LEADER 00000cam  2200649Ki 4500 
001    ocn966429821 
003    OCoLC 
005    20180801104237.3 
006    m     o  d         
007    cr cnu---unuuu 
008    161219s2016    nju     ob   s001 0deng d 
019    966561090|a967559619 
020    9780813585468|q(electronic bk.) 
020    0813585465|q(electronic bk.) 
020    9780813585475|q(electronic bk.) 
020    0813585473|q(electronic bk.) 
035    (OCoLC)966429821|z(OCoLC)966561090|z(OCoLC)967559619 
040    N$T|beng|erda|epn|cN$T|dP@U|dEBLCP|dYDX|dJSTOR|dMERUC|dIDB
       |dOCL|dUAB|dOTZ|dOCLCQ|dIOG|dCNCGM|dSNK|dDKU|dAUW|dIGB
       |dD6H|dWRM|dOCLCQ|dVTS 
043    n-us--- 
049    GTKE 
050  4 PN1590.B53|bS34 2016eb 
082 04 792.02/8082|223 
100 1  Scheper, Jeanne,|d1967-|eauthor. 
245 10 Moving performances :|bdivas, iconicity, and remembering 
       the modern stage /|cJeanne Scheper. 
264  1 New Brunswick, N.J. :|bRutgers University Press,|c2016. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Introduction -- The color line is always moving: Aida 
       Overton Walker -- Transnational technologies of 
       orientalism: Loïe Fuller's invented repertoires -- Voices 
       within the voice: aural passing and Libby Holman's 
       deracinated/reracinated sound -- "Much too busy to die": 
       Josephine Baker's diva iconicity -- Conclusion: diva 
       remains. 
520    Offering innovative theorizations of performance, 
       reception, and affect, Moving Performances introduces 
       readers to four remarkable divas from the early twentieth 
       century-Aida Overton Walker, Loïe Fuller, Libby Holman, 
       and Josephine Baker-who worked as both cultural producers 
       and critics, deftly subverting the tropes of exoticism, 
       orientalism, and primitivism commonly used to dismiss 
       women of color. Scheper rejects iconic depictions of these
       divas as frozen in a past moment, and vividly demonstrates
       how their performances continue to inspire ongoing 
       movements. 
588 0  Print version record. 
648  7 1900-1999|2fast 
650  0 African American women entertainers|xHistory|y20th 
       century. 
650  0 Women entertainers|zUnited States|xHistory|y20th century. 
650  0 African Americans in the performing arts. 
650  0 Women in the performing arts|zUnited States. 
650  0 Performing arts|xPolitical aspects|zUnited States|y20th 
       century. 
650  0 Performing arts|xSocial aspects|zUnited States|y20th 
       century. 
650  7 PERFORMING ARTS|xTheater|xGeneral.|2bisacsh 
650  7 HISTORY|zUnited States|y20th Century.|2bisacsh 
650  7 African American women entertainers.|2fast
       |0(OCoLC)fst00799493 
650  7 African Americans in the performing arts.|2fast
       |0(OCoLC)fst00799740 
650  7 Performing arts|xPolitical aspects.|2fast
       |0(OCoLC)fst01057918 
650  7 Performing arts|xSocial aspects.|2fast|0(OCoLC)fst01057933
650  7 Race relations.|2fast|0(OCoLC)fst01086509 
650  7 Women entertainers.|2fast|0(OCoLC)fst01177638 
650  7 Women in the performing arts.|2fast|0(OCoLC)fst01178042 
651  0 United States|xRace relations|y20th century. 
651  7 United States.|2fast|0(OCoLC)fst01204155 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aScheper, Jeanne, 1967-|tMoving 
       performances.|dNew Brunswick, N.J. : Rutgers University 
       Press, 2016|z9780813585451|w(DLC)  2016003238
       |w(OCoLC)938855775 
914    ocn966429821 
994    92|bGTK