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003 OCoLC
005 20160518075006.1
006 m o d
007 cr cnu---unuuu
008 080129s2007 njua ob 001 0 eng d
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020 9780813541501|q(electronic bk.)
020 0813541506|q(electronic bk.)
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042 dlr
043 n-us---
049 GTKE
050 4 PN1995.9.W3|bE24 2007eb
082 04 791.43/658|222
100 1 Eberwein, Robert T.,|d1940-
245 10 Armed forces :|bmasculinity and sexuality in the American
war film /|cRobert Eberwein.
264 1 New Brunswick, N.J. :|bRutgers University Press,|c[2007]
264 4 |c©2007
300 1 online resource (x, 196 pages) :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
504 Includes bibliographical references (pages 181-185) and
index.
505 00 |tAcknowledgments --|tIntroduction : Definitions --|g1.
|tParadigms in the silent era --|g2.|tBeyond triangles --
|g3.|tDisavowing threats --|g4.|tWounds --|g5.|tDrag --
|g6.|t"Don't ask, don't tell" --|g7.|tBodies, weapons --
|g8.|tFathers and sons --|tConclusion : buddies, then and
now --|tNotes --|tSelected bibliography --|tIndex.
506 |3Use copy|fRestrictions unspecified|2star|5MiAaHDL
520 In war films, the portrayal of deep friendships between
men is commonplace. Given the sexually anxious nature of
the American imagination, such bonds are often interpreted
as carrying a homoerotic subtext. In Armed Forces, Robert
Eberwein argues that an expanded conception of masculinity
and sexuality is necessary in order to understand more
fully the intricacy of these intense and emotional human
relationships. Drawing on a range of examples from silent
films such as What Price Glory and Wings to sound era
works like The Deer Hunter, Platoon, Three Kings, and
Pearl Harbor, he shows how close.
533 Electronic reproduction.|b[S.l.] :|cHathiTrust Digital
Library,|d2010.|5MiAaHDL
538 Master and use copy. Digital master created according to
Benchmark for Faithful Digital Reproductions of Monographs
and Serials, Version 1. Digital Library Federation,
December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
|5MiAaHDL
583 1 digitized|c2010|hHathiTrust Digital Library|lcommitted to
preserve|2pda|5MiAaHDL
588 0 Print version record.
650 0 War films|zUnited States|xHistory and criticism.
650 0 Male friendship in motion pictures.
650 0 Masculinity in motion pictures.
650 7 PERFORMING ARTS|xFilm & Video|xReference.|2bisacsh
650 7 PSYCHOLOGY|xHuman Sexuality.|2bisacsh
650 7 Male friendship in motion pictures.|2fast
|0(OCoLC)fst01006640
650 7 Masculinity in motion pictures.|2fast|0(OCoLC)fst01011041
650 7 War films.|2fast|0(OCoLC)fst01170482
650 7 Film|xMotiv|xMann|zUSA.|2idsbb
650 7 Sexualität|xFilm|zUSA.|2idsbb
650 7 Film|xSexualität|zUSA.|2idsbb
650 7 Krieg|xFilm|zUSA|yGeschichte 20. Jh.|2idsbb
650 7 Film|xKrieg|zUSA|yGeschichte 20. Jh.|2idsbb
650 7 Film|xMotiv (Kunst)|xMännerfreundschaft|zUSA|xGeschichte
|y1895-2005.|2idszbz
650 7 Männerfreundschaft|xMotiv (Kunst)|xFilm|zUSA|xGeschichte
|y1895-2005.|2idszbz
650 7 Männlichkeit|xMotiv (Kunst)|xFilm|zUSA|xGeschichte|y1895-
2005.|2idszbz
650 7 Kriegsfilm|zUSA|xGeschichte|y1895-2005.|2idszbz
651 7 United States.|2fast|0(OCoLC)fst01204155
651 7 United States|xFilm|xMotiv (Kunst)|xMännerfreundschaft
|xGeschichte|y1895-2005.|2idszbz
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
776 08 |iPrint version:|aEberwein, Robert T., 1940-|tArmed
forces.|dNew Brunswick, N.J. : Rutgers University Press,
©2007|z9780813540795|z0813540798|w(DLC) 2006032571
|w(OCoLC)71842722
914 ocn191675751
994 93|bGTK
