LEADER 00000cam  2200649Ii 4500 
001    ocn166261792 
003    OCoLC 
005    20160518074805.3 
006    m     o  d         
007    cr cnu---unuuu 
008    070822s2007    kyu     ob    001 0 eng d 
019    608406824|a609080660|a748215302|a816858711 
020    9780813172156|q(electronic bk.) 
020    0813172152|q(electronic bk.) 
020    9780813138411|q(electronic bk.) 
020    0813138418|q(electronic bk.) 
035    (OCoLC)166261792|z(OCoLC)608406824|z(OCoLC)609080660
       |z(OCoLC)748215302|z(OCoLC)816858711 
040    N$T|beng|epn|erda|cN$T|dYDXCP|dOCLCQ|dEBLCP|dOCLCQ|dE7B
       |dMHW|dOCLCQ|dJSTOR|dOCLCE|dOCLCO|dP@U|dOCLCF|dP4I|dOCLCQ
       |dIDEBK|dOCL|dTEFOD|dDEBSZ|dTEFOD|dOCLCQ 
042    dlr 
043    n-us-ny 
049    GTKE 
050  4 PN1995.64.N495 2007eb 
082 04 363.3109747/1|222 
100 1  Haberski, Raymond J.,|d1968- 
245 10 Freedom to offend :|bhow New York remade movie culture /
       |cRaymond J. Haberski, Jr. 
264  1 Lexington :|bUniversity Press of Kentucky,|c[2007] 
264  4 |c©2007 
300    1 online resource (xi, 266 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references (pages 251-258) and 
       index. 
506    |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 
520    In the postwar era, producers and consumers of cinema 
       began to demand more freedom to make and view movies that 
       accurately portrayed the complexities of real life. In 
       Freedom to Offend, Raymond J. Haberski Jr. details the 
       battles, fought largely in New York City, to secure 
       "freedom of the screen" for film audiences. In the 
       libertine 1970s, arguments supporting the right to see 
       challenging films were twisted to provide intellectual 
       cover for movies created solely to lure viewers with 
       outrageous or titillating material. Haberski exposes the 
       unquestioning defense of free expression as an absoluti. 
533    Electronic reproduction.|b[S.l.] :|cHathiTrust Digital 
       Library,|d2010.|5MiAaHDL 
538    Master and use copy. Digital master created according to 
       Benchmark for Faithful Digital Reproductions of Monographs
       and Serials, Version 1. Digital Library Federation, 
       December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
       |5MiAaHDL 
583 1  digitized|c2010|hHathiTrust Digital Library|lcommitted to 
       preserve|2pda|5MiAaHDL 
588 0  Print version record. 
650  0 Motion pictures|xCensorship|zNew York (State)|zNew York
       |xHistory. 
650  0 Film criticism|zNew York (State)|zNew York|xHistory. 
650  0 Motion pictures|zNew York (State)|zNew York|xHistory. 
650  0 Culture in motion pictures. 
650  0 Fine Arts. 
650  0 Social sciences. 
650  7 POLITICAL SCIENCE|xCensorship.|2bisacsh 
650  7 PERFORMING ARTS|xFilm & Video|xHistory & Criticism.
       |2bisacsh 
650  7 Culture in motion pictures.|2fast|0(OCoLC)fst01902963 
650  7 Film criticism.|2fast|0(OCoLC)fst00924259 
650  7 Motion pictures.|2fast|0(OCoLC)fst01027285 
650  7 Motion pictures|xCensorship.|2fast|0(OCoLC)fst01027303 
651  7 New York (State)|zNew York.|2fast|0(OCoLC)fst01204333 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aHaberski, Raymond J., 1968-|tFreedom to 
       offend.|dLexington : University Press of Kentucky, ©2007
       |z9780813124292|z0813124298|w(DLC)  2006039696
       |w(OCoLC)76864421 
914    ocn166261792 
994    93|bGTK