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049    GTKE 
050  4 N6512.5.P6|bH37 2001eb 
082 04 709/.73/09046|221 
084    20.54|2bcl 
100 1  Harrison, Sylvia,|d1947- 
245 10 Pop art and the origins of post-modernism /|cSylvia 
       Harrison. 
264  1 Cambridge ;|aNew York :|bCambridge University Press,
       |c2001. 
300    1 online resource (vii, 280 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Contemporary artists and their critics 
504    Includes bibliographical references (pages 223-273) and 
       index. 
505 00 |gpart 1.|tTheoretical Framework.|g1.|tPost-Modernist 
       Assumptions --|gpart 2.|t"Social" Critics.|g2.|tLawrence 
       Alloway: Pop Art and the "Pop Art-Fine Art Continuum"|g3.
       |tHarold Rosenberg: Pop Art and the "De-definition" of 
       Both Art and "Self"|g4.|tLeo Steinberg: Pop, "Post-
       Modernist" Painting, and the Flatbed Picture Plane --|gpt.
       3.|t"Philosophical" Critics.|g5.|tBarbara Rose: Pop, 
       Pragmatism, and "Prophetic Pragmatism"|g6.|tMax Kozloff: A
       Phenomenological Solution to "Warholism" and Its 
       Disenfranchisement of the Critic's Interpretive and 
       Evaluative Roles --|gpt. 4.|t"Cultural" Critics.|g7.
       |tSusan Sontag: Pop, the Aesthetics of Silence, and the 
       New Sensibility. 
520 1  "Pop Art and the Origins of Post-Modernism examines the 
       critical reception of Pop Art in America during the 1960s.
       Comparing the ideas of a group of New York-based critics, 
       including Leo Steinberg, Susan Sontag, and Max Kozloff, 
       among others, Sylvia Harrison demonstrates how their ideas
       - broadly categorized as either sociological or 
       philosophical - bear a striking similarity to the body of 
       thought and opinion that is now associated with 
       deconstructive post-modernism. Perceived through these 
       disciplinary lenses, Pop Art arises as not only a 
       reflection of the dominance of mass communications and 
       capitalist consumerism in post-war American society but 
       also as a subversive commentary on worldviews and the 
       factors necessary for their formation."--Jacket. 
588 0  Print version record. 
600 10 Alloway, Lawrence,|d1926-1990. 
600 10 Rosenberg, Harold. 
600 10 Steinberg, Leo,|d1920-2011. 
600 10 Rose, Barbara. 
600 10 Kozloff, Max. 
600 10 Sontag, Susan,|d1933-2004. 
650  0 Pop art|zUnited States|xInfluence. 
650  0 Postmodernism|zUnited States. 
650  7 ART|xAmerican|xGeneral.|2bisacsh 
650  7 Pop art|xInfluence.|2fast|0(OCoLC)fst01071252 
650  7 Postmodernism.|2fast|0(OCoLC)fst01073164 
650  7 Pop art.|2rasuqam 
650  7 Postmodernisme (Art)|2rasuqam 
650 07 Pop-art.|2swd 
650 07 Postmoderne.|2swd 
650 17 Pop-art.|2gtt 
650 17 Postmodernisme.|2gtt 
651  7 United States.|2fast|0(OCoLC)fst01204155 
651  7 United States.|2swd 
776 08 |iPrint version:|aHarrison, Sylvia, 1947-|tPop art and the
       origins of post-modernism.|dCambridge ; New York : 
       Cambridge University Press, 2001|z0521791154|w(DLC)   
       00065142|w(OCoLC)45356863 
830  0 Contemporary artists and their critics. 
914    ocm51209591 
994    93|bGTK