Description |
1 online resource (316 pages). |
Series |
Consciousness, literature & the arts ; 5 |
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Consciousness, literature & the arts ; 5.
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Bibliography |
Includes bibliographical references and index. |
Contents |
Introduction: The New Metaphysics of Immanence; Bergson's Matter-Image: The Degradation of the Impersonal; Sartre's Image-Consciousness: The Allergic Reaction to Matter; Lyotard's Sublime: The Ontologization of the Image; Baudrillard's Simulacrum: The End of Visibility; Deleuze's Time-Image: Getting Rid of Ourselves; Imaginary Time in Contemporary Cinema; Bibliography; Index. |
Summary |
The Image in French Philosophy challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a revival of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image. Insofar as the image was part of the discourse of subjectivity/representation, getting rid of the subject involved smuggling the concept of the image out of the discourse of subjectivity/representa. |
Note |
Print version record. |
Subject |
Philosophy, French.
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Fine Arts.
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PHILOSOPHY -- History & Surveys -- Modern.
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Philosophy, French. (OCoLC)fst01060959
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Filosofie.
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Subjectiviteit.
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Verbeelding.
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France.
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Other Form: |
Print version: Trifonova, Temenuga. Image in French philosophy. Amsterdam ; New York, NY : Rodopi, 2007 9789042021594 9042021594 (OCoLC)133037575 |
ISBN |
9781429480895 (electronic bk.) |
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1429480890 (electronic bk.) |
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