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008 190418t20192019cau ob 001 0 eng c
010 2019980041
019 1165226787|a1165851257|a1166002911|a1167963379
020 9780520972117|q(electronic book)
024 7 10.1525/luminos.80.|2doi
035 (OCoLC)1108793216|z(OCoLC)1165226787|z(OCoLC)1165851257
|z(OCoLC)1166002911|z(OCoLC)1167963379
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049 CKEA
050 00 P95.82.U6
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082 00 302.23/10973|223
100 1 Fallon, Kris,|d1976-|eauthor.
245 10 Where truth lies :|bdigital culture and documentary media
after 9/11 /|cKris Fallon.
263 1910
264 1 Oakland, California :|bUniversity of California Press,
|c[2019]
264 4 |c©2019
300 1 online resource
336 text|btxt|2rdacontent
337 computer|bn|2rdamedia
338 online resource|bnc|2rdacarrier
347 text file|2rda
504 Includes bibliographical references and index.
505 0 Seeing in the dark -- "We see what we want to believe" :
archival logic and database aesthetics in the war films of
Errol Morris -- Networked audiences : moveon.org and brave
new films -- "States of exception" : the paradox of
virtual documentary representation -- Technology,
transparency and the digital presidency -- Post-truth
politics : conspiracy media and the specter of "fake
news".
520 "This boldly original book traces the evolution of
documentary film and photography as they migrated onto
digital platforms during the first decades of the twenty-
first century. Kris Fallon brings together the emergence
of several key media forms--social networking and
crowdsourcing, video games and virtual environments, big
data and data visualization--and demonstrates the
formative influence of political conflict and the
documentary film tradition on their evolution and cultural
integration. Fallon argues that the ideological rifts of
the period inspired the adoption and adaptation of newly
available technologies toward social mobilization and
political action, a role played for much of the last
century by independent documentary film. By focusing on
particular moments of political rupture where prior forms
of representation and persuasion were discarded or
discredited, Fallon asserts that "truth" now lies in a new
set of media forms and discursive practices, standards
that implicitly shape the documentation of everything from
widespread cultural spectacles like wars and presidential
elections to more invisible or isolated phenomena like the
Abu Ghraib torture scandal or the "fake news" debates of
2016. Positioning documentary film and digital media side
by side in the political sphere, this work deeply engages
with both contemporary and historical precedents"--
Provided by publisher.
546 English.
588 Description based on print version record and CIP data
provided by publisher; resource not viewed.
648 7 2000-2099|2fast
650 0 Digital media|xPolitical aspects|zUnited States|y21st
century.
650 0 Documentary mass media|zUnited States|y21st century.
650 0 Mass media|xObjectivity|zUnited States|y21st century.
650 0 Online social networks|xPolitical aspects|y21st century.
650 7 Films, cinema.|2bicssc
650 7 Media studies.|2bicssc
650 7 Politics & government.|2bicssc
650 7 PERFORMING ARTS / Film / Genres / Documentary.|2bisacsh
650 7 Digital media|xPolitical aspects.|2fast
|0(OCoLC)fst01983619
650 7 Documentary mass media.|2fast|0(OCoLC)fst00896092
650 7 Mass media|xObjectivity.|2fast|0(OCoLC)fst01011271
650 7 Online social networks|xPolitical aspects.|2fast
|0(OCoLC)fst01983801
651 7 United States.|2fast|0(OCoLC)fst01204155
776 08 |iPrint version:|z9780520300934
914 on1108793216
994 92|bCKE
