LEADER 00000cam 2200697 i 4500
001 on1077773750
003 OCoLC
005 20190827065400.9
006 m o d
007 cr |||||||||||
008 181226t20192019miua ob 001 0 eng
010 2018061327
020 9780472125272|q(electronic book)
020 0472901095|q(electronic book)
020 9780472901098|q(electronic book)
020 0472125273|q(electronic book)
020 |z9780472074150|q(hardcover|qalkaline paper)
020 |z9780472054152|q(hardcover|qalkaline paper)
024 7 10.3998/mpub.9697041|2doi
035 (OCoLC)1077773750
037 22573/ctvnbhdnb|bJSTOR
040 DLC|beng|erda|epn|cDLC|dEYM|dOCLCO|dOCLCF|dEBLCP|dN$T|dISN
|dYDX|dUBY|dOCLCO|dOCLCQ|dOCLCO|dOCL|dJSTOR
042 pcc
043 n-us---
049 CKEA
050 14 HM743.T95|bI34 2019
082 00 302.30285|223
245 00 #Identity :|bhashtagging race, gender, sexuality, and
nation /|cAbigail De Kosnik and Keith P. Feldman, editors.
246 3 Identity
246 3 Hashtag identity
264 1 Ann Arbor :|bUniversity of Michigan Press,|c2019.
264 4 |c©2019
300 1 online resource (ix, 365 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 data file|2rda
504 Includes bibliographical references and index.
505 0 Introduction: The Hashtags We've Been Forced to Remember /
Abigail De Kosnik and Keith P. Feldman -- 1. Is Twitter a
Stage?: Theories of Social Media Platforms as Performance
Spaces / Abigail De Kosnik -- Part I: Black Twitter
Futures. 2. #Onfleek: Authorship, Interpellation, and the
Black Femme Prowess of Black Twitter / Malika Imhotep --
3. "You Ok Sis?": Black Vernacular, Community Formation,
and the Innate Tensions of the Hashtag / Paige Johnson --
4. #Sandrabland's Mystery: a Transmedia Story of Police
Brutality / Aaminah Norris and Nalya Rodriguez -- 5.
Creating and Imagining Black Futures Through Afrofuturism
/ Grace Gipson -- 6. Ferguson Blues: a Conversation With
Rev. Osagyefo Sekou -- Part II: Mediated Intersections. 7.
Confused Cats and Postfeminist Performance / Lyndsey Ogle
-- 8. #Whyistayed: Virtual Survivor-Centered Spaces for
Transformation and Abolishing Partner Violence / Julia
Havard -- 9. #Gentrification, Cultural Erasure, and the
(Im)Possibilities of Digital Queer Gestures / José Ramón
Lizárraga and Arturo Cortéz -- 10. Hashtag Television: On-
Screen Branding, Second-Screen Viewing, and Emerging Modes
of Television Audience Interaction / Renée Pastel -- Part
III: Disavowals. 11. Hashtag Rhetoric: #alllivesmatter and
the Production of Post-Racial Affect / Kyle Booten -- 12.
#Cancelcolbert: Popular Outrage, Divo Citizenship, and
Digital Political Performativity / Abigail De Kosnik --
13. #Nohomo: Homophobic Twitter Hashtags, Straight
Masculinity, and Networks of Queer Disavowal / Bonnie
Ruberg -- Part IV: Twitter International. 14. "Is Twitter
For Celebrities Only?": A Qualitative Study of Twitter Use
in India / Neha Kumar -- 15. Reterritorializing Twitter:
African Moments, 2010-2015 / Reginold A. Royston and
Krystal Strong -- 16. #Ifafricawasabar: Participation on
Twitter across African Borders / Naveena Karusala, Trevor
Perrier, and Neha Kumar -- 17. Beyond Hashtags: Black
Twitter and Building Solidarity across Borders / Kimberly
McNair -- Part V: Notes From the Color of New Media -- 18.
The Color of New Media Enters Trumplandia; 19. The Color
of New Media Responds To UC Berkeley's "Free Speech Week."
520 "Since its launch in 2006, Twitter has served as a major
platform for political performance, social justice
activism, and large-scale public debates over race,
ethnicity, gender, sexuality, and nationality. It has
empowered minoritarian groups to organize protests,
articulate often-underrepresented perspectives, and form
community. It has also spread hashtags that have been used
to bully and silence women, people of color, and LGBTQ
people. #identity is among the first scholarly books to
address the positive and negative effects of Twitter on
our contemporary world. Hailing from diverse scholarly
fields, all contributors are affiliated with The Color of
New Media, a scholarly collective based at the University
of California, Berkeley. The Color of New Media explores
the intersections of new media studies, critical race
theory, gender and women's studies, and postcolonial
studies. The essays in #identity consider topics such as
the social justice movements organized through
#BlackLivesMatter, #Ferguson, and #SayHerName; the
controversies around #WhyIStayed and #CancelColbert;
Twitter use in India and Africa; the integration of
hashtags such as #nohomo and #onfleek that have become
part of everyday online vernacular; and other ways in
which Twitter has been used by, for, and against women,
people of color, LGBTQ, and Global South communities.
Collectively, the essays in this volume offer a critically
interdisciplinary view of how and why social media has
been at the heart of U.S. and global political discourse
for over a decade."
542 1 |fThis work is licensed under the Creative Commons
Attribution-Non-Commercial 4.0 Unported license|uhttps://
creativecommons.org/licenses/by-nc/4.0
588 0 Online resource; title from digital title page (viewed on
May 06, 2019).
630 00 Twitter.
630 07 Twitter.|2fast|0(OCoLC)fst01794911
650 0 Mass media and minorities|zUnited States.
650 0 Group identity|zUnited States.
650 0 Online social networks|xPolitical aspects|zUnited States.
650 7 PSYCHOLOGY|xSocial Psychology.|2bisacsh
650 7 Online social networks|xPolitical aspects.|2fast
|0(OCoLC)fst01983801
650 7 Group identity.|2fast|0(OCoLC)fst00948442
650 7 Mass media and minorities.|2fast|0(OCoLC)fst01011355
650 7 COMPUTERS / General.|2bisacsh
651 7 United States.|2fast|0(OCoLC)fst01204155
700 1 De Kosnik, Abigail,|eeditor.
700 1 Feldman, Keith P.,|eeditor.
776 08 |iPrint version:|t#Identity.|dAnn Arbor : University of
Michigan Press, [2019]|z9780472074150|w(DLC) 2018057610
914 on1077773750
994 92|bCKE
