LEADER 00000cam  2200937Ki 4500 
001    ocn810232657 
003    OCoLC 
005    20181120083734.3 
006    m     o  d         
007    cr cn||||||||| 
008    120929s2012    xx      ob    001 0 eng d 
019    815380404|a959649881 
020    9789048516322|q(electronic bk.) 
020    9048516323|q(electronic bk.) 
020    9781283698368 
020    1283698366 
020    |z9789089644268 
020    |z9089644261 
035    (OCoLC)810232657|z(OCoLC)815380404|z(OCoLC)959649881 
037    22573/ctt45spgf|bJSTOR 
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042    dc 
043    e-gx--- 
049    CKEA 
050  4 HM1231|b.N39 
082 04 384|a900 
245 00 Nazi Soundscapes :|bSound, Technology and Urban Space in 
       Germany, 1933-1945 /|cCarolyn Birdsall. 
264  1 |bAmsterdam University Press,|c2012. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
504    Includes bibliographical references (pages 217-254) and 
       indexes. 
505 00 |tAffirmative Resonances in Urban Space --|tThe 
       Festivalisation of the Everyday --|tMobilising Sound for 
       the Nation at War --|tCinema as a Gesamtkunstwerk? --
       |tAfterword: Echoes of the Past. 
505 0  Acknowledgements; Abbreviations; Introduction; Modern 
       Sound and the Metropolis; Modern Modes of Listening; 
       Theorising Listening Attention and Sound Technology; 
       Researching Historical Soundscapes; 1. Affirmative 
       Resonances in Urban Space; Auditory Perception and 
       Affirmative Resonance; Sonic Brawling and Aesthetic 
       Occupations of Public Space; Publicising Songs, 
       Institutionalising Schlageter; The Call for National 
       Awakening; Conclusion; 2. The Festivalisation of the 
       Everyday; A Festival for Everyone?; Radio and the Modern 
       Festival; Festive Exclusions: The Carnival Heimat. 
505 8  Anti-Semitic Violence as FestivalConclusion; 3. Mobilising
       Sound for the Nation at War; Imagining National Community;
       Radio Sounds as National Celebration; Alarm Sounds as 
       Acoustic Signals; Suspicious Sounds; Conclusion; 4. Cinema
       as a Gesamtkunstwerk?; The Gesamtkunstwerk in Cinema; 
       Acoustic Metaphors: From Symphony to Postcard; Rhythmic 
       Harmony: Sound as a Controlled Event; Synchronising the 
       Nazi Era?; Conclusion; Afterword: Echoes of the Past; 
       Notes; Introduction; Notes to Chapter 1; Notes to Chapter 
       2; Notes to Chapter 3; Notes to Chapter 4; Notes to 
       Afterword; Bibliography. 
505 8  Interviews (Selection)Track List; Track 1 [03:05 mins]; 
       Track 2 [03:18 mins]; Track 3 [02:05 mins]; Track 4 [27:55
       mins]; Track 5 [02:30 mins]; Track 6 [00:30 mins]; Index; 
       Index of Names; Index of Subjects. 
520    Following the formation of the German National Socialist 
       Party in the 1920s, various forms of sound (popular music,
       voice, noise and silence) and media technology (radio and 
       loudspeaker systems) were configured as useful to the 
       party's political programme. Focusing on the urban 
       "soundscape" of Dusseldorf, the author makes a persuasive 
       case for investigating such sound events and technological
       devices in their specific contexts of production and 
       reception. Nazi Soundscapes identifies strategies for 
       controlling space and reworking identity patterns, but 
       also the ongoing difficulties in manipulat. 
546    English. 
588 0  Print version record. 
650  0 Propaganda. 
650  7 BUSINESS & ECONOMICS|xIndustries|xMedia & Communications.
       |2bisacsh 
650  7 TECHNOLOGY & ENGINEERING|xTelecommunications.|2bisacsh 
650  7 HISTORY|xCivilization.|2bisacsh 
650  7 HISTORY|xEssays.|2bisacsh 
650  7 HISTORY|xReference.|2bisacsh 
650  7 HISTORY|xSocial History.|2bisacsh 
650  7 HISTORY|xGeneral.|2bisacsh 
650  7 Propaganda.|2fast|0(OCoLC)fst01078957 
650  7 Stadt.|2gnd 
650  7 Geräusch.|2gnd 
650  7 Unterhaltungsindustrie.|2gnd 
650  7 Massenmedien.|2gnd 
650  7 Nationalsozialismus.|2gnd 
650  7 Hörfunk.|2gnd 
650  7 Film.|2gnd 
650  7 Audiotechnik.|2gnd 
650  7 Sociology & Social History.|2hilcc 
650  7 Social Sciences.|2hilcc 
650  7 Social Change.|2hilcc 
651  7 Germany.|2gnd 
651  7 Düsseldorf.|2gnd 
653  0 History 
653  0 Nazi 
653  0 Urban Cities 
653  0 Media Technology 
653  0 Propaganda 
653  0 Geschiedenis 
653  0 Soundscapes 
653  0 Germany 
653  0 Radio 
653  0 Listening 
653  0 Popular Music 
776 08 |iPrint version:|tNazi soundscapes.|dAmsterdam : Amsterdam
       University Press, ©2012|z9789089644268|w(OCoLC)798628945 
830  0 JSTOR EBA. 
914    ocn810232657 
994    92|bCKE