LEADER 00000cam  2200925Ka 4500 
001    ocm48139792  
003    OCoLC 
005    20190821071141.8 
006    m     o  d         
007    cr cn||||||||| 
008    010821s1994    nhua    ob    101 0 eng d 
010       93013614 
019    848919480|a967624148|a970802601|a1050957367|a1110313541 
020    0585371067|q(electronic book) 
020    9780585371061|q(electronic book) 
020    9780819574237|q(electronic book) 
020    0819574236|q(electronic book) 
020    |z0819552607 
020    |z9780819552600 
020    |z081956267X 
020    |z9780819562678 
035    (OCoLC)48139792|z(OCoLC)848919480|z(OCoLC)967624148
       |z(OCoLC)970802601|z(OCoLC)1050957367|z(OCoLC)1110313541 
040    N$T|beng|epn|cN$T|dOCLCQ|dYDXCP|dOCLCG|dOCLCQ|dTUU|dOCLCQ
       |dTNF|dC6I|dOCLCO|dOCLCQ|dN$T|dOCLCF|dP@U|dNLGGC|dOCLCO
       |dVLB|dOCLCQ|dOCL|dOCLCO|dS3O|dOCLCO|dOCLCQ|dVT2|dMWM|dZ5A
       |dOCLCQ|dWY@|dLUE|dTOF|dUWK 
049    STJJ 
050  4 N72.S6|bV59 1994eb 
072  7 ART|x000000|2bisacsh 
082 04 701/.03|220 
084    20.02|2bcl 
084    20.00|2bcl 
084    20.06|2bcl 
245 00 Visual culture :|bimages and interpretations /|cedited by 
       Norman Bryson, Michael Ann Holly, and Keith Moxey. 
264  1 Hanover, N.H. :|bUniversity Press of New England [for] 
       Wesleyan University Press,|c[1994] 
264  4 |c©1994 
300    1 online resource (xxix, 429 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
500    Essays originally written for a National Endowment for the
       Humanities Summer Institute held at the University of 
       Rochester during July and August 1989. 
504    Includes bibliographical references and index. 
505 0  Feminism/Foucault-surveillance/sexuality / Griselda 
       Pollock -- Men's work? masculinity and modernism / Lisa 
       Tickner -- The discontinuous city : picturing and the 
       discursive field / John Tagg -- Hieronymus Bosch and the 
       "World upside down" : the case of The garden of earthly 
       delights / Keith Moxey -- Observations on style and 
       history in French painting of the male nude, 1785-1794 / 
       Thomas Crow -- The renunciation of reaction in Girodet's 
       Sleep of Endymion / Whitney Davis -- The theater of 
       revolution : a new interpretation of Jacques-Louis David's
       Tennis court oath / Wolfgang Kemp -- Géricault and 
       "masculinity" / Norman Bryson -- Strategies of 
       identification / Ernst Van Alphen -- Fassbinder and Lacan 
       : a reconsideration of gaze, look, and image / Kaja 
       Silverman -- Feminism, psychoanalysis, and the study of 
       popular culture / Constance Penley -- The ecology of 
       images / Andrew Ross -- Wölfflin and the imagining of the 
       Baroque / Michael Ann Holly -- Dead flesh, or the smell of
       painting / Mieke Bal -- Form and gender / David Summers. 
520 8  Annotation|b"We can no longer see, much less teach, 
       transhistorical truths, timeless works of art, and 
       unchanging critical criteria without a highly developed 
       sense of irony about the grand narratives of the past," 
       declare the editors, who also coedited Visual Theory: 
       Painting and Interpretation (1990). The field of art 
       history is not unique in finding itself challenged and 
       enlarged by cultural debates over issues of class, 
       ethnicity, nationality, sexual orientation, and gender. 
       Visual Culture assembles some of the foremost scholars of 
       cultural studies and art history to explore new critical 
       approaches to a history of representation seen as 
       something<br />different from a history of art.<br /><br /
       >CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, 
       David Summers, Constance Penley, Kaja Silverman, Ernst Van
       Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, 
       Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner. 
588 0  Print version record. 
590    EBSCOhost|bArt and Architecture Complete 
650  0 Art and society|vCongresses. 
650  0 Masculinity in art|vCongresses. 
650  0 Art|xHistoriography|vCongresses. 
650  7 ART|xGeneral.|2bisacsh 
650  7 Art and society.|2fast|0(OCoLC)fst00815432 
650  7 Art|xHistoriography.|2fast|0(OCoLC)fst00815259 
650  7 Masculinity in art.|2fast|0(OCoLC)fst01011039 
650  7 Konstvetenskap.|2kao 
650  7 Kvinnobilden.|2kao 
650  7 Mansbilden.|2kao 
650  7 Feminism.|2kao 
650  7 Kvinnlighet.|2kao 
650  7 Manlighet.|2kao 
650  7 History of art.|2kao//eng 
650  7 Image of women.|2kao//eng 
650  7 Image of men.|2kao//eng 
650  7 Feminism.|2kao//eng 
650  7 Femininity.|2kao//eng 
650  7 Masculinity.|2kao//eng 
650  7 Bildanalys (konst)|2sao 
650  7 Konst och samhälle.|2sao 
650  7 Manlighet i konsten.|2sao 
650  7 Feminism och konst.|2sao 
650  7 Konstteori.|2sao 
650 17 Kunst.|2gtt 
650 17 Filosofische aspecten.|2gtt 
651  7 Congressen (vorm)|2gtt 
653  0 Art 
655  7 Conference papers and proceedings.|2fast
       |0(OCoLC)fst01423772 
700 1  Bryson, Norman,|d1949- 
700 1  Holly, Michael Ann. 
700 1  Moxey, Keith P. F.,|d1943- 
776 08 |iPrint version:|tVisual culture.|dHanover, N.H. : 
       University Press of New England [for] Wesleyan University 
       Press, ©1994|z0819552607|w(DLC)   93013614
       |w(OCoLC)28111070 
914    ocm48139792 
994    92|bSTJ