LEADER 00000cam 2200733Ii 4500
001 ocn182522016
003 OCoLC
005 20160518075311.1
006 m o d
007 cr cnu---unuuu
008 071126s2008 kyu ob 001 0 eng d
019 647623506|a903960697
020 9780813172620|q(electronic bk.)
020 0813172624|q(electronic bk.)
035 (OCoLC)182522016|z(OCoLC)647623506|z(OCoLC)903960697
040 N$T|beng|epn|erda|cN$T|dYDXCP|dOCLCQ|dSGE|dOCLCQ|dOCLCO
|dOCLCF|dOCLCA|dOCLCE|dP4I|dNLGGC|dOCLCO|dIDEBK|dKUK|dE7B
|dOCLCQ|dOCLCO|dP@U|dOCLCQ
042 dlr
043 n-us---
049 GTKE
050 4 PN1992.8.D48|bP45 2008eb
082 04 791.45/61|222
245 04 The philosophy of TV noir /|cedited by Steven M. Sanders
and Aeon J. Skoble.
264 1 Lexington, Ky. :|bUniversity Press of Kentucky,|c[2008]
264 4 |c©2008
300 1 online resource (viii, 272 pages).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
490 1 The philosophy of popular culture
504 Includes bibliographical references and index.
505 0 An introduction to the philosophy of TV noir / Steven M.
Sanders -- Dragnet, film noir, and postwar realism / R.
Barton Palmer -- Naked City: the relativist turn in TV
noir / Robert E. Fitzgibbons -- John Drake in Greeneland:
noir themes in Secret Agent / Sander Lee -- Action and
integrity in The Fugitive / Aeon J. Skoble -- Noir et
blanc in color: existentialism and Miami Vice / Steven M.
Sanders -- 24 and the existential man of revolt / Jennifer
L. McMahon -- Carnivàle knowledge: give me that old-time
noir religion / Eric Bronson -- The Sopranos, film noir,
and nihilism / Kevin L. Stoehr -- CSI and the art of
forensic detection / Deborah Knight, George McKnight --
Detection and the logic of abduction in The X-Files /
Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness:
autonomy and conspiracy in The X-Files and Millennium /
Michael Valdez Moses -- The Prisoner and self-imprisonment
/ Shai Biderman, William J. Devlin -- Twin Peaks, noir,
and open interpretation / Jason Holt.
506 |3Use copy|fRestrictions unspecified|2star|5MiAaHDL
533 Electronic reproduction.|b[S.l.] :|cHathiTrust Digital
Library,|d2010.|5MiAaHDL
538 Master and use copy. Digital master created according to
Benchmark for Faithful Digital Reproductions of Monographs
and Serials, Version 1. Digital Library Federation,
December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
|5MiAaHDL
583 1 digitized|c2010|hHathiTrust Digital Library|lcommitted to
preserve|2pda|5MiAaHDL
588 0 Print version record.
650 0 Detective and mystery television programs|zUnited States
|xHistory and criticism.
650 0 Fantasy television programs|zUnited States|xHistory and
criticism.
650 0 Film noir|zUnited States|xHistory and criticism.
650 7 PERFORMING ARTS|xTelevision|xReference.|2bisacsh
650 7 Detective and mystery television programs.|2fast
|0(OCoLC)fst00891577
650 7 Fantasy television programs.|2fast|0(OCoLC)fst00920918
650 7 Film noir.|2fast|0(OCoLC)fst00924273
650 7 Kriminalfilm|xFernsehen|yGeschichte 20. Jh.|2idsbb
650 7 Fernsehen|xKriminalfilm|yGeschichte 20. Jh.|2idsbb
650 7 Kriminalfilm.|2idszbz
650 7 Polizeifilm.|2idszbz
650 7 Schwarzer Film.|2idszbz
650 7 Fernsehserie.|2idszbz
650 7 Fernsehprogramm.|2idszbz
650 07 Fernsehsendung.|2swd
650 07 Kriminalfilm.|2swd
651 7 United States.|2fast|0(OCoLC)fst01204155
651 7 United States.|2idszbz
651 7 United States.|2swd
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
700 1 Sanders, Steven,|d1945-
700 1 Skoble, Aeon J.
776 08 |iPrint version:|tPhilosophy of TV noir.|dLexington, Ky. :
University Press of Kentucky, ©2008|z9780813124490
|z0813124492|w(DLC) 2007029906|w(OCoLC)154692324
830 0 Philosophy of popular culture.
914 ocn182522016
994 93|bGTK
