LEADER 00000cam  2200697Ii 4500 
001    on1003641355 
003    OCoLC 
005    20181213063032.8 
006    m     o  d         
007    cr cnu---unuuu 
008    170914s2017    ne a    ob    001 0 eng d 
020    9789048526741|q(electronic bk.) 
020    9048526744|q(electronic bk.) 
020    |z9089648267 
020    |z9789089648266 
035    (OCoLC)1003641355 
037    22573/ctt1v6c1z4|bJSTOR 
040    N$T|beng|erda|epn|cN$T|dN$T|dJSTOR|dEBLCP|dYDX|dIDEBK
       |dMERUC|dOCLCO|dOCLCF|dDEGRU|dOCLCQ|dOCLCO 
043    e-ne--- 
049    STJJ 
050  4 PN1993.42.N48|bL36 2017eb 
072  7 PER|x009000|2bisacsh 
072  7 PER004000|2bisacsh 
072  7 PER000000|2bisacsh 
082 04 791|222 
100 1  Lameris, Bregt,|eauthor. 
245 10 Film museum practice and film historiography :|bthe case 
       of the Nederlands Filmmuseum (1946-2000) /|cBregt Lameris.
264  1 Amsterdam :|bAmsterdam University Press,|c[2017] 
264  4 |c©2017 
300    1 online resource (270 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Framing film 
504    Includes bibliographical references and index. 
505 0  Table of Contents; Acknowledgements; Introduction; PART I.
       COLLECTIONS; 1. Private Collectors; 2. Blind Choices: 
       Parameters and Repetitions; 3. Eyes Wide Open: Duplicates;
       PART II. PRESERVATIONS; 4. Passive Preservation: An 
       Historical Overview; 5. Impressions: Restoration of the 
       Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 
       7. Film Museum Exhibition Spaces; 8. Framing Programmes; 
       9. Performances; Coda: Past Futures, Future Pasts; Notes; 
       Bibliography; Index. 
520 8  Rich in detail, this is a study of the interrelationships 
       between film historical discourse and archival practices. 
       Exploring the history of several important collections 
       from the EYE Film Museum in Amsterdam, Bregt Lameris shows
       how archival films and collections always carry the 
       historical traces of selection policies, restoration 
       philosophies, and exhibition strategies. The result is a 
       compelling argument that film archives can never be viewed
       simply as innocent or neutral sources of film history. 
588 0  Online resource; title from PDF title page (EBSCO, viewed 
       September 14, 2017). 
590    JSTOR|bBooks at JSTOR Open Access 
600 10 Desmet, Jean,|d1875-1956. 
600 17 Desmet, Jean,|d1875-1956.|2fast|0(OCoLC)fst00486087 
610 20 Nederlands Filmmuseum|xHistory. 
610 20 EYE Film Instituut Nederland. 
610 27 Nederlands Filmmuseum.|2fast|0(OCoLC)fst00607199 
610 27 Nederlands Filmmuseum.|2gnd 
610 27 Bauhaus Dessau|g1986-1994|bBereich Architektur und 
       Sammlungen.|2gnd 
648  7 1900-1999|2fast 
650  0 Motion pictures|zNetherlands|xHistory|y20th century. 
650  7 PERFORMING ARTS|xReference.|2bisacsh 
650  7 PERFORMING ARTS|vFilm& Video|xGeneral.|2bisacsh 
650  7 Motion pictures.|2fast|0(OCoLC)fst01027285 
650  7 Filmgeschichtsschreibung.|2gnd 
650  7 Filmmuseum.|2gnd 
650  7 Diskurs.|2gnd 
651  7 Netherlands.|2fast|0(OCoLC)fst01204034 
655  7 History.|2fast|0(OCoLC)fst01411628 
830  0 Framing film (Amsterdam, Netherlands) 
914    on1003641355 
994    92|bSTJ