| Description |
xii, 224 pages : illustrations, facsimile, music ; 24 cm |
| Bibliography |
Includes bibliographies. |
| Contents |
Prologue: Richard Ellmann: Two perspectives on Joyce -- Introduction: Heyward Ehrlich: James Joyce's light rays -- [1.] Popular culture: Leslie Fieldler: To whom does Joyce belong?: Ulysses as parody, pop and porn -- Ruby -- Zack Bowen: Joyce and the modern coalescence -- [2.] Experimental literature: Hugh Kenner: Who's he when he's at home? -- Fritz Senn: Remodeling Homer -- Ihab Hassan: ( ): Finnegan's wake and postmodern imagination -- [3.] The new sexuality: Morris Beja: The Joyce of sex: sexual relations in Ulysses -- Robert Boyle: Joyce's consubstantiality: woman as creator -- [4.] Contemporary philosophy: Morton P. Levitt: The modernist age: the age of James Joyce -- Margot Norris: From The decentered universe of Finnegan's wake -- [5.] Neoteric psychology: Norman O. Brown: Closing time: an interlude of farce -- [6.] Avant garde music: John Cage: Writing for the second time through Finnegan's wake -- John Cage: From The wonderful widow of Eighteen Springs -- Pierre Boulez: From Third sonata and Structures II -- [7.] Abstract art: Shari Benstock: The double image of modernism: Matisse's etchings for Ulysses -- Evan Firestone: James Joyce and the First Generation New York School -- Ad Reinhardt: A portend of the artist as a Jhung Mandala. |
| Subject |
Joyce, James, 1882-1941 -- Criticism and interpretation.
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Joyce, James, 1882-1941 -- Influence.
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Modernism (Literature)
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| Added Author |
Beja, Morris.
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Ehrlich, Heyward.
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| ISBN |
0882823027: $15.95 |
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