LEADER 00000cam  2200625Ki 4500 
001    ocn738476077 
003    OCoLC 
005    20160518075809.1 
006    m     o  d         
007    cr cnu---unuuu 
008    110705s2007    enk     ob    001 0 eng d 
019    608153226|a609008707|a727649574 
020    9781441194282|q(electronic bk.) 
020    1441194282|q(electronic bk.) 
035    (OCoLC)738476077|z(OCoLC)608153226|z(OCoLC)609008707
       |z(OCoLC)727649574 
040    N$T|beng|epn|erda|cN$T|dOCLCE|dE7B|dOCLCQ|dOCLCO|dDKDLA
       |dOCLCQ|dOCLCF|dYDXCP|dEBLCP|dIDEBK|dOCLCQ 
042    dlr 
049    GTKE 
050  4 PR3011|b.M28 2007eb 
082 04 822.33|222 
100 1  Mallin, Eric Scott. 
245 10 Godless Shakespeare /|cEric S. Mallin. 
264  1 London :|bContinuum,|c2007. 
300    1 online resource (xi, 132 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Shakespeare now! 
500    Includes index. 
504    Includes bibliographical references (pages 127-128) and 
       index. 
505 0  pt. 1. Hell -- God's bitch (Pericles) -- The promise 
       (Friar Laurence) -- Vienna sausage : or, replacement 
       theology (Isabella) -- Crackers (Titus) -- part 2. 
       Purgatory -- Conspicuously failed Christ figures named 
       Antonio (Antonio and others) -- The profit-driven life 
       (Portia) -- Moon changes (Katherina) -- Happy suicide 
       (Hamlet) -- It is required (Leontes and audience) -- A 
       winter's fable (Lear) -- part 3. Heaven -- Aaron ascendant
       (Aaron) -- The life to come (Macbeth) -- Dreams of sex and
       death (Bottom) -- Her becomings (Cleopatra). 
506    |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 
520    Godless Shakespeare is the first book to discuss 
       Shakespeare's plays from an atheist 
       perspective.€€€Although it is clear that Shakespeare 
       engaged with and deployed much of his culture's broadly 
       religious interests - his language is shot through with 
       biblical quotations, priestly sermonizing and Christian 
       imagery - Mallin argues that there is a profound absence 
       of or hostility to God in his plays. Following Dante's 
       three part structure for The Divine Comedy - Hell 
       represents expressions of religious faith in Shakespeare's
       plays, Purgatory sets out more sceptical positions, and 
       He. 
533    Electronic reproduction.|b[S.l.] :|cHathiTrust Digital 
       Library,|d2010.|5MiAaHDL 
538    Master and use copy. Digital master created according to 
       Benchmark for Faithful Digital Reproductions of Monographs
       and Serials, Version 1. Digital Library Federation, 
       December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
       |5MiAaHDL 
583 1  digitized|c2010|hHathiTrust Digital Library|lcommitted to 
       preserve|2pda|5MiAaHDL 
588 0  Print version record. 
600 10 Shakespeare, William,|d1564-1616|xCriticism and 
       interpretation. 
600 10 Shakespeare, William,|d1564-1616|xReligion. 
600 10 Shakespeare, William,|d1564-1616|xCriticism and 
       interpretation|xReligion. 
600 17 Shakespeare, William,|d1564-1616.|2fast
       |0(OCoLC)fst00029048 
600 17 Shakespeare, William.|2swd 
650  0 Faith in literature. 
650  7 LITERARY CRITICISM|xShakespeare.|2bisacsh 
650  7 DRAMA|xShakespeare.|2bisacsh 
650  7 Faith in literature.|2fast|0(OCoLC)fst00919968 
650  7 Religion.|2fast|0(OCoLC)fst01093763 
650 07 Religion.|2swd 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iPrint version:|aMallin, Eric Scott.|tGodless 
       Shakespeare.|dLondon : Continuum, 2007|z9780826490414
       |w(DLC)  2007276624|w(OCoLC)72150076 
830  0 Shakespeare now! 
914    ocn738476077 
994    93|bGTK