LEADER 00000cam 2200829Ii 4500 001 on1354571145 003 OCoLC 005 20230217213020.0 006 m o d 007 cr unu|||||||| 008 221213t20232023miu ob 000 0 eng d 020 9780472903146|q(electronic book) 024 7 10.3998/mpub.11738099|2doi 035 (OCoLC)1354571145 037 22573/ctv36tf3vp|bJSTOR 040 EYM|beng|erda|epn|cEYM|dP@U|dOCLCQ|dOCLCF|dJSTOR 043 n-us--- 049 CKEA 050 4 PS173.W65 072 7 LIT|x000000|2bisacsh 072 7 LIT|x004020|2bisacsh 082 04 810.9352624|223 100 1 Entin, Joseph B.,|eauthor.|1https://orcid.org/0000-0003- 0699-1725 245 10 Living labor :|bfiction, film, and precarious work / |cJoseph B. Entin. 264 1 Ann Arbor, Michigan :|bUniversity of Michigan Press, |c2023. 264 4 |c©2023 300 1 online resource (xii, 202 pages). 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 347 data file|2rda 490 1 Class : Culture 504 Includes bibliographical references (pages 165-190) and index. 520 3 For much of the twentieth century, the iconic figure of the U.S. working class was a white, male industrial worker. But in the contemporary age of capitalist globalization new stories about work and workers are emerging to refashion this image. Living Labor examines these narratives and, in the process, offers an innovative reading of American fiction and film through the lens of precarious work. It argues that since the 1980s, novelists and filmmakers--including Russell Banks, Helena Víramontes , Karen Tei Yamashita, Francisco Goldman, David Riker, Ramin Bahrani, Clint Eastwood, Courtney Hunt, and Ryan Coogler--have chronicled the demise of the industrial proletariat, and the tentative and unfinished emergence of a new, much more diverse and perilously positioned working class. In bringing together stories of work that are also stories of race, ethnicity, gender, and colonialism, Living Labor challenges the often-assumed division between class and identity politics. Through the concept of living labor and its discussion of solidarity, the book reframes traditional notions of class, helping us understand both the challenges working people face and the possibilities for collective consciousness and action in the global present. 542 1 |fThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License|uhttps://creativecommons.org/licenses/by-nc-nd/4.0 588 Description based on information from the publisher. 648 7 1900-2099|2fast 650 0 Working class in literature|y20th century. 650 0 Working class in literature|y21st century. 650 0 Working class in motion pictures|y20th century. 650 0 Working class in motion pictures|y21st century. 650 0 Labor in literature|y20th century. 650 0 Labor in literature|y21st century. 650 0 Labor in motion pictures|y20th century. 650 0 Labor in motion pictures|y21st century. 650 0 American literature|y20th century|xHistory and criticism. 650 0 American literature|y21st century|xHistory and criticism. 650 0 Motion pictures, American|y20th century|xHistory and criticism. 650 0 Motion pictures, American|y21st century|xHistory and criticism. 650 7 American literature.|2fast|0(OCoLC)fst00807113 650 7 Economic history.|2fast|0(OCoLC)fst00901974 650 7 Labor in literature.|2fast|0(OCoLC)fst01903736 650 7 Labor in motion pictures.|2fast|0(OCoLC)fst02021251 650 7 Motion pictures, American.|2fast|0(OCoLC)fst01027478 650 7 Social conditions.|2fast|0(OCoLC)fst01919811 650 7 Working class in literature.|2fast|0(OCoLC)fst01180556 650 7 Working class in motion pictures.|2fast |0(OCoLC)fst01180558 650 7 LITERARY CRITICISM / General.|2bisacsh 651 0 United States|xEconomic conditions|y20th century. 651 0 United States|xEconomic conditions|y21st century. 651 0 United States|xSocial conditions|y20th century. 651 0 United States|xSocial conditions|y21st century. 651 7 United States.|2fast|0(OCoLC)fst01204155 655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 710 2 Michigan Publishing (University of Michigan),|epublisher. 830 0 Class, culture. 914 on1354571145 947 MARCIVE Processed 2023/05/05 994 92|bCKE
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