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Author Tucker, Paul Hayes, 1950-

Title The impressionists at Argenteuil / Paul Hayes Tucker.

Imprint Washington [D.C.] : National Gallery of Art ; Hartford [Conn.] : Wadsworth Atheneum Museum of Art, ©2000.

Copies

Location Call No. Status
 Bristol, Manross Branch - Non Fiction  759.4 T798    Check Shelf
 Farmington, Main Library - Adult Department  759.4 TUC    Check Shelf
 Mansfield, Main Library - Adult Nonfiction  759.4367 TUCKER    Check Shelf
 University of Saint Joseph: Pope Pius XII Library - Standard Shelving Location  OVERSIZE 759.4 T893I    Check Shelf
Description 179 pages : illustrations (some color), maps ; 30 cm
Note Organized by the the National Gallery of Art, Washington, May 28-Aug. 20, 2000 and the Wadsworth Atheneum Museum of Art, Hartford, Sept. 6-Dec. 3, 2000.
Includes index.
Bibliography Includes bibliographical references and index.
Contents On Place and Meaning: Argenteuil and the Impressionists, 1871-1894 -- Catalogue of the Exhibition -- Index of Paintings in the Exhibition.
Summary "With the exception of Paris, no other site is more closely associated with the birth of impressionism than Argenteuil. Only fifteen minutes by railroad from the heart of the capital, Argenteuil was home to Claude Monet from late 1871 to early 1878, a period that was prolific and revolutionary. It was during his time in Argenteuil that Monet developed his unique vision of landscape painting, at once authentic and idyllic, suffused with light, atmosphere, and the complexities of contemporaneity. At the end of the nineteenth century, other avant-garde painters - Eugene Boudin, Gustave Caillebotte, Edouard Manet, Auguste Renoir, Alfred Sisley - were also drawn to Argenteuil by its beauty, its proximity to Paris, and its association with suburban recreation. Monet's amiable presence was another source of appeal, and many artists - most notably Sisley and Renoir - came to paint alongside him. The Impressionists at Argenteuil explores the fertile moment when the fascination with atmospheric effects, depictions of modern life, and lively artistic exchanges of the 1860's coalesced to become classic impressionism. An introductory essay as well as entries on fifty-two paintings by Boudin, Caillebotte, Manet, Monet, Renoir, and Sisley present the richness of the artists' individual responses to this site and the relationships that developed among them."--Jacket.
Subject Caillebotte, Gustave, 1848-1894.
Manet, Édouard, 1832-1883.
Monet, Claude, 1840-1926.
Renoir, Auguste, 1841-1919.
Sisley, Alfred, 1839-1899.
Impressionism (Art) -- France -- Argenteuil -- Exhibitions.
Artist colonies -- France -- Argenteuil -- Exhibitions.
Impressionist artists -- France -- Argenteuil -- Exhibitions.
Argenteuil (France) -- Social life and customs -- 19th century.
Artist colonies. (OCoLC)fst00817549
Impressionism (Art) (OCoLC)fst00968249
Impressionist artists. (OCoLC)fst00968263
Manners and customs. (OCoLC)fst01007815
France -- Argenteuil. (OCoLC)fst01214643
Schilderijen.
Impressionisme.
Chronological Term 1800-1899
Genre/Form Exhibition catalogs. (OCoLC)fst01424028
Exhibition catalogues.
Exhibition catalogs.
Added Author National Gallery of Art (U.S.)
Wadsworth Atheneum Museum of Art.
ISBN 0894682490 (pbk.)
9780894682490 (pbk.)
0300083491 (cloth)
9780300083491 (cloth)
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