LEADER 00000cam  2200553 i 4500 
001    on1162229302 
003    OCoLC 
005    20210625014440.0 
008    200526t20212021ncu      b    001 0 eng   
010      2020022370 
020    9781469661957|q(cloth : alkaline paper) 
020    1469661950|q(cloth : alkaline paper) 
020    9781469661964|q(paperback : alkaline paper) 
020    1469661969|q(paperback : alkaline paper) 
020    |z9781469661971|q(ebook) 
035    (OCoLC)1162229302 
040    NcU/DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dYDX|dBDX|dAMH|dFUG
       |dNGU|dGO4|dOCLCO 
042    pcc 
043    n-usu-- 
049    CKEA 
050 00 ML3918.R37|bB715 2021 
082 00 782.4216490975|223 
100 1  Bradley, Regina N.,|d1984-|eauthor. 
245 10 Chronicling Stankonia :|bthe rise of the hip-hop South /
       |cRegina N. Bradley. 
264  1 Chapel Hill :|bUniversity of North Carolina Press,|c[2021]
264  4 |c©2021 
300    xiii, 121 pages ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Introduction: The mountaintop ain't flat -- The demo tape 
       ain't nobody wanna hear -- Spelling out the work -- Re-
       imagining slavery in the hip-hop imagination -- Still 
       ain't forgave myself -- A final note: The South still got 
       something to say. 
520    "Chronicling Stankonia situates hip hop as an intervention
       in constructing post-Civil Rights black identities and 
       cultural discourse. For southern blacks, the past is often
       restricted to three recognizable historical moments - the 
       Antebellum Era, Jim Crow, and the Civil Rights Movement. 
       Aside from the deeply traumatic experience of these 
       periods of history, they also serve as cornerstones of 
       validating and recognizing southern blacks' experiences. 
       However, the challenge for post-Civil Rights generations 
       of southern blacks is speaking truth to power when their 
       truths depart the trajectory of what was considered power 
       in the past. Chronicling Stankonia updates the black South
       using hip hop as an agent to reflect multiple 
       intersections of time, race, and southernness in the late 
       twentieth and early twenty-first centuries. Part of 
       southern hip hop culture's truth remains attached to the 
       past but its power is grounded in the fact that younger 
       southerners use hip hop to embrace the possibility of 
       multiple Souths, multiple narratives, and multiple entry 
       points into contemporary southern black identities"--
       |cProvided by publisher. 
610 20 OutKast (Musical group) 
610 27 OutKast (Musical group)|2fast|0(OCoLC)fst00744363 
650  0 Rap (Music)|xSocial aspects|zSouthern States. 
650  0 Rap (Music)|zSouthern States|xHistory and criticism. 
650  0 Hip-hop|zSouthern States. 
650  0 African Americans|xRace identity|zSouthern States. 
650  7 African Americans|xRace identity.|2fast
       |0(OCoLC)fst00799666 
650  7 Hip-hop.|2fast|0(OCoLC)fst00957237 
650  7 Rap (Music)|2fast|0(OCoLC)fst01089951 
650  7 Rap (Music)|xSocial aspects.|2fast|0(OCoLC)fst01089957 
651  7 Southern States.|2fast|0(OCoLC)fst01244550 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
655  7 Music criticism and reviews.|2lcgft 
994    C0|bCKE