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001    ocm47010544  
003    OCoLC 
005    20160518075339.8 
006    m     o  d         
007    cr cn||||||||| 
008    010330s1999    enk     ob    001 0 eng d 
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049    GTKE 
050  4 BH301.P64|bC37 1999eb 
082 04 190|221 
084    08.25|2bcl 
100 1  Cascardi, Anthony J.,|d1953- 
245 10 Consequences of Enlightenment /|cAnthony J. Cascardi. 
264  1 Cambridge, U.K. ;|aNew York :|bCambridge University Press,
       |c1999. 
300    1 online resource (viii, 268 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Literature, culture, theory ;|v30 
504    Includes bibliographical references and index. 
505 00 |g1.|tThe consequences of Enlightenment --|g2.|tAesthetics
       as critique --|g3.|tThe difficulty of art --|g4.
       |tCommunication and transformation: aesthetics and 
       politics in Habermas and Arendt --|g5.|tThe role of 
       aesthetics in the radicalization of democracy --|g6.
       |tInfinite reflection and the shape of praxis --|g7.
       |tFeeling and/as force. 
520    What is the relationship between contemporary intellectual
       culture and the European Enlightenment it claims to 
       reject? In Consequences of Enlightenment, Anthony J. 
       Cascardi revisits the arguments advanced in Horkheimer and
       Adorno's seminal work Dialectic of Enlightenment. Cascardi
       argues against the view that postmodern culture has 
       rejected Enlightenment beliefs and explores instead the 
       continuities contemporary theory shares with Kant's theory
       of judgment. The positive consequences of Kant's failed 
       ambition to bring the project of Enlightenment to 
       completion, he argues, are evident in the aesthetic basis 
       on which subjectivity has survived in the contemporary 
       world. 
520 8  Cascardi explores the link between aesthetics and politics
       in thinkers as diverse as Habermas, Derrida, Arendt, 
       Nietzsche, Hegel, and Wittgenstein in order to reverse the
       tendency to see works of art simply in terms of the 
       worldly practices among which they are situated. Works of 
       art, he argues, are themselves capable of disclosing 
       truth. The book explores the post-Enlightenment 
       implications of Kant's claim that feeling, and not only 
       cognition, may provide a ground for knowledge. 
588 0  Print version record. 
600 10 Horkheimer, Max,|d1895-1973.|tPhilosophische Fragmente. 
630 07 Philosophische Fragmente (Horkheimer, Max)|2fast
       |0(OCoLC)fst01362888 
648  7 1900 - 1999|2fast 
650  0 Aesthetics|xPolitical aspects. 
650  0 Aesthetics, Modern|y20th century. 
650  0 Enlightenment. 
650  7 PHILOSOPHY|xHistory & Surveys|xModern.|2bisacsh 
650  7 PHILOSOPHY|xHistory & Surveys|xGeneral.|2bisacsh 
650  7 Aesthetics, Modern.|2fast|0(OCoLC)fst00798800 
650  7 Aesthetics|xPolitical aspects.|2fast|0(OCoLC)fst00798712 
650  7 Enlightenment.|2fast|0(OCoLC)fst00912527 
650 07 Philosophie.|2swd 
650 07 Rezeption.|2swd 
650 07 Aufklärung.|2swd 
650 17 Dialektik der Aufklärung (Adorno & Horkheimer)|2gtt 
650 17 Postmodernisme.|2gtt 
650 17 Verlichting (cultuurgeschiedenis)|2gtt 
650 17 Esthetica.|2gtt 
776 08 |iPrint version:|aCascardi, Anthony J., 1953-
       |tConsequences of Enlightenment.|dCambridge, U.K. ; New 
       York : Cambridge University Press, 1999|z052148149X|w(DLC)
       98021467|w(OCoLC)39002871 
830  0 Literature, culture, theory ;|v30. 
914    ocm47010544 
994    93|bGTK 
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