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001    ocn905306474 
003    OCoLC 
005    20170728073246.9 
006    m     o  d         
007    cr |n||||||||| 
008    150320s2015    nyu     ob    001 0 eng d 
019    908093551 
020    1336201967|q(electronic bk.) 
020    9781336201965|q(electronic bk.) 
020    9780231539395|q(electronic bk.) 
020    0231539398|q(electronic bk.) 
035    (OCoLC)905306474|z(OCoLC)908093551 
040    IDEBK|beng|epn|cIDEBK|dTEFOD|dN$T|dEBLCP|dE7B|dYDXCP
       |dOCLCF|dOCLCQ|dIDB|dUAB 
043    e-gx--- 
049    GTKE 
050  4 PN1993.5.G3 
082 04 791.430943/0904|223 
100 1  Rentschler, Eric. 
245 14 The use and abuse of cinema :|bGerman legacies from the 
       Weimar era to the present /|cEric Rentschler. 
264  1 New York :|bColumbia University Press,|c[2015] 
264  4 |c©2015 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Film and culture 
504    Includes bibliographical references and index. 
505 0  Table of Contents; Introduction: History Lessons and 
       Courses in Time; Part I. Critical Venues; 1. How a Social 
       Critic Became a Formative Theorist; 2. Hunger for 
       Experience, Spectatorship, and the Seventies; 3. The 
       Passenger and the Critical Critic; 4. The Limits of 
       Aesthetic Resistance; 5. Springtime for Ufa; Part II. 
       Serials and Cycles; 6. Mountains and Modernity; 7. Too 
       Lovely to Be True; 8. The Management of Shattered 
       Identity; 9. After the War, Before the Wall; Part III. 
       From Oberhausen to Bitburg; 10. Remembering Not to Forget;
       11. Many Ways to Fight a Battle; 12. How American Is It? 
505 8  13. The Use and Abuse of Memory14. A Cinema of Citation; 
       15. The Declaration of Independents; Part IV. Postwall 
       Projects; 16. An Archaeology of the Berlin School; 17. The
       Surveillance Camera's Quarry; 18. Heritages and Histories;
       19. Life in the Shadows; 20. Two Trips to the Berlinale; 
       Acknowledgments; Notes; Index. 
520    Eric Rentschler explores the screen fantasies and 
       spectacles that derive from Germany's fraught modern 
       experience and follows the traces of these sights and 
       sounds to the postmillenial present. Each chapters 
       contains a stirring minidrama, discussing prominent 
       critics and theorists such as Siegfried Kracauer and 
       Rudolf Arnheim; key New German directors such as Rainer 
       Werner Fassbinder and Alexander Kluge; films from the so-
       called Berlin School, particularly those of Christoph 
       Hochhäusler, Thomas Arslan, and Christian Petzold; and 
       seminal genres such as the mountain film, the early sound 
       musical. 
588 0  Print version record. 
648  7 1900-1999|2fast 
650  0 Motion pictures|zGermany|xHistory|y20th century. 
650  0 Motion picture industry. 
650  0 Motion pictures|zGermany|xHistory|y19th century. 
650  7 PERFORMING ARTS|xReference.|2bisacsh 
650  7 Motion pictures.|2fast|0(OCoLC)fst01027285 
651  7 Germany.|2fast|0(OCoLC)fst01210272 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aRentschler, Eric.|tUse and Abuse of 
       Cinema : German Legacies from the Weimar Era to the 
       Present.|dNew York : Columbia University Press, ©2015
       |z9780231073639 
830  0 Film and culture. 
914    ocn905306474 
994    92|bGTK