LEADER 00000cam a2200469 i 4500 
001    on1083180732 
003    OCoLC 
005    20190828120201.0 
008    190115t20192019miua     b    001 0deng   
010      2019001977 
020    9780472074266|qhardcover|qalkaline paper 
020    0472074261|qhardcover|qalkaline paper 
035    (OCoLC)1083180732 
040    DLC|beng|erda|cDLC|dOCLCO|dBDX|dYDX|dOCLCF|dERASA|dYDX
       |dTJC 
042    pcc 
043    n-us-mi 
049    CKEA 
050 00 ML3508.8.D4|bS87 2019 
082 00 781.6509774/34|223 
100 1  Stryker, Mark,|eauthor. 
245 10 Jazz from Detroit /|cMark Stryker. 
264  1 Ann Arbor :|bUniversity of Michigan Press,|c2019. 
264  4 |c©2019 
300    xiv, 342 pages ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Part one : Setting the stage. Jazz in Detroit, 1900-1950 -
       - Part two : The golden age, 1940-60. Opening chorus ; 
       Gerald Wilson : Head and heart ; Yusef Lateef : Gentle 
       giant ; Milt Jackson : Bag's groove ; Sheila Jordan : 
       Sheila's blues ; Barry Harris : Professor of bebop ; Tommy
       Flanagan : A legendary touch ; Kenny Burrell : Community 
       builder ; Donald Byrd : Renaissance man ; Roland Hanna : 
       Magician ; Curtis Fuller : Trombone on top ; Louis Hayes :
       The (cymbal) beat goes on ; Ron Carter : The right note 
       and the tight time ; Joe Henderson : The phantom ; Charles
       McPherson : Reminiscing by ear -- Part three : The Jones 
       Brothers. Opening chorus ; Hank Jones : One extra ace ; 
       Thad Jones : Jonesisms ; Elvin Jones : Philosopher king --
       Part four : Taking control : Self-determination in the 
       1960s and '70s. Opening chorus ; Detroit Artists Workshop,
       Detroit Creative Musicians Association, and Focus Novii ; 
       Contemporary Jazz Quintet and Strata Corporation ; Tribe ;
       Coda -- Part five : Marcus Belgrave and his children. 
       Marcus Belgrave : The nurturer ; Geri Allen : Back to the 
       future ; Kenny Garrett : Sound and spirit ; Regina Carter 
       : Searching for roots ; Gerald Cleaver : The big picture ;
       Robert Hurst : Platonic ideal ; Rodney Whitaker : Family 
       man ; James Carter : Volcano ; Karriem Riggins : Dual 
       identity -- Part six : Tradition and transition in the 
       21st century. Opening chorus ; Present and future : Ralphe
       Armstrong, Marion Hayden, Michael Malis, Marcus Elliot ; 
       Coda -- Appendices. 
520 8  Jazz from Detroit explores the city's pivotal role in 
       shaping the course of modern and contemporary jazz. With 
       more than two dozen in-depth profiles of remarkable 
       Detroit-bred musicians, complemented by a generous 
       selection of photographs, Mark Stryker makes Detroit jazz 
       come alive as he draws out significant connections between
       the players, eras, styles, and Detroit's distinctive 
       history. Stryker's story starts in the 1940s and '50s, 
       when the auto industry created a thriving black working 
       and middle class in Detroit that supported a vibrant 
       nightlife, and exceptional public school music programs 
       and mentors in the community like pianist Barry Harris 
       transformed the city into a jazz juggernaut. This golden 
       age nurtured many legendary musicians-Hank, Thad, and 
       Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, 
       Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, 
       Joe Henderson, and others. As the city's fortunes change, 
       Stryker turns his spotlight toward often overlooked but 
       prescient musician-run cooperatives and self-determination
       groups of the 1960s and '70s, such as the Strata 
       Corporation and Tribe. In more recent decades, the city's 
       culture of mentorship, embodied by trumpeter and teacher 
       Marcus Belgrave, ensured that Detroit continued to 
       incubate world-class talent; Belgrave proteges like Geri 
       Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald 
       Cleaver, and Karriem Riggins helped define contemporary 
       jazz. The resilience of Detroit's jazz tradition provides 
       a powerful symbol of the city's lasting cultural 
       influence. Stryker's 21 years as an arts reporter and 
       critic at the Detroit Free Press are evident in his vivid 
       storytelling and insightful criticism. Jazz from Detroit 
       will appeal to jazz aficionados, casual fans, and anyone 
       interested in the vibrant and complex history of cultural 
       life in Detroit.--Book jacket. 
650  0 Jazz|zMichigan|zDetroit|xHistory and criticism. 
650  0 Jazz musicians|zMichigan|zDetroit. 
650  7 Jazz.|2fast|0(OCoLC)fst00982165 
650  7 Jazz musicians.|2fast|0(OCoLC)fst00982205 
651  7 Michigan|zDetroit.|2fast|0(OCoLC)fst01205010 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iOnline version:|aStryker, Mark, author.|tJazz from 
       Detroit|dAnn Arbor : University of Michigan Press, [2019]
       |z9780472125913|w(DLC)  2019002614 
994    C0|bCKE