LEADER 00000cam  2200721Ii 4500 
001    ocn857278710 
003    OCoLC 
005    20171109063042.3 
006    m     o  d         
007    cr cnu---unuuu 
008    130830s2013    xx      o     000 0 eng d 
019    994480215 
020    9789004258655|q(electronic bk.) 
020    9004258655|q(electronic bk.) 
020    1299808271|q(electronic bk.) 
020    9781299808270|q(electronic bk.) 
020    |z9789067183888 
020    |z9067183881 
035    (OCoLC)857278710|z(OCoLC)994480215 
037    22573/ctt1w71p7r|bJSTOR 
040    IDEBK|beng|epn|erda|cIDEBK|dEBLCP|dOCLCQ|dMHW|dCDX|dN$T
       |dE7B|dOCLCF|dNLGGC|dOCLCQ|dYDXCP|dUV0|dOCLCQ|dCOO|dOCLCO
       |dUIU|dOCLCQ|dLOA|dOCLCQ|dXFH|dOCLCQ|dJSTOR 
043    a-io--- 
049    CKEA 
050  4 BL1216 .V374 2013 
082 04 294.537|222 
100 1  Kieven, Lydia. 
245 10 Following the Cap-Figure in Majapahit Temple Reliefs :|ba 
       New Look at the Religious Function of East Javanese 
       Temples, Fourteenth and Fifteenth Centuries. 
264  1 |bBrill,|c2013. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Verhandelingen van het Koninklijk Instituut voor Taal-, 
       Land- en Volkenkunde 
505 0  Following The Cap-Figure In Majapahit Temple Reliefs; 
       Copyright; Contents; Acknowledgements; Technical notes; 
       List of figures, tables, and plates; I. Introduction; 
       Introducing the subject; previous research; methodology; 
       outline; II. Narrative reliefs and panji stories; 
       narrative reliefs and literary traditions; panji stories; 
       the literary genre; previous research; symbolism of the 
       panji stories; narratives, panji stories, and performing 
       arts; III. Iconography of the late east javanese temple 
       reliefs; iconographical conventions in the late east 
       javanese temple reliefs; types of characters. 
505 8  Types of posturestypes of place; the cap-figures; the term
       'cap'; iconography and classification; the kadeyan: 
       gambyok relief and grogol statues; the gambyok relief; the
       grogol statues; further kertolo statues; IV. Temples in 
       context of religion and politics; architecture of the 
       majapahit period; the religious belief systems: saiwism 
       and buddhism; tantrism; religious practices in majapahit 
       temples; the politics of majapahit; temples in the 'unity 
       of the realm'; the decline of majapahit -- mountain 
       sanctuaries; water and mountain in ancient javanese 
       mythology and art. 
505 8  V. Table of depictions of cap-figures in majapahit art in 
       chronological orderselection of case studies; VI. Candi 
       jago: the cap, a new fashion of headgear; layout and 
       architecture; history and function; reliefs with cap-
       figures; tantri stories; angling dharma story; 
       kunjarakarna story; sudhanakumara-awadana story; 
       conclusion; VII. Candi panataran: panji, introducing the 
       pilgrim into the tantric doctrine; layout and 
       architecture; history and function; iconography and 
       interpretation of the reliefs with cap-figures; the outer 
       bathing place; the pendopo terrace (C). 
505 8  Analysis of the symbolic meaning of the reliefs on the 
       pendopo terracethe naga temple (E); the small pendopo 
       terrace (F); the dwarapala in front of the main temple; 
       the main temple (G)/(H); the inner bathing place (I); 
       conclusion; VIII. Candi surowono: sidapaksa, a nobleman 
       with a cap; layout and architecture; history and function;
       iconography and interpretation of the narrative reliefs; 
       the sri tanjung reliefs; the arjunawiwaha reliefs and the 
       bubukshah reliefs; cross-references between the three 
       narrative relief series; conclusion; addendum: further cap
       -figures. 
505 8  IX. Candi mirigambar: panji, the ideal lover and 
       warriorlayout and architecture; history and function; 
       iconography and interpretation of the narrative reliefs; 
       conclusion; X. Sanctuaries on mount penanggungan: candi 
       kendalisodo, candi yudha, and the panji statue from candi 
       selokelir -- the climax; geographical situation and layout
       of the sanctuaries; history and function of the sites; 
       candi kendalisodo; candi yudha; the panji statue from 
       candi selokelir; conclusion; xi.conclusion: Panji and the 
       cap-figure as intermediary characters on the path to 
       tantric rituals. 
520    This publication provides a new understanding of the 
       religious function of the East Javanese temples. The study
       of the cap-figures and their symbolism yields an 
       outstanding contribution to the uniqueness of Majapahit 
       culture. 
546    English. 
588 0  Print version record. 
648  7 To 1478|2fast 
650  0 Hindu temples|zIndonesia|zJava|xHistory. 
650  0 Hindu symbolism|xHistory. 
650  7 RELIGION|xComparative Religion.|2bisacsh 
650  7 Hindu symbolism.|2fast|0(OCoLC)fst00957107 
650  7 Hindu temples.|2fast|0(OCoLC)fst01729928 
650  7 Religion.|2fast|0(OCoLC)fst01093763 
650  7 RELIGION / General.|2bisacsh 
651  0 Java (Indonesia)|xReligion. 
651  0 Indonesia|xHistory|yTo 1478. 
650 17 Tempels.|2gtt 
650 17 Hindoeïsme.|2gtt 
651  7 Indonesia.|2fast|0(OCoLC)fst01209242 
651  7 Indonesia|zJava.|2fast|0(OCoLC)fst01244461 
651  7 Jawa Timur.|2gtt 
655  7 History.|2fast|0(OCoLC)fst01411628 
830  0 Verhandelingen van het Koninklijk Instituut voor Taal-, 
       Land- en Volkenkunde. 
914    ocn857278710 
994    92|bCKE