LEADER 00000ngm 2200409 i 4500 001 kan1046543 003 CaSfKAN 005 20130802105144.0 006 m o c 007 vz uzazuu 007 cr una---unuuu 008 140905p20142005cau024 o vleng d 028 52 1046543|bKanopy 035 (OCoLC)900276043 040 CaSfKAN|beng|erda|cCaSfKAN 043 e-uk-en|ae-uk--- 245 04 The eye.|pLiliane Lijn. 264 1 [San Francisco, California, USA] :|bKanopy Streaming, |c2014. 300 1 online resource (1 video file, approximately 25 min.) : |bdigital, .flv file, sound 336 two-dimensional moving image|2rdacontent 337 computer|2rdamedia 337 video|2rdamedia 338 online resource|2rdacarrier 500 Title from title frames. 518 Originally produced by Illuminations Media in 2005. 520 Science and Surrealism, ancient myths, Buddhism and feminism are among the frameworks of ideas important to Liliane Lijn's art. In Paris at the end of the 1950s, in Greece and New York, and in England since 1966, she has worked with light, energy and movement, with archetypal shapes and unconventional materials to produce an art that is clear, complex and strikingly beautiful. Many of Liliane Lijn's key drawings and sculptures are featured in this profile, which was filmed alongside an important reassessment of her work at the Mead Gallery. The Poem Machines and Koans of the 1960s and 1970s are considered as well as the ambitious "goddess" figures of more recent years. Liliane Lijn speaks passionately about the art she has made across four decades and that she continues, with great energy, to create today. 538 Mode of access: World Wide Web. 600 10 Lijn, Liliane,|d1939- 650 0 Pretas (Buddhism) in art. 650 0 Feminism in art. 650 0 Artists|zGreat Britain. 650 0 Sculptors|zGreat Britain. 655 7 Documentary films.|2lcgft 710 2 Kanopy (Firm) 914 kan1046543
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