LEADER 00000cam  2200661Ii 4500 
001    on1021245958 
003    OCoLC 
005    20211004213025.0 
006    m        d |       
007    cr ||||||||||| 
008    180202t20172017enka    ob    001 0 eng d 
015    GBB773367|2bnb 
016 7  018314758|2Uk 
020    9781526113870|q(electronic book) 
035    (OCoLC)1021245958 
040    LGG|beng|erda|epn|cLGG|dLGG|dOCLCA|dUKMGB|dYDX|dN$T 
043    e-uk-en 
049    GTKE 
050 00 DA533|b.H83 2017 
082 04 941.081|223 
100 1  Horrall, Andrew,|eauthor. 
245 10 Inventing the cave man :|bfrom Darwin to the Flintstones /
       |cAndrew Horrall. 
264  1 Manchester :|bManchester University Press,|c2017. 
264  4 |c©2017 
300    1 online resource (xiv, 218 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  Studies in Popular Culture 
504    Includes bibliographical references (pages 203-214) and 
       index. 
505 0  Introduction -- Mass culture: the Victorian world picture 
       -- Darwin, Du Chaillu and Mr Gorilla: the lions of the 
       season -- The parents of Adam and Eve: missing links -- 
       Antediluvian pictorial fun: E. T. Reed and the prehistoric
       peeps -- He of the auburn locks: George Robey, the 
       Edwardian cave man -- Cave dwellers of Flanders: the First
       World War -- Modern times: the Victorian cave man's long 
       afterlife -- Conclusion 
520 8  Fred Flintstone lived in a sunny Stone Age American suburb,
       but his ancestors were respectable, middle-class 
       Victorians. They were very amused to think that prehistory
       was an archaic version of their own world because it 
       suggested that British ideals were eternal. In the 1850s, 
       our prehistoric ancestors were portrayed in satirical 
       cartoons, songs, sketches and plays as ape-like, 
       reflecting the threat posed by evolutionary ideas. By the 
       end of the century, recognisably human cave men inhabited 
       a Stone Age version of late-imperial Britain, sending-up 
       its ideals and institutions. Cave men appeared constantly 
       in parades, civic pageants and costume parties. In the 
       early 1900s American cartoonists and early Hollywood stars
       like Charlie Chaplin and Buster Keaton adopted and 
       reimagined this very British character, cementing it in 
       global popular culture. Cave men are an appealing way to 
       explore and understand Victorian and Edwardian Britain. 
588 0  Print version record. 
648  7 1800-1899|2fast 
650  0 History in popular culture|zGreat Britain. 
650  0 Prehistoric peoples in literature. 
650  0 Prehistoric peoples in motion pictures. 
650  0 Prehistoric peoples on television. 
650  0 Cave dwellers in art. 
650  7 Cave dwellers in art.|2fast|0(OCoLC)fst00849886 
650  7 History in popular culture.|2fast|0(OCoLC)fst01903473 
650  7 Intellectual life.|2fast|0(OCoLC)fst00975769 
650  7 Prehistoric peoples in literature.|2fast
       |0(OCoLC)fst01075254 
650  7 Prehistoric peoples in motion pictures.|2fast
       |0(OCoLC)fst01904339 
650  7 Prehistoric peoples on television.|2fast
       |0(OCoLC)fst01737353 
650  7 Höhlenmensch.|2gnd 
650  7 Rezeption.|2gnd 
650  7 Massenkultur.|2gnd 
651  0 Great Britain|xIntellectual life|y19th century. 
651  7 Great Britain.|2fast|0(OCoLC)fst01204623 
651  7 Großbritannien.|2gnd 
776 08 |iPrint version:|aHorrall, Andrew.|tInventing the cave 
       man.|dManchester : Manchester University Press, 2017
       |z1526113848|z9781526113849|w(DLC)  2017275422
       |w(OCoLC)974868754 
830  0 Studies in popular culture (Manchester, England) 
914    on1021245958 
994    92|bGTK