| Description |
281 pages, 8 unnumbered pages of plates : color illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : Clarence Major's transgressive voice and double consciousness as an African American postmodernist artist / Bernard W. Bell -- Necessary distance : afterthoughts on becoming a writer / Clarence Major -- "I follow my eyes" : an interview wtih Clarence Major / Larry McCaffery and Jerzy Kutnik -- Reading the painterly text : Clarence Major's "The slave trade" : view from the middle passage / Linda Furgerson Selzer -- To define an ultimate dimness : the poetry |
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of Clarence Major / Nathaniel Mackey -- Clarence Major's innovative fiction / Jerome Klinkowitz -- The double vision of Clarence Major : painter and writer / Lisa C. Roney -- Reflex and bone structure : the Black anti-detective novel / Stephen F. Soitos -- Clarence Major's All-night visitors : calibanic discourse and Black male expression / James W. Coleman -- "I was a weird example of art" : My amputations as cubist confession / Stuart Klawans -- Clarence Major's |
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homecoming voice in Such was the season / Bernard W. Bell -- Against commodification : Zuni culture in Clarence Major's native American texts / Steve Hayward -- Clarence Major's singing voice(s) / Joe Weixlmann. |
| Subject |
Major, Clarence -- Criticism and interpretation.
|
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Postmodernism -- United States.
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| Added Author |
Bell, Bernard W.
|
| ISBN |
0807825867 cloth alkaline paper |
|
9780807825860 cloth alkaline paper |
|
0807848999 paperback |
|
9780807848999 paperback |
|
