LEADER 00000cam  2200637 a 4500 
001    ocn581105428 
003    OCoLC 
005    20220602034647.0 
006    m     o  d         
007    cr bn||||||abp 
007    cr bn||||||ada 
008    100326s1989    ncua    ob    001 0 ger d 
019    297695094|a1175645305|a1193406100 
020    9781469658575|q(electronic book) 
020    1469658577|q(electronic book) 
035    (OCoLC)581105428|z(OCoLC)297695094|z(OCoLC)1175645305
       |z(OCoLC)1193406100 
037    22573/ctv11p3t3q|bJSTOR 
040    OCLCE|beng|epn|cOCLCE|dOCLCQ|dOCLCO|dOCLCQ|dOCLCF|dOCLCO
       |dOCLCQ|dOCLCA|dJSTOR|dUX1|dINARC|dOCLCQ|dHTM|dOCLCO 
042    dlr 
043    e-gx--- 
049    CKEA 
050  4 PT2361.Z5|bV5 1989 
082 04 833/.6|219 
100 1  Vitt-Maucher, Gisela. 
245 10 E.T.A. Hoffmanns Märchenschaffen :|bKaleidoskop der 
       Verfremdung in seinen sieben Märchen /|cGisela Vitt-
       Maucher. 
264  1 Chapel Hill :|bUniversity of North Carolina Press,|c[1989]
264  4 |c©1989 
300    1 online resource (viii, 232 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  University of North Carolina studies in the Germanic 
       languages and literatures ;|vno. 108 
504    Includes bibliographical references (pages 221-228) and 
       index. 
506    |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 
520    This book provides a critical study of all seven of 
       Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed 
       individual analyses focus on Hoffmann's use of structural,
       stylistic, and linguistic devices to create poetic 
       deviations from the norms of reality. These deviations are
       diverse: distortions of language and time; altered 
       dimensions of reality, persons, and objects; 
       transformations and reversals of 'normal' conditions or 
       conventions. They underlie Hoffmann's often humorous or 
       grotesque world of fairy tale 'magic' and convey to the 
       reader the poet's intent. In the course of his fairy tale 
       production (1814-1821), Hoffmann's use of language, 
       imagery, and structure becomes increasingly distorted and 
       alienated from everyday reality. Similarly, his employment
       of humor develops from early sociocritical, ironic, and 
       parodistic intent to more autonomous and clearly less 
       referential forms of 'absolute humor.' 
533    Electronic reproduction.|b[Place of publication not 
       identified] :|cHathiTrust Digital Library,|d2010.|5MiAaHDL
538    Master and use copy. Digital master created according to 
       Benchmark for Faithful Digital Reproductions of Monographs
       and Serials, Version 1. Digital Library Federation, 
       December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
       |5MiAaHDL 
583 1  digitized|c2010|hHathiTrust Digital Library|lcommitted to 
       preserve|2pda|5MiAaHDL 
588 0  Print version record. 
600 10 Hoffmann, E. T. A.|q(Ernst Theodor Amadeus),|d1776-1822
       |xCriticism and interpretation. 
600 11 Hoffmann|bErnst T. A.|xKunstmärchen|xVerfremdung. 
600 17 Hoffmann, E. T. A.|q(Ernst Theodor Amadeus),|d1776-1822.
       |2fast|0(OCoLC)fst00056459 
650  0 Fairy tales|zGermany|xHistory and criticism. 
650  0 Alienation (Social psychology) in literature. 
650  7 Alienation (Social psychology) in literature.|2fast
       |0(OCoLC)fst00805273 
650  7 Fairy tales.|2fast|0(OCoLC)fst00919916 
650 17 Sprookjes.|2gtt 
651  7 Germany.|2fast|0(OCoLC)fst01210272 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iPrint version:|aVitt-Maucher, Gisela.|tE.T.A. Hoffmanns 
       Märchenschaffen.|dChapel Hill : University of North 
       Carolina Press, ©1989|w(DLC)   88022710|w(OCoLC)18255239 
830  0 University of North Carolina studies in the Germanic 
       languages and literatures ;|vno. 108. 
914    ocn581105428 
994    C0|bCKE