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050  4 NA745|b.A44 2012eb 
055 00 NA745|bA44 2012 fol. 
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082 04 720.971|223 
100 1  Alfoldy, Sandra,|d1969-2019. 
245 14 The allied arts :|barchitecture and craft in postwar 
       Canada /|cSandra Alfoldy. 
264  1 Montreal [Que.] :|bMcGill-Queen's University Press,
       |c[2012] 
264  4 |c©2012 
300    1 online resource (xv, 227 pages, 9 unnumbered pages of 
       plates) :|billustrations (some color), portraits, digital 
       file. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  McGill-Queen's/Beaverbrook Canadian Foundation Studies in 
       art history 
504    Includes bibliographical references (pages 207-218) and 
       index. 
505 0  Allied arts -- Material -- Scale and form -- Ornament -- 
       Identities -- Conclusion -- Appendix. 
520    During periods of close collaboration, championed by 
       figures like John Ruskin and William Morris, architecture 
       and craft were referred to as "the allied arts." By the 
       mid-twentieth century, however, it was more common for the
       two disciplines to be considered distinct professional 
       fields, with architecture having little to do with studio 
       craft. The Allied Arts investigates the history of the 
       complex relationship between craft and architecture by 
       examining the intersection of these two areas in Canadian 
       public buildings. Sandra Alfoldy explains the challenges 
       facing the development of the field of public craft and 
       documents the largely ignored public craft commissions of 
       the post-war era in Canada. The book highlights the global
       concerns of material, scale, form, ornament, and identity 
       shared by architects and craftspeople. It also examines 
       the ways in which the allied arts are mediated by 
       institutions and the fragility of craft commissions once 
       considered an integral part of the built environment. 
       Considering a wide range of craftspeople, materials, and 
       forms - from the ceramics of Jack Sures and Jordi Bonnet 
       to the textile work of Mariette Rousseau Vermette and 
       Carole Sabiston - Alfoldy celebrates the successes of 
       architectural craftsmanship. The first work of its kind, 
       The Allied Arts develops ideas about the complex 
       relationship between architecture and craft that reach 
       well beyond national boundaries. 
546    English. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription MasterFILE 
       Reference Collection 
648  7 1900-1999|2fast 
650  0 Architecture|zCanada|xHistory|y20th century. 
650  0 Handicraft|zCanada|xHistory|y20th century. 
650  0 Decorative arts|zCanada|xHistory|y20th century. 
650  7 ARCHITECTURE|xCriticism.|2bisacsh 
650  7 ARCHITECTURE|xHistory|xGeneral.|2bisacsh 
650  7 ARCHITECTURE|xRegional.|2bisacsh 
650  7 ARCHITECTURE|xHistory|xContemporary (1945- )|2bisacsh 
650  7 Architecture.|2fast|0(OCoLC)fst00813346 
650  7 Decorative arts.|2fast|0(OCoLC)fst00889315 
650  7 Handicraft.|2fast|0(OCoLC)fst00950959 
651  7 Canada.|2fast|0(OCoLC)fst01204310 
655  0 Electronic books. 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aWaite, P.B.|tAllied Arts : Architecture 
       and Craft in Postwar Canada.|dMontreal : McGill-Queen's 
       University Press, ©2014 
830  0 McGill-Queen's/Beaverbrook Canadian Foundation studies in 
       art history. 
914    ocn812837242 
994    92|bSTJ