| Description |
x, 338 pages : illustrations ; 24 cm. |
| Series |
Music/culture |
|
Music/culture.
|
| Bibliography |
Includes bibliographical references (pages 301-316), discography (p. 314-315) , and index. |
| Contents |
Electronic music in Jamaica: dub in the continuum of Jamaican music -- Every spoil is a style: the evolution of dub music in the 1970s -- The backbone of Studio One -- Jus' like a volcano in yuh head! -- Tracking the living African heartbeat -- Java to Africa -- City too hot: the end of the roots era and the significance of dub to the digital era of Jamaican music -- Starship Africa: the acoustics of diaspora and of the postcolony -- Coda: Electronica, remix culture, and Jamaica as a source of transformative strategies in global popular music. |
| Subject |
Dub (Music) -- Jamaica -- History and criticism.
|
|
Dub (Music) (OCoLC)fst01739192
|
|
Jamaica. (OCoLC)fst01211575
|
| Genre/Form |
Criticism, interpretation, etc. (OCoLC)fst01411635
|
| Other Form: |
Online version: Veal, Michael E., 1963- Dub. Middletown, CT : Wesleyan University Press, ©2007 (OCoLC)655233198 |
| ISBN |
9780819565716 (cloth ; alk. paper) |
|
0819565717 (cloth ; alk. paper) |
|
9780819565723 (pbk. ; alk. paper) |
|
0819565725 (pbk. ; alk. paper) |
|
