoice.|2bisacsh 
650  7 MUSIC|xLyrics.|2bisacsh 
650  7 MUSIC|xPrinted Music|xVocal.|2bisacsh 
776 08 |iPrint version:|aBabovic, Jovana.|tDig me out.|dNew York 
       : Bloomsbury Academic, 2016|z9781628929775|w(DLC)  
       2015042139 
830  0 33 1/3. 
914    ocn928239148 
994    92|bGTK