LEADER 00000cam  22006377i 4500 
001    on1229133720 
003    OCoLC 
005    20220401213023.0 
006    m     o  d         
007    cr cnu|||||||| 
008    201208s2017    sa a    ob    001 0 eng d 
010      2017495698 
019    1235845172 
020    9781928357124|q(electronic book) 
020    1928357121|q(electronic book) 
020    1928357113|q(electronic book) 
020    9781928357117|q(electronic book) 
035    (OCoLC)1229133720|z(OCoLC)1235845172 
037    22573/ctv1nxjgwb|bJSTOR 
040    REDDC|beng|erda|epn|cREDDC|dLOA|dOCLCO|dUX1|dVT2|dOCLCF
       |dJSTOR|dN$T 
043    f-sa--- 
049    CKEA 
050  4 ML3503.S6|b.V363 2017 
082 04 306.48423|223 
100 1  Van der Merwe, S. D.,|eauthor. 
245 10 On record :|bpopular Afrikaans music & society : 1900-2017
       /|cS.D. van der Merwe. 
246 3  On record 
264  1 Stellenbosch, South Africa :|bSUN MeDIA,|c[2017] 
264  4 |c©2017 
300    1 online resource (194 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
504    Includes bibliographical references (pages [167]-179) and 
       index. 
505 2  Gramophones, "warm patriots" and radio wars -- "Local 
       flavour", tensions, and the rise of Afrikaner nationalism 
       -- WWII, the SABC, FAK, and Boeremusiek? -- The apartheid 
       regime, rock 'n roll and Afrikaner youth -- New voices, 
       changing politics and growing subversion -- Alternative 
       Afrikaans music towards the end of apartheid -- Nostalgia,
       fear and profit in post-apartheid Afrikaans music. 
506 0  Open Access|5EbpS 
520    "Investigates the interplay between popular music and the 
       unfolding of Afrikaans culture politics from the start of 
       the twentieth century to the present. It includes a search
       for the earliest recorded Afrikaans songs and documents 
       subsequent phases of music development that reflect the 
       agency of ordinary individuals - artists and listeners - 
       against a background of fundamental societal and political
       change. Regards both the music mainstream and the 
       alternative, and reveals, among other things, historical 
       cases of compliance and resistance regarding the master 
       narrative of Afrikaner nationalist ideology, the attempts 
       by cultural entrepreneurs to establish authority over 
       popular Afrikaans culture, class tension, lasting racial 
       exclusivity, protest and censorship "--|cPublisher's 
       description. 
588    Description based on print version record. 
650  0 Popular music|zSouth Africa|xHistory and criticism. 
650  0 Popular music|xSocial aspects|zSouth Africa. 
650  0 Music|xSocial aspects|zSouth Africa. 
650  0 Music|xPolitical aspects|zSouth Africa. 
650  0 Afrikaners|xMusic|xHistory and criticism. 
650  7 Music|xPolitical aspects.|2fast|0(OCoLC)fst01030414 
650  7 Music|xSocial aspects.|2fast|0(OCoLC)fst01030444 
650  7 Popular music.|2fast|0(OCoLC)fst01071422 
650  7 Popular music|xSocial aspects.|2fast|0(OCoLC)fst01071460 
651  7 South Africa.|2fast|0(OCoLC)fst01204616 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
914    on1229133720 
994    92|bCKE