LEADER 00000cam  2200937Ii 4500 
001    ocn436155908 
003    OCoLC 
005    20160518075123.5 
006    m     o  d         
007    cr un||||||||| 
008    090909s2008    miua    obq  s001 0 eng d 
016 7  |z014822445|2Uk 
019    587803968|a647847426|a648809321|a682105769|a701012073
       |a710816995|a728024116 
020    9780472024469|q(electronic bk.) 
020    0472024469|q(electronic bk.) 
035    (OCoLC)436155908|z(OCoLC)587803968|z(OCoLC)647847426
       |z(OCoLC)648809321|z(OCoLC)682105769|z(OCoLC)701012073
       |z(OCoLC)710816995|z(OCoLC)728024116 
040    BUF|beng|epn|erda|cBUF|dBUF|dNOC|dN$T|dIDEBK|dE7B|dCNCGM
       |dOCLCQ|dCOO|dYDXCP|dOCLCQ|dFVL|dOCLCQ|dOCLCO|dOCLCQ|dZMC
       |dP@U|dOCLCF|dP4I|dOCLCE|dOCLCQ|dOCLCO|dOCL|dOCLCO|dOCLCQ
       |dOCLCO 
042    dlr 
043    e-uk--- 
049    GTKE 
050  4 PR878.D4|bM55 2008eb 
082 04 823/.087209|222 
100 1  Miller, Elizabeth Carolyn,|d1974- 
245 10 Framed :|bthe new woman criminal in British culture at the
       Fin de Siècle /|cElizabeth Carolyn Miller. 
264  1 Ann Arbor :|bUniversity of Michigan Press :|c[2008] 
264  1 |bUniversity of Michigan Library,|c[2008] 
264  4 |c©2008 
300    1 online resource (xii, 284 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
504    Includes filmography. 
505 00 |tPrivate and public eyes : Sherlock Holmes and the 
       invisible woman --|tBeautiful for ever! cosmetics, 
       consumerism, L.T. Meade, and Madame Rachel --|tThe limits 
       of the gaze : class, gender, and authority in early 
       British cinema --|tDynamite, interrupted : gender in 
       James's and Conrad's novels of failed terror --|t"An 
       invitation to dynamite" : female revolutionaries in late-
       Victorian dynamite narrative. 
506    |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 
520    Framed uses fin de siècle British crime narrative to pose 
       the question: why do female criminal characters tend to be
       alluring and appealing while fictional male criminals of 
       the era are unsympathetic or even grotesque? The author 
       addresses this question, examining popular literary and 
       cinematic culture from roughly 1880 to 1914 to shed light 
       on an otherwise overlooked social and cultural type: the 
       conspicuously glamorous New Woman criminal. In so doing, 
       she breaks with the many Foucauldian studies of crime to 
       emphasize the genuinely subversive aspects of these 
       popular female figures. Drawing on a rich body of archival
       material, Miller argues that the New Woman Criminal 
       exploited iconic elements of late nineteenth- and early 
       twentieth-century commodity culture, including cosmetics 
       and clothing, to fashion an illicit identity that enabled 
       her to subvert legal authority in both the public and the 
       private spheres. 
533    Electronic reproduction.|b[S.l.] :|cHathiTrust Digital 
       Library,|d2010.|5MiAaHDL 
538    Master and use copy. Digital master created according to 
       Benchmark for Faithful Digital Reproductions of Monographs
       and Serials, Version 1. Digital Library Federation, 
       December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
       |5MiAaHDL 
583 1  digitized|c2010|hHathiTrust Digital Library|lcommitted to 
       preserve|2pda|5MiAaHDL 
588 0  Print version record. 
648  7 Geschichte 1880-1900|2swd 
648  7 1800 - 1899|2fast 
650  0 Detective and mystery stories, English|xHistory and 
       criticism. 
650  0 English fiction|y19th century|xHistory and criticism. 
650  0 Female offenders in literature. 
650  0 Terrorism in literature. 
650  0 Consumption (Economics) in literature. 
650  0 Feminism and literature|zGreat Britain|xHistory|y19th 
       century. 
650  0 Literature and society|zGreat Britain|xHistory|y19th 
       century. 
650  0 Detective and mystery films|zGreat Britain|xHistory and 
       criticism. 
650  0 Women in popular culture|zGreat Britain|xHistory|y19th 
       century. 
650  7 LITERARY CRITICISM|xEuropean|xEnglish, Irish, Scottish, 
       Welsh.|2bisacsh 
650  7 Consumption (Economics) in literature.|2fast
       |0(OCoLC)fst00876484 
650  7 Detective and mystery films.|2fast|0(OCoLC)fst00891450 
650  7 Detective and mystery stories, English.|2fast
       |0(OCoLC)fst00891515 
650  7 English fiction.|2fast|0(OCoLC)fst00910817 
650  7 Female offenders in literature.|2fast|0(OCoLC)fst00922643 
650  7 Feminism and literature.|2fast|0(OCoLC)fst00922735 
650  7 Literature and society.|2fast|0(OCoLC)fst01000096 
650  7 Terrorism in literature.|2fast|0(OCoLC)fst01148151 
650  7 Women in popular culture.|2fast|0(OCoLC)fst01177953 
650  7 Frauenkriminalität|xMotiv|xRoman|zenglischer.|2idsbb 
650  7 Roman|zenglischer|xMotiv|xFrauenkriminalität.|2idsbb 
650  7 Kriminalliteratur|zenglische.|2idsbb 
650  7 Kriminalfilm|zGrossbritannien.|2idsbb 
650  7 Kriminalliteratur|zenglische|yGeschichte 19. Jh.|2idsbb 
650 07 Literatur.|2swd 
650 07 Weibliche Kriminelle (Motiv)|2swd 
650 07 Kultur.|2swd 
650 07 Weibliche Kriminelle.|2swd 
651  7 Great Britain.|2fast|0(OCoLC)fst01204623 
651  7 Englisch.|2swd 
651  7 Großbritannien.|2swd 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
655  7 History.|2fast|0(OCoLC)fst01411628 
740 0  Digitalculturebooks. 
776 08 |iPrint version:|aMiller, Elizabeth Carolyn, 1974-
       |tFramed.|dAnn Arbor : University of Michigan Press : 
       University of Michigan Library, ©2008|z9780472070442
       |w(DLC)  2008015026|w(OCoLC)225852336 
914    ocn436155908 
994    93|bGTK