| Description |
1 online resource (vi, 280 pages). |
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data file rda |
| Series |
Alternate takes: critical responses to popular music |
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Alternate takes: critical responses to popular music.
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| Bibliography |
Includes bibliographical references and index. |
| Summary |
Is there such a thing today as music that's meaningfully new? In our contemporary era of remixing and retro styles, cynics and romantics alike cry "It's all been done before" while record labels and media outlets proclaim that everything is new. Coded into our daily conversations about popular music, newness as an artistic and cultural value is too often taken for granted. Nothing Has Been Done Before instigates a fresh debate about newness in American pop, rock 'n' roll, rap, folk, and R & B made since the turn of the millennium. Utilizing an interdisciplinary approach that combines music criticism, philosophy, and the literary essay, Robert Loss follows the stories of a diverse cast of musicians who seek the new by wrestling with the past, navigating the market, and speaking politically. The transgressions of Bob Dylan's "Love and Theft". The pop spectacle of Katy Perry's 2015 Super Bowl halftime show. Protest songs against the war in Iraq. Nothing Has Been Done Before argues that performance heard in a historical context always creates a possibility for newness, whether it's Kendrick Lamar's multi-layered To Pimp a Butterfly, the Afrofuturist visions of Janelle Monáe, or even a Guided By Voices tribute concert in a local dive bar. Provocative and engaging, Nothing Has Been Done Before challenges nothing less than how we hear and think about popular music-its power and its potential |
| Note |
Vendor-supplied metadata. |
| Contents |
Cover -- Contents -- Prologue: Nothing Has Been Done Before -- Part One The Past in the Present -- 1 Revivals Are Revisions: New Millennial Folk Music Rolls the Dice -- 2 â#x80;#x9C;Love and Theftâ#x80;#x9D;: Transgression and the Cultural Archive -- 3 The Problem of Knowing Too Much: Meta-Rock and the Anxiety of Influence -- 4 Sounds Before Our Time: Replicating the Old to Make the New -- Part Two The American Wow -- 5 Spectaglam! Katy Perry and the American Wow -- 6 The New Digital Empire: Consumerism, Technology, and the New -- 7 We Can Flux: Prince Queers Democracy and the New |
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8 Kanyeâ#x80;#x99;s Night at the Museum: The Iconoclast Goes to Work9 Power Up: Persona and Anonymity Trouble the American Wow -- Part Three Shouting at the Hard of Hearing -- 10 On the Good Side: Antiwar Music in the 2000s -- 11 Shouting at the Hard of Hearing: Springsteen Finds a New Audience -- 12 Living in the Interval: Political Hip-Hop, Rap, Revolution, and To Pimp a Butterfly -- 13 Bodies in the River: Tradition and â#x80;#x9C;The Body Electricâ#x80;#x9D; -- Epilogue: Nothing Has Been Done Before, Again -- Notes -- Bibliography and Select Discography -- Acknowledgments |
| Subject |
Popular music -- United States -- 21st century -- History and criticism.
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Music: styles & genres.
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Music reviews & criticism.
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MUSIC -- Instruction & Study -- Theory.
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MUSIC -- History & Criticism.
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Popular music. (OCoLC)fst01071422
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United States. (OCoLC)fst01204155
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| Chronological Term |
2000-2099
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| Genre/Form |
Criticism, interpretation, etc. (OCoLC)fst01411635
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| ISBN |
9781501322013 (electronic book) |
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150132201X (electronic book) |
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9781501322044 (EPUB) |
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1501322044 (EPUB) |
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