LEADER 00000cam a2200649Ii 4500 
001    on1128099277 
003    OCoLC 
005    20210316092751.0 
008    191121t20202020nyua     c    000 0 eng d 
020    1588396886|qhardcover 
020    9781588396884|qhardcover 
035    (OCoLC)1128099277 
040    YDX|beng|erda|cYDX|dMZA|dOCLCF|dOCLCQ|dCHVBK|dYDXIT|dUAB
       |dOKX|dOCLCO 
049    GPIA 
050  4 GT503|b.B65 2020 
082 04 391|223 
100 1  Bolton, Andrew,|d1966-|eauthor,|ecurator. 
245 10 About time :|bfashion & duration /|cAndrew Bolton ; with 
       Jan Glier Reeder, Jessica Regan, and Amanda Garfinkel ; 
       introduction by Theodore Martin ; short story by Michael 
       Cunningham ; photographs by Nicholas Alan Cope. 
246 3  Fashion and duration 
246 30 Fashion & duration 
264  1 New York :|bThe Metropolitan Museum of Art,|c[2020] 
264  4 |c©2020 
300    xxxi, 358 pages, xxxiv-lxxxiii :|billustrations ;|c33 cm 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    Catalog of an exhibition at the Metropolitan Museum of Art,
       New York, from May 7-September 7, 2020. 
505 0  Sixty minutes of fashion / Andrew Bolton -- On time / 
       Theodore Martin -- Plates -- Out of time / Michael 
       Cunningham. 
520 8  Fashion not only reflects and represents the spirit of the
       times, it also changes and develops with the times. About 
       Time takes as its starting point the 1870s-when major 
       developments in the establishment of standard time shifted
       the measurement of time from the local to the global-and 
       examines the temporal impulses of fashion over 150 years 
       to the present. Sections combining thought-provoking texts
       and newly commissioned photography explore the fugitive 
       rhythm of fashion governed by the shared experience of 
       "objective time," measured by the clock and calendar, and 
       the personal experience of "subjective time," expressed 
       through clothes that mark events of a person's life. 
       Fashion is examined through the lenses of the marginal, 
       the minority, and the postcolonial, advancing the concept 
       of time as a metaphor for difference. Fashions created 
       after the invention of the World Wide Web in 1989 are 
       explored through the postmodern concepts of volatility, 
       multiplicity, immediacy, and disposability. While fashion 
       has embraced and benefited from the around-the-clock 
       potentialities of digital capitalism, it has also suffered
       from its unquenchable functioning. Addressing this 
       negation of time, the book concludes with a section on the
       future of fashion, which advocates for a slowing down of 
       fashion, and a re-emphasis on the values inherent in its 
       creation and consumption. Exhibition: Metropolitan Museum 
       of Art, New York, USA (07.05.-07.09.2020) 
600 10 Woolf, Virginia,|d1882-1941|vQuotations. 
610 27 Metropolitan Museum of Art|2gnd|0(DE-588)1008914-7 
648  7 1800-2099|2fast 
650  0 Fashion|xHistory|y19th century|vExhibitions. 
650  0 Fashion|xHistory|y20th century|vExhibitions. 
650  0 Fashion|xHistory|y21st century|vExhibitions. 
650  0 Fashion|xHistory|vChronology. 
650  0 Time perception. 
650  0 Time in art. 
650  0 Time in literature. 
650  7 Fashion.|2fast|0(OCoLC)fst00921600 
655  7 Exhibition catalogs.|2fast|0(OCoLC)fst01424028 
655  7 History.|2fast|0(OCoLC)fst01411628 
700 1  Reeder, Jan Glier,|eauthor. 
700 1  Regan, Jessica,|eauthor. 
700 1  Garfinkel, Amanda,|eauthor. 
700 1  Martin, Theodore,|ewriter of introduction. 
700 1  Cunningham, Michael,|d1952-|eauthor. 
700 1  Cope, Nicholas Alan,|ephotographer. 
710 2  Metropolitan Museum of Art (New York, N.Y.),|ehost 
       institution. 
994    C0|bGPI