LEADER 00000cam a2200517K 4500 001 ocn263170578 003 OCoLC 005 20191209041814.0 006 m o d 007 cr u|u---uuaua 008 081023s1901 mou o 000 0 eng d 019 645413966|a988814745|a1001657078|a1006288104|a1016015667 |a1042528935|a1043436279|a1044302870|a1044626985 |a1056406133|a1056409766|a1060901608|a1074299271 |a1079888887|a1080462592|a1119024307 035 (OCoLC)263170578|z(OCoLC)645413966|z(OCoLC)988814745 |z(OCoLC)1001657078|z(OCoLC)1006288104|z(OCoLC)1016015667 |z(OCoLC)1042528935|z(OCoLC)1043436279|z(OCoLC)1044302870 |z(OCoLC)1044626985|z(OCoLC)1056406133|z(OCoLC)1056409766 |z(OCoLC)1060901608|z(OCoLC)1074299271|z(OCoLC)1079888887 |z(OCoLC)1080462592|z(OCoLC)1119024307 040 OCLCE|beng|epn|cOCLCE|dOCLCQ|dVLB|dCOCUF|dOCLCQ|dOCLCF |dOCLCQ|dZ5A|dS3O|dESU|dOCLCQ|dOCLCA|dINARC|dRVA|dCEF|dYOU |dBRX|dUAB|dOCLCQ 042 dlr 049 STJJ 050 4 ML3834|b.M61 099 WORLD WIDE WEB|aE-BOOK|aEBSCO 100 1 Meyer, Max F.|q(Max Friedrich),|d1873-1967. 245 10 Contributions to a psychological theory of music|cby Max Meyer ... 260 [Columbia, Mo.]|bPub. by the University of Missouri, |c1901. 300 1 online resource (vi, 80 pages) 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 490 1 The University of Missouri studies.|vv. 1, no. 1 505 0 Introduction.--The aesthetic laws of melodies containing only two different notes.--The complete musical scale.-- Analysis of complex melodies.--Psychological laws effective in the historical development of melody.-- Further comments concerning the theory of melody.-- Aesthetic laws of harmony. 506 |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 520 "This book explores the psychological theory of music. It is argued that if musical theory is to be regarded as a scientific theory, it must be psychological. No theory of any department of aesthetics can be other than psychological, and musical theory is a department of aesthetics. The book's chapters explore the aesthetic laws of melodies containing only two different notes, the complete musical scale, complex melodies, psychological laws effective in the historical development of melody, theory of melody, and aesthetic laws of harmony." (PsycINFO Database Record (c) 2010 APA, all rights reserved). 533 Electronic reproduction.|b[Place of publication not identified] :|cHathiTrust Digital Library,|d2010.|5MiAaHDL 538 Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212 |5MiAaHDL 583 1 digitized|c2010|hHathiTrust Digital Library|lcommitted to preserve|2pda|5MiAaHDL 588 0 Print version record. 650 0 Music|xPsychological aspects. 650 0 Melody. 650 2 Music|xpsychology.|0(DNLM)D009146Q000523 650 7 Melody.|2fast|0(OCoLC)fst01015790 650 7 Music|xPsychological aspects.|2fast|0(OCoLC)fst01030418 655 4 Electronic books. 776 08 |iPrint version:|aMeyer, Max F. (Max Friedrich), 1873- 1967.|tContributions to a psychological theory of music. |d[Columbia, Mo.] Pub. by the University of Missouri, 1901 |w(DLC) 01010133|w(OCoLC)1660907 830 0 University of Missouri studies. ;|vv. 1, no. 1. 994 C0|bSTJ
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