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Title Screening Shakespeare in the twenty-first century / edited by Mark Thornton Burnett and Ramona Wray.

Publication Info. Edinburgh : Edinburgh University Press, [2006]
©2006

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 Rocky Hill - Downloadable Materials  EBSCO Ebook    Downloadable
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Description 1 online resource (iv, 218 pages)
Note "Early versions of some of these chapters were given as papers at the Newcastle-upon-Tyne meeting of the British Shakespeare Association"--Acknowledgements.
Includes index.
Contents Cover -- COVER -- Contents -- Acknowledgements -- Introduction -- 1 8216;If I8217;m right8217;58; Michael Wood8217;s In Search of Shakespeare -- 2 8216;I see my father8217; in 8216;my mind8217;s eye8217;58; Surveillance and the Filmic Hamlet -- 3 Backstage Pass40;ing41;58; Stage Beauty44; Othello and the Make45;up of Race -- 4 The Postnostalgic Renaissance58; The 8216;Place8217; of Liverpool in Don Boyd8217;s My Kingdom -- 5 Our Shakespeares58; British Television and the Strains of Multiculturalism -- 6 Looking for Shylock58; Stephen Greenblatt44; Michael Radford and Al Pacino -- 7 Speaking Maori Shakespeare58; The Maori Merchant of Venice and the Legacy of Colonisation -- 8 8216;Into a thousand parts divide one man8217;58; Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis8217; Henry V -- 9 Screening the McShakespeare in Post45;Millennial Shakespeare Cinema -- 10 Shakespeare and the Singletons44; or44; Beatrice Meets Bridget Jones58; Post45;Feminism44; Popular Culture and 8216;Shakespea40;Re41;45;Told8217; -- Notes on Contributors -- Index -- Last Page.
Summary This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums.
Note Print version record.
Access Use copy Restrictions unspecified star MiAaHDL
Reproduction Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
System Details Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Processing Action digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
Subject Shakespeare, William, 1564-1616 -- Film adaptations -- Congresses.
English drama -- Film adaptations -- Congresses.
Film adaptations -- History and criticism -- Congresses.
LITERARY CRITICISM -- Shakespeare.
DRAMA -- Shakespeare.
Added Author Burnett, Mark Thornton.
Wray, Ramona, 1971-
Other Form: Print version: Screening Shakespeare in the twenty-first century. Edinburgh : Edinburgh University Press, ©2006 0748623507 9780748623501 (OCoLC)70399753
ISBN 0748630082 (electronic bk.)
9780748630080 (electronic bk.)
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