| Description |
1 online resource (xviii, 414 pages). |
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data file rda |
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Discography |
| Series |
Bloomsbury handbooks |
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Bloomsbury handbooks.
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| Bibliography |
Includes bibliographical references and index. |
| Contents |
Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. |
| Summary |
"A summary of current research on the production of stereo and mono recorded music"-- Provided by publisher. |
| Note |
Online resource; title from digital title page (viewed on March 17, 2020). |
| Subject |
Sound recordings -- Production and direction.
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Popular music -- Production and direction.
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Sound -- Recording and reproducing -- History.
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Music recording & reproduction.
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Sound -- Recording and reproducing.
(OCoLC)fst01126957
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Sound recordings -- Production and direction.
(OCoLC)fst01127057
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| Genre/Form |
History. (OCoLC)fst01411628
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| Added Author |
Bourbon, Andrew, editor.
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Zagorski-Thomas, Simon, editor.
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| Other Form: |
Print version: Bloomsbury handbook of music production. New York : Bloomsbury Academic, 2020 9781501334023 (DLC) 2019035761 |
| ISBN |
9781501334047 (electronic book) |
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1501334042 (electronic book) |
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9781501334030 (electronic book) |
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1501334034 (electronic book) |
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