Skip to content
You are not logged in |Login  
     
Limit search to available items
Record 7 of 11
Previous Record Next Record
Book Cover
Bestseller
BestsellerE-Book
Author Cormier, Margaret https://orcid.org/0000-0002-7950-8311, author.

Title Rape at the opera : staging sexual violence / Margaret Cormier.

Publication Info. Ann Arbor, Michigan : University of Michigan Press, 2024.
©2024

Copies

Location Call No. Status
 All Libraries - Shared Downloadable Materials  JSTOR Open Access Ebook    Downloadable
All patrons click here to access this title from JSTOR
 University of Saint Joseph: Pope Pius XII Library - Internet  WORLD WIDE WEB E-BOOK JSTOR    Downloadable
Please click here to access this JSTOR resource
Description 1 online resource (185 pages) : illustrations.
data file rda
Series Music and social justice
Music and social justice.
Bibliography Includes bibliographical references (pages 177-185) and index.
Summary The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production. Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entführung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public.
Note This work is licensed under the Creative Commons Attribution-Non-Commercial 4.0 International License https://creativecommons.org/licenses/by-nc/4.0
Description based on information from the publisher.
Subject Opera -- Production and direction -- 21st century.
Sex in opera.
Rape -- Drama -- History and criticism.
Women -- Violence against -- Drama -- History and criticism.
Opera -- Production and direction.
Rape.
Sex in opera.
Women -- Violence against.
MUSIC / General.
Chronological Term 2000-2099
Added Author Michigan Publishing (University of Michigan), publisher.
ISBN 9780472903634 open access
0472903632 open access
9780472076291 hardcover book
9780472056293 paperback book
Standard No. 10.3998/mpub.12324662 doi
-->
Add a Review