| Description |
1 online resource (xiii, 121 pages) |
|
data file rda |
| Bibliography |
Includes bibliographical references (pages 111-114) and index. |
| Contents |
Introduction: The mountaintop ain't flat -- The demo tape ain't nobody wanna hear -- Spelling out the work -- Reimagining slavery in the hip-hop imagination -- Still ain't forgave myself -- A final note. The South still got something to say. |
| Summary |
"Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities."-- Provided by publisher. |
| Note |
Description based on online resource; title from digital title page (viewed on February 11, 2021). |
| Access |
Use copy Restrictions unspecified star MiAaHDL |
| Reproduction |
Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2022. MiAaHDL |
| System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
| Processing Action |
digitized 2022. HathiTrust Digital Library committed to preserve pda MiAaHDL |
| Subject |
OutKast (Musical group)
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OutKast (Musical group) (OCoLC)fst00744363
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Rap (Music) -- Social aspects -- Southern States.
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Rap (Music) -- Southern States -- History and criticism.
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Hip-hop -- Southern States.
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African Americans -- Race identity -- Southern States.
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SOCIAL SCIENCE / Ethnic Studies / African American Studies.
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African Americans -- Race identity.
(OCoLC)fst00799666
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Hip-hop. (OCoLC)fst00957237
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Rap (Music) (OCoLC)fst01089951
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Rap (Music) -- Social aspects.
(OCoLC)fst01089957
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Southern States. (OCoLC)fst01244550
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| Genre/Form |
Music criticism and reviews. (OCoLC)fst01919942
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Criticism, interpretation, etc. (OCoLC)fst01411635
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Music criticism and reviews.
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| Other Form: |
Print version. Bradley, Regina N., 1984- Chronicling Stankonia. Chapel Hill : University of North Carolina Press, [2021] 9781469661957 (DLC) 2020022370 (OCoLC)1162229302 |
| ISBN |
9781469661988 (electronic book) |
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1469661985 (electronic book) |
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9781469661971 (electronic book) |
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